Ooga Booga

From the winner of the PEN/Voelker Award, poems of love, terror, rage, and desire. Here I am, not a practical man, But clear-eyed in my contact lenses, Following no doubt a slightly different line than the others, Seeking sexual pleasure above all else, Despairing of art and of life, Seeking protection from death by seeking it On a racebike, finding release and belief on two wheels . . . --from "The Death of the Shah" The poems in Ooga-Booga are about a youthful slave owner and his aging slave, and both are the same man. This is the tenderest, most savage collection yet from Frederick Seidel, "the most frightening American poet ever" (Calvin Bedient, Boston Review).

When my youngest child was just a tiny tot, there was a season when we had a difficult time helping her overcome her fear of "monsters" at bedtime. This is a book about helping small children overcome their fear of monsters by taking matters into their own hands and replacing fear with laughter. Monsters may "seem" scary, but as my little one realized, they really don't have to be.

An examination of Lee Lozano's greatest experiment in art and endurance—a major work of art that might not exist at all. The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.

A rhyming children's book that exposes children to rhythm and musical meter. Ooga Booga Music Monster turns story time into music and movement time. These preschool-tested stories get children up and moving as they sway like grass, swim like an octopus, and fly like a dragon! Each story features a different musical meter, as well as a familiar chorus that teaches your child their first musical interval: the minor third.This music and movement book for kids comes with accompanying songs available for free on youtube! Teach children early music concepts with this adorable little monster who is still learning how to share.Musical Concepts:* Rhythm* Meter* Tempo* Dynamics* Intervals* PhrasingSocial Development:* Sharing* Non-violence* EmpathyLanguage Development:* New Vocabulary* Rhyming* Dyslexic-friendly font

It has been a few years since the deaths of Tamir Rice, Michael Brown, Eric Garner, Tanisha Anderson, Freddie Gray and Sandra Bland. A mysterious condition invades the U.S., erasing the Black individual's ability to speak any known language. A bizarre new dialect has surfaced instead. Unable to comprehend their surroundings, they take to the streets and do what they can to survive. This sparks nationwide panic, triggering a government mandate to capture Black people and transport them to isolation camps. Marketing executive Vanessa Landing risks everything to fight for their freedom, not realizing the web of deception awaiting her, nor the liberating love that will transform her from an insecure corporate pawn into the fierce warrior she was meant to be.

“An important resource for students of modern replication studies . . . Of interest to anyone studying folk technologies in general.” ―The Journal of the Royal Anthropological Institute Making arrowheads, blades, and other stone tools was once a survival skill and is still a craft practiced by thousands of flintknappers around the world. In the United States, knappers gather at regional “knap-ins” to socialize, exchange ideas and material, buy and sell both equipment and knapped art, and make stone tools in the company of others. In between these gatherings, the knapping community stays connected through newsletters and the Internet. In this book, avid knapper and professional anthropologist John Whittaker offers an insider’s view of the knapping community. He explores why stone tools attract modern people and what making them means to those who pursue this art. He describes how new members are incorporated into the knapping community, how novices learn the techniques of knapping and find their roles within the group, how the community is structured, and how ethics, rules, and beliefs about knapping are developed and transmitted. He also explains how the practice of knapping relates to professional archaeology, the trade in modern replicas of stone tools, and the forgery of artifacts. Whittaker's book thus documents a fascinating subculture of American life and introduces the wider public to an ancient and still rewarding craft. “This is a superb book, authored by one of the only people with both the anthropological background and the connections in the world of contemporary flintknapping to write it. It really is unlike any work I’m aware of in lithics studies.” —Michael Stafford, Director, Cranbrook Institute of Science

Bert and Ernie have great adventures! Where will their dreams take them next? Come along to the land of dinosaurs!

Winner, Arab American National Museum Book Award for Children's/YA Literature, among other awards and honors. "When a war ends it does not go away," my mother says."It hides inside us . . . Just forget!" But I do not want to do what Mother says . . . I want to remember. In this groundbreaking memoir set in Ramallah during the aftermath of the 1967 Six-Day War, Ibtisam Barakat captures what it is like to be a child whose world is shattered by war. With candor and courage, she stitches together memories of her childhood: fear and confusion as bombs explode near her home and she is separated from her family; the harshness of life as a Palestinian refugee; her unexpected joy when she discovers Alef, the first letter of the Arabic alphabet. This is the beginning of her passionate connection to words, and as language becomes her refuge, allowing her to piece together the fragments of her world, it becomes her true home. Transcending the particulars of politics, this illuminating and timely book provides a telling glimpse into a little-known culture that has become an increasingly important part of the puzzle of world peace.