Only A Few Blocks To Cuba

In Only a Few Blocks to Cuba, Mauricio Castro shows how the U.S. government came to view Cuban migration to Miami as a strategic asset during the Cold War, in the process investing heavily in the city’s development and shaping its future as a global metropolis. When Cuban refugees fleeing Communist revolution began to arrive in Miami in 1959, the city was faced with a humanitarian crisis it was ill-equipped to handle and sought to have the federal government solve what local politicians clearly viewed as a Cold War geopolitical problem. In response, the Eisenhower and Kennedy administrations, and their successors, provided an unprecedented level of federal largesse and freedom of transit to these refugees. The changes to the city this investment wrought were as impactful and permanent as they were unintended. What was meant to be a short-term geopolitical stratagem instead became a new reality in South Florida. A growing and increasingly powerful Cuban community contested their place in Miami and navigated challenges like bilingualism, internal political disputes, socioeconomic polarization, and ongoing struggles and negotiations with Washington and Havana in the decades that followed. This contested process, argues Mauricio Castro, not only transformed South Florida, but American foreign policy and the calculus of national politics. Castro uses extensive archival research in local and national sources to demonstrate that the Cuban diaspora and Cold War refugee policy made South Florida a key space to understanding the shifting landscape of the late twentieth century. In this way, Miami serves as an example of both the lived effects of defense spending in urban spaces and of how local communities can shape national politics and international relations. American politics, foreign relations, immigration policy, and urban development all intersected on the streets of Miami.

In the tumultuous first decade of the Cuban Revolution, Fidel Castro and other leaders saturated the media with altruistic images of themselves in a campaign to win the hearts of Cuba's six million citizens. In Visions of Power in Cuba, Lillian Gue

Gustavo P?rez Firmat arrived in America with his family at the age of eleven. Victims of CastroÍs revolution, the P?rez family put their life on hold, waiting for CastroÍs fall. Each Christmas, along with other Cuban families in the neighborhood, they celebrated with the cry, ñNext year in Cuba.î Growing up in the Dade County school system, and graduating from college in Florida, P?rez Firmat was insulated from America by the nurturing sights and sounds of Little Havana. It wasnÍt until he left home to attend graduate school at the University of Michigan that he realized, as the Cuba of his birth receded farther into the past, he had become no longer wholly Cubano, but increasingly a man of two heritages and two countries. In a searing memoir of a family torn apart by exile, P?rez Firmat chronicles the painful search for roots that has come to dominate his adult life. With one brother beset by personal problems and another embracing the very revolution that drove their family out of Cuba, Gustavo realized that the words ñNext Year in Cuba,î had, for him, taken on a hollow ring. Now, married to an American woman, and father to two children who are Cuban in name only, P?rez Firmat has finally come to acknowledge his need to celebrate his love of Cuba, while embracing the America he has come to love.

There are few international relationships as intimate, as passionate-and as dysfunctional-as that of the United States and Cuba. In The Cuba Wars, Cuba expert Daniel Erikson draws on extensive visits and conversations with both Cuban government officials and opposition leaders-plus key players in Washington and Florida-to offer an unmatched portrait of a small country with outsized importance to Americans and American policy.

"For fifty-five years U.S.-Cuban relations were couched in terms of the Cold War, often pitting Cubans in the diaspora against Cubans who remained in their homeland. This collection of Cuban and Cuban-American writing and art celebrates the informal networks that Cubans in both countries have maintained through artistic, academic, family, and other ties. The book brings together for the first time in English Cuban voices of the second generation, both on the island and in the diaspora. The multivocal and multigenre collection includes both scholarly and creative writing and an impressive range of visual art. Bridges to Cuba/Puentes a Cuba opens a window onto the meaning of nationality, transnationalism, and homeland in our time."--Back cover.

From the vibrancy and crumbling colonial faades of its capital, Havana, to its white-sand beaches, pulsating music scene and fascinating history, Cuba is a truly unique destination. Be inspired to visit with our new Insight Guide Cuba, a comprehensive full-colour guide to this enchanting country. An updated new edition by our expert authors. Stunning photography brings this delightful country and its people to life. Highlights of the country's top attractions, from revolution monuments to lush greenery, time-warped towns like Trinidad, and world-class cigar factories. Descriptive region-by-region accounts cover the whole country from the sensual capital, Havana, to sleepy Cienfuegos and the cultural hub of Santiago de Cuba. Detailed, high-quality maps throughout will help you get around and the A-Z section will give you all the essential information for planning a memorable trip. About Insight Guides: Insight Guides has over 40 years' experience of publishing high-quality, visual travel guides. We produce around 400 full-colour print guide books and maps as well as picture-packed eBooks to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture together create a unique visual reference and planning tool to inspire your next adventure. 'Insight Guides has spawned many imitators but is still the best of its type.' - Wanderlust Magazine

The Caribbean stands out in the popular imagination as a 'place without history', a place which has somehow eluded modernity. Haiti is envisioned as being trapped in an endless cycle of violence and instability, Cuba as a 1950s time warp, Jamaicans as ganja-smoking Rastafarians, while numerous pristine, anonymous islands are simply peaceful idylls. The notion of 'getting away from it all' lures countless visitors, offering the possibility of total disconnect for the world-weary. In On the Move Alejandra Bronfman argues that in fact the opposite is true; the Caribbean is, and has always been, deeply engaged with the wider world. From drugs and tourism to international political struggles, these islands form an integral part of world history and of the present, and are themselves in a constant state of economic and social flux in the face of global transformations.

Late in his life, former president Lyndon B. Johnson told a reporter that he didn’t believe the Warren Commission’s finding that Lee Harvey Oswald acted alone in killing President John F. Kennedy. Johnson thought Cuban president Fidel Castro was behind it. After all, Johnson said, Kennedy was running “a damned Murder, Inc., in the Caribbean,” giving Castro reason to retaliate. Murder, Inc., tells the story of the CIA’s assassination operations under Kennedy up to his own assassination and beyond. James H. Johnston was a lawyer for the Senate Intelligence Committee in 1975, which investigated and first reported on the Castro assassination plots and their relation to Kennedy’s murder. Johnston examines how the CIA steered the Warren Commission and later investigations away from connecting its own assassination operations to Kennedy’s murder. He also looks at the effect this strategy had on the Warren Commission’s conclusions that assassin Lee Harvey Oswald acted alone and that there was no foreign conspiracy. Sourced from in-depth research into the “secret files” declassified by the JFK Records Act and now stored in the National Archives and Records Administration, Murder, Inc. is the first book to narrate in detail the CIA’s plots against Castro and to delve into the question of why retaliation by Castro against Kennedy was not investigated.