Opening The Gates Of Interpretation

This study highlights the contributions of the great philosopher-talmudist Moses Maimonides to the rationalist, “plain sense” (peshat) tradition of Jewish Bible exegesis, assessing his place in the Geonic-Andalusian school and showing how he harnessed Greco-Arabic learning to open new hermeneutical possibilities.

Over the course of less than a century, the U.S. transformed from a nation that excluded Asians from immigration and citizenship to one that receives more immigrants from Asia than from anywhere else in the world. Yet questions of how that dramatic shift took place have long gone unanswered. In this first comprehensive history of Asian exclusion repeal, Jane H. Hong unearths the transpacific movement that successfully ended restrictions on Asian immigration. The mid-twentieth century repeal of Asian exclusion, Hong shows, was part of the price of America's postwar empire in Asia. The demands of U.S. empire-building during an era of decolonization created new opportunities for advocates from both the U.S. and Asia to lobby U.S. Congress for repeal. Drawing from sources in the United States, India, and the Philippines, Opening the Gates to Asia charts a movement more than twenty years in the making. Positioning repeal at the intersection of U.S. civil rights struggles and Asian decolonization, Hong raises thorny questions about the meanings of nation, independence, and citizenship on the global stage.

The culture wars show no sign of abating. Same-sex sexuality continues to be one of the most brutal and bloody fronts in those wars and Christians, the fiercest combatants. Friendships, families, churches, and denominations continue to draw their lines-in-the-sand, split, and go their separate ways. Meanwhile, the lives of many, young and old, are deeply scarred and some even lost in the crossfire. It doesn’t have to be that way! Challenging the arguments that perpetuate that conflict, Open Wide the Gates presents a carefully developed biblical, theological, and ethical argument for the welcome, affirmation, and inclusion of gays and lesbians in the life and ministry of the local church. Its irenic tone and clearly articulated presentation provides pastors, denominational leaders, and concerned laypeople with a reliable guide for navigating these often-turbulent waters. In this comprehensive study, Brian D. Cunnington points to a path forward, a path for following Jesus in the twenty-first century characterized by grace, love, and hope; a path that demonstrates the radical presence of God’s kingdom here on earth for all people, regardless of their sexual orientation.

N’ilah, “the closing of the gates” is, in many ways, the most anticipated worship service in the entire Jewish calendar. Coming at the end of the 24-hour fast that characterizes Yom Kippur (The Day of Atonement), it symbolizes the days of old when the gates of the ancient Temple closed at last, and with them, the last chance for prayers of atonement and reconciliation with God and with others. Nowadays, the synagogue service that replaced the Temple cult marks the occasion with heightened fervor: the only time all year when the gates of the ark that houses the Torah scroll remain open throughout the service; telltale melodies accompany the occasion; a final blast of the shofar (the ram’s horn) symbolizes the end of the fast and the new beginning that follows; special prayers celebrate the human capacity to create a life that matters beyond our own mortality -- and the presence of God who “reaches out a hand” to invite us into the new Jewish year that N’ilah’s final shofar blast inaugurates. All of this is the topic for volume eight in “Prayers of Awe,” the series devoted to exploring the depth of the Jewish High Holy Days. As with prior volumes, this one too comes with introductory essays on the history, theology, and deeper meaning behind the prayer experience. It then assembles some 40 short and accessible essays designed to unlock the mystery and depth of the occasion. Authors come from all walks of life – clergy and laypeople, scholars and artists, men and women across the generations – and from seven countries (Canada, Australia, Germany, France, Israel, the UK and USA). What music appreciation is to classical music, this series on prayer is to Jewish worship. This volume, in particular, explores Judaism’s timeless message of divine purpose and the ongoing search for meaning in a world of human frailty but also promise.

All Gates Open presents the definitive story of arguably the most influential and revered avant-garde band of the late twentieth century: CAN. It consists of two books. In Book One, Rob Young gives us the full biography of a band that emerged at the vanguard of what would come to be called the Krautrock scene in late sixties Cologne. With Irmin Schmidt and Holger Czukay - two classically trained students of Stockhausen - at the heart of the band, CAN's studio and live performances burned an incendiary trail through the decade that followed: and left a legacy that is still reverberating today in hip hop, post rock, ambient, and countless other genres. Rob Young's account draws on unique interviews with all founding members of CAN, as well as their vocalists, friends and music industry associates. And he revisits the music, which is still deliriously innovative and unclassifiable more than four decades on. All Gates Open is a portrait of a group who worked with visionary intensity and belief, outside the system and inside their own inner space. Book Two, Can Kiosk, has been assembled by Irmin Schmidt, founding member and guiding spirit of the band, as a 'collage - a technique long associated with CAN's approach to recording. There is an oral history of the band drawing on interviews that Irmin made with musicians who see CAN as an influence - such as Bobby Gillespie, Geoff Barrow, Daniel Miller, and many others. There are also interviews with artists and filmmakers like Wim Wenders and John Malkovitch, where Schmidt reflects on more personal matters and his work with film. Extracts of Schmidt's notebook and diaries from 2013-14 are also reproduced as a reflection on the creative process, and the memories, dreams, and epiphanies it entails. Can Kiosk offers further perspectives on a band that have inspired several generations of musicians and filmmakers in the voices of the artists themselves. CAN were unique, and their legacy is articulated in two books in this volume with the depth, rigour, originality, and intensity associated with the band itself. It is illustrated throughout with previously unseen art, photographs, and ephemera from the band's archive.