One Thousand Drawings

Edited by the artist herself from an archive of work stretching back to the beginning of her career, this is at once a collection of Tracey Emin's works on paper, an exposae of her life as an artist, and a collectible artifact in its own right.

DIV Discover beautiful and inspiring illustrations from children’s stories in 1000 Illustrations for Children! Colorful, whimsical drawings fill the pages, brought to you by expert contributors from around the world, including: —Wolf Erlbruch (Germany) —Julia Wauters (France) —Nadia Budde (Germany) —Marije Tolman (The Netherlands) —Kitty Crowther (Belgium) —Suzy Lee (Korea) —Komako Sakai (Japan) —Owen Davey (UK) —Oliver Jeffers (USA) —Renato Moriconi (Brazil) —Rilla Alexander (Australia) —And many others /div

Tracey Emin has undergone an extraordinary metamorphosis from a young, unknown artist into the 'bad girl' of the Young British Art (yBA) movement, challenging the complacency of the art establishment in both her work and her life. Today she is arguably the doyenne of the British art scene and attracts more acclaim than controversy. Her work is known by a wide audience, yet rarely receives the critical attention it deserves. In Art Into Life: Essays on Tracey Emin writers from a range of art historical, artistic and curatorial perspectives examine how Emin's art, life and celebrity status have become inextricably intertwined. This innovative collection explores Emin's intersectional identity, including her Turkish-Cypriot heritage, ageing and sexuality, reflects on her early years as an artist, and debates issues of autobiography, self-presentation and performativity alongside the multi-media exchanges of her work and the tensions between art and craft. With its discussions of the central themes of Emin's art, attention to key works such as My Bed, and accessible theorization of her creative practice, Art into Life will interest a broad readership.

This definitive illustrated history of manga is an unparalleled account of the development of a form which is an integral part of Japanese art and culture and now hugely popular throughout the world. As contemporary as this graphic art form may appear to readers outside of Japan, manga has deep roots in Japanese culture, drawing on centuries- old artistic traditions. Traces can be found in seventh-century temple paintings, folding screens decorated with comic characters, and painted medieval emakimono scrolls. The more familiar manga comics of today echo similar themes, both light-hearted and serious, and draw on narrative forms present in both sagas and skits from Japan’s rich cultural heritage. This volume spans the history of manga in all its splendor and diversity. Among the many highlights included are Hokusai’s seminal Hokusai Manga of 1814, the advent of the gekiga style in the 1950s, the landmark Astro Boy by Tezuka Osamu, Lady Oscar, Riyoko Ikeda’s shojo manga aimed at young girls, samurai sagas, alternative productions by the review Garo, the demons that populate the works of Mizuki Shigeru, and the latest creations from Jiro Taniguchi. Each period is covered in detail by author Brigitte Koyama-Richard and illustrated with drawings and prints. One Thousand Years of Manga is both an informative account of the genesis of the form and a visual delight. Featuring more than four hundred illustrations and captivating texts, the book situates manga in its proper context, appreciating it for what it truly is: an integral part of Japanese art and culture that is as rich and revealing as it is popular.

"The most highly publicized of the infamous Young British Artists, Emin has stirred as much controversy as she has acclaim, being both highly personal and extremely original in her art. Emin's work is engaging, titillating, disturbing, and startlingly confessional. One of her most famous pieces is Everyone I Ever Slept With 1963-1995, a tent appliquEd with names. Another notorious work, My Bed--the scene where she spent four days contemplating suicide--was exhibited at Tate Britain when the artist was short-listed for the Turner prize in 1999. Though denounced by conservative critics at the outset, Emin's work has attracted serious critical attention for more than a decade. In the words of Art in America, "What brought Emin to prominence was shock value, but what keeps her work powerful as she continues is the strength and nuance of its form and content." Compiled in close collaboration with the artist herself--and unprecedented in its scope--this is the definitive book on Emin, featuring drawings, paintings, sculptures, appliquEs and embroideries, neon and video stills as well as her own writing."--Publisher's website.

This empowering picture book teaches readers that even great ideas sometimes get a NO—but that NO can actually help great ideas become the best ideas! There was a little girl who had a great idea. She had the most amazing, superb, best idea ever! NO? Wait, what do you mean NO? NO again? What is she supposed to do with all these NO's? NO after NO after NO come the little girl's way, twisting and squishing her idea. But by persevering, collaborating and using a little imagination, all those NO's become the building blocks for the biggest YES ever! A Thousand NO's is a story about perseverance and innovation. It shows what amazing things can happen if we work with others and don't give up, and teaches kids not to let expectations of how things should be get in the way of what could be.

The intimate memoirs of one of the most acclaimed and controversial artists of her generation. Here I am, a fucked, crazy, anorexic-alcoholic-childless, beautiful woman. I never dreamt it would be like this. 'Frequently affecting...intriguing, almost incantatory' Telegraph Tracey Emin's Strangeland is her own space, lying between the Margate of her childhood, the Turkey of her forefathers and her own, private-public life in present-day London. Her writings, a combination of memoirs and confessions, are deeply intimate, yet powerfully engaging. Tracey retains a profoundly romantic world view, paired with an uncompromising honesty. Her capacity both to create controversies and to strike chords is unequalled in British life. A remarkable book - and an original, beautiful mind. 'As spare and poignant as one of Emin's line drawings' Marie Claire