One Thread Pulled

When the wealthy and handsome Fitzwilliam Darcy encounters the beautiful and lively Elizabeth Bennet at a small country ball, he loudly refuses to dance with her, declaring her to be merely tolerable. Fortunately for Mr. Darcy, Elizabeth has walked away and does not overhear his insult, thus snagging the thread that would have sealed her prejudice against the prideful stranger. Unexpectedly, circumstances thrust Elizabeth into the same household as Mr. Darcy, and her proximity unwittingly proves tempting, as her tantalizing wit and playfulness evoke desires that threaten to unravel his resolve against her. In this delightful re-imagining of Jane Austen's beloved classic, Pride and Prejudice, the players are the same, but the rules have changed as the dance between Darcy and Lizzy unfolds.

The author of The Stitch Bible guides you through the basics of the counted thread whitework technique that will give your projects a lovely, lacey look. Learn the basic stitches and essential techniques to create beautiful pulled thread embroidery with this comprehensive guide. Every stitch has clear step-by-step instructions and is accompanied by colored diagrams, making it easy to create impressive embroidered designs. This short book also includes instructions for two projects—a stylish “diamond” bracelet and a cute cupcake apron. Praise for Kate Haxell’s The Stitch Bible “A comprehensive guide. It’s such a modern and up to date book yet it wonderfully covers many types of traditional stitch from Blackwork, Hardanger, Crewel, and Goldwork all the way to the anything goes of Freestyle Embroidery. Great for folks wondering where to start, this book has projects. Beautifully presented and easy to follow, The Stitch Bible would make a top notch gift to self or others.” —Peaceofpi Studio

Clearly written, profusely illustrated guide for creating attractive lace-like effects by compressing threads of loosely woven background material with tightly pulled stitches. Instructions for edgings; examples of pulled work from past.

45 traditional designs in the Danish pulled thread technique, with illustrated instructions.

The exotic and impressive grave goods from burials of the ÔWessex CultureÕ in Early Bronze Age Britain are well known and have inspired influential social and economic hypotheses, invoking the former existence of chiefs, warriors and merchants and high-ranking pastoralists. Alternative theories have sought to explain the how display of such objects was related to religious and ritual activity rather than to economic status, and that groups of artefacts found in certain graves may have belonged to religious specialists. This volume is the result of a major research that aimed to investigate Chalcolithic and Early Bronze Age grave goods in relation to their possible use as special dress accessories or as equipment employed within ritual activities and ceremonies. Many items of adornment can be shown to have formed elements of elaborate costumes, probably worn by individuals, both male and female, who held important ritual roles within society. Furthermore, the analysis has shown that various categories of object long interpreted as mundane types of tool were in fact items of bodily adornment or implements used in ritual contexts, or in the special embellishment of the human body. Although never intended to form a complete catalogue of all the relevant artefacts from England the volume provides an extensive, and intensively illustrated, overview of a large proportion of the grave goods from English burial sites.

A tribute to Jane C. Goodale, Pulling the Right Threads discusses the vibrant ethnographer and teacher's principles for mentoring, collaborating, and performing fieldwork. Known for her ethnographic research in the Pacific, development of the Association of Social Anthropology in Oceania, and influence in the anthropology department at Bryn Mawr College, Goodale and other contributors renew the debate in anthropology over the authenticity of field data and representations of other cultures. Together, they take aim at those who claim ethnography is outmoded or false.