Only One Boy

There's only one boy Celia would NOT want to be stuck sitting next to on this interminably long train ride. So guess who just walked on board… Clearly the universe has a sick sense of humor. That's the only explanation Celia can come up with when she finds herself alone on a train with her crush since second grade. Maybe some girls would call this fate. Destiny, even. But Celia knows better. This is cruel and unusual punishment, because Heath is also the one boy who turns her into a stammering, incoherent fool. And that's before he kisses her senseless. Heath's not exactly jazzed about this turn of events either. He's supposed to be on this trip with his girlfriend. But now his girlfriend is his ex and he's trapped on a train ride from hell with the one girl who apparently hates his guts. Cool. Looks like everyone is in for a good time. Except, one derailed train, a shared motel room, two unexpected detours, and a few steamy kisses later, and maybe, just maybe—they're both about to change their tune.

One October night in 1975 Richard, aged five, was alone in the house with his three sisters. It was 3am and their mother hadn't come home yet. Next morning, the police arrived to take the children away. Their mother had become the first victim of a serial killer soon to become known as the 'Yorkshire Ripper'. Passed from one violent home to another, the children were forgotten by all except the press. As the salacious headlines multiplied, Richard and his sisters were never able to recover from their mother's murder. Whilst Richard tried to handle the terror of his violent upbringing, his sister struggled to deal with memories of sexual abuse. Without love or support they spiralled away from help or happiness. Then one day Richard McCann, having reached suicidal rock bottom, decided no one was going to rescue their lives but him. It was the beginning of an inspirational transformation. Now he is able to tell the story of how the forgotten children of violence suffer, and how they can heal. A heartbreaking, uplifting story of survival and hope.

Who will be brave enough to make friends with the boy named Queen? Sara Cassidy’s acclaimed novel, A Boy Named Queen, is now available in paperback! Evelyn is both aghast and fascinated when a new boy comes to grade five and tells everyone his name is Queen. Queen wears shiny gym shorts and wants to organize a chess/environment club. His father plays weird loud music and has tattoos. How will the class react? How will Evelyn? Evelyn is an only child with a strict routine and an even stricter mother. And yet in her quiet way she notices things. She notices the way bullies don’t seem to faze Queen. The way he seems to live by his own rules. When it turns out that they take the same route home from school, Evelyn and Queen become friends, even if she finds Queen irritating at times. Why doesn’t he just shut up and stop attracting so much attention to himself. Yet Queen is the most interesting person she has ever met. So when she receives a last-minute invitation to his birthday party, she knows she must somehow persuade her mother to let her go, even if Queen’s world upends everything her mother considers appropriate. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).

Inspiring and honest, this unique memoir of gender transition and coming-of-age proves it’s never too late to find your true identity. Since he was a small child, Lorimer Shenher knew something for certain: he was a boy. The problem was, he was growing up in a girl’s body. In this candid and thoughtful memoir, Shenher shares the story of his gender journey, from childhood gender dysphoria to teenage sexual experimentation to early-adult denial of his identity—and finally the acceptance that he is trans, culminating in gender reassignment surgery in his fifties. Along the way, he details his childhood in booming Calgary, his struggles with alcohol, and his eventual move to Vancouver, where he became the first detective assigned to the case of serial killer Robert Pickton (the subject of his critically acclaimed book That Lonely Section of Hell). With warmth and openness, This One Looks Like A Boy takes us through one of the most important decisions Shenher will ever make, as he comes into his own and finally discovers acceptance and relief.

When you're allergic to water, growing up in Hawaii isn't always paradise. Everybody loves Jay. I love my brother, too. Sometimes I wish I could be him--a surfing star instead of the weird kid allergic to water, the Blalahs' favorite punching bag. But that's not the worst of it. In the middle of the night, I dream. There's a mysterious girl who lives in a magical place and acts like she knows me better than I know myself. We hide from the Man with Too Many Teeth. Some nights I wake up with my heart pounding and the urge to eat raw meat. It's just a dream, right? But then I saw him, the Man with Too Many Teeth, walking along the reef at Piko Point. Not even Jay can protect me now. __________________ One Boy, No Water is Book 1 in the Niuhi Shark Saga trilogy. Told from an indigenous perspective and set in a contemporary Hawaiian world where all the Hawaiian myths and legends are real, the series explores belonging, adoption, being different, bullying, defining family, and learning to turn weaknesses into strengths. Through the series, Zader discovers he's not really a boy allergic to water; he's something much more special, dangerous, and powerful. His adoptive brother Jay discovers what happens when the golden surfing star falls from his pedestal and has to choose to make the long climb back from serious injury. It's the ties that bind and support the brothers that allow them to create their own destinies. As typical local islanders, characters use common Hawaiian and Pidgin words and phrases. The meaning is usually clear from the context, but there is also a Hawaiian & Pidgin Glossary for additional support. Each chapter begins with a related island word or phrase and its definitions. A Discussion Guide for book club or classroom use is included. Free additional classroom support materials are available on www.NiuhiSharkSaga.com. One Boy, No Water, Book 1 in the Niuhi Shark Saga, was a 2017 Nene Award Nominee. The Nene Award is Hawaii's Children's Choice Book Award recognizing outstanding literary works.

This die-cut book explores two (!) concepts: counting and words-within-words, while also telling a satisfying story about the power of art and imagination in one child's life. ONE boy all alONE two SEAls in the SEA three APEs no escAPE four monKEYs hold the KEY A boy appears on the scene surrounded by empty chairs and looking awfully lonely. He's got a backpack with a few splattered brushes hanging out. Suddenly, the pages of this book are filled with seals, apes, monkeys, and more. Brilliantly simple, and simply brilliant. T One Boy is a 2009 Bank Street - Best Children's Book of the Year. This title has Common Core connections.

Inquisitive and expansive, Like a Boy but Not a Boy explores author andrea bennett’s experiences with gender expectations, being a non-binary parent, and the sometimes funny and sometimes difficult task of living in a body. The book's fourteen essays also delve incisively into the interconnected themes of mental illness, mortality, creative work, class, and bike mechanics (apparently you can learn a lot about yourself through truing a wheel). In “Tomboy,” andrea articulates what it means to live in a gender in-between space, and why one might be necessary; “37 Jobs 21 Houses” interrogates the notion that the key to a better life is working hard and moving house. And interspersed throughout the book is “Everyone Is Sober and No One Can Drive,” sixteen stories about queer millennials who grew up and came of age in small communities. With the same poignant spirit as Ivan Coyote’s Tomboy Survival Guide, Like a Boy but Not a Boy addresses the struggle to find acceptance, and to accept oneself; and how one can find one’s place while learning to make space for others. The book also wonders it means to be an atheist and search for faith that everything will be okay; what it means to learn how to love life even as you obsess over its brevity; and how to give birth, to bring new life, at what feels like the end of the world. With thoughtfulness and acute observation, andrea bennett reveal intimate truths about the human experience, whether one is outside the gender binary or not. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

A son of Chinese immigrants discovers his true self in a “sharply written debut . . . a coming-of-age tale for our time” (Seattle Times). Publishing Triangle’s Edmund White Award for Debut Fiction, Winner 2015 PEN/ Hemingway Award, Finalist Lambda Literary Award, Finalist Longlisted for the 2014 Flaherty-Dunnan First Novel Prize A Barnes & Noble Discover Great New Writers Selection for Spring 2014 A New York Times Book Review Editor’s Choice Shortlisted for the Kobo Emerging Writer Prize At birth, Peter Huang is given the Chinese name Juan Chaun, “powerful king.” To his parents, newly settled in small-town Ontario, he is the exalted only son in a sea of daughters, the one who will finally fulfill his immigrant father’s dreams of Western masculinity. Peter and his sisters grow up in an airless house of order and obligation, though secrets and half-truths simmer beneath the surface. At the first opportunity, each of the girls lights out on her own. But for Peter, escape is not as simple as fleeing his parents’ home. Though his father crowned him “powerful king,” Peter knows otherwise. He knows he is really a girl. With the help of his far-flung sisters and the sympathetic souls he finds along the way, Peter inches ever closer to his own life, his own skin, in this darkly funny, emotionally acute, stunningly powerful debut. “Sensitively wrought . . . “For Today I Am a Boy” is as much about the construction of self as the consequences of its unwitting destruction—and what happens when its acceptance seems as foreign as another country.” —The New York Times Book Review “Subtle and controlled, with flashes of humor and warmth.” —Slate “Keeps you reading. Told in snatches of memory that hurt so much they have the ring of truth.” —Bust