Operation Shakespeare

"A Pulitzer Prize finalist presents the rare and intimate narrative of a daring national security sting designed to protect US soldiers, sailors, and pilots from the greatest danger they face on the battlefield--an enemy equipped with American-made weapons and technology. In Operation Shakespeare, investigative journalist John Shiffman traces an audacious and high-risk undercover operation--from Philadelphia to Shiraz to London to Beverly Hills to Tbilisi and Dubai. The sting is launched by an elite undercover Homeland Security unit created to stop the Iranians, Russians, Chinese, Pakistanis, and North Koreans from acquiring sophisticated American-made electronics capable of guiding missiles, jamming radar, and triggering countless weapons--from wireless IEDs to nuclear bombs. The US agents must outwit not only enemy brokers, but American manufacturers and global bankers too willing to put profit over national security. The three-year sting in Operation Shakespeare climaxes when the US agents lure the Iranian broker to a former Soviet republic with the promise of American-made radar, fighter-jet and missile components, then secretly drag him back to the United States, where he is held in secret for two years. The laptop the Iranian carries into the sting provides the CIA with a treasure trove, a virtual roadmap to Tehran's clandestine effort to obtain US military technology. Tenacious, richly detailed, broad in scope, and emotionally powerful--and boasting unprecedented access to the government agents fighting this shadow war, as well as the captured Iranian arms broker--Operation Shakespeare is a fast-paced and masterful account of the covert effort to preserve American military supremacy, and to protect US troops"--

A secret war. A daring sting operation. The great untold national security story of our time: “An impressive and important work…The book has the glamour of a spy novel and the gravity of a meticulously researched exposé” (Christian Science Monitor). On today’s high-tech battlefields, the most lethal weapons are not the big ones, but rather the ones that are small enough to be smuggled inside a pack of chewing gum. Developed and manufactured in the United States at extraordinary cost, these tiny weapons of war—which can guide missiles, see through walls, and trigger anything from a wireless IED to a nuclear weapon—are what currently give the US its military advantage. Unfortunately, they are increasingly being discovered in the hands of our enemies. In Operation Shakespeare, Pulitzer Prize finalist John Shiffman tells the true story of an elaborate sting operation launched by an elite Homeland Security team that was created to stop Iran, Russia, China, and North Korea from stealing US military technology. The sting, codenamed Operation Shakespeare, targets an Iranian arms broker who works on behalf of Tehran. Over the course of three years, the American agents go undercover to outwit not only the Iranian, but US defense contractors and bankers willing to put profit over national security. The chase moves around the world, and as the United States tries to bring the Iranian to justice, his own government plots to assassinate him, fearful of what he might reveal. Tenacious, richly detailed, and boasting unprecedented access to both the Iranian broker and the US agents who caught him, “Operation Shakespeare reads like a spy thriller—but Shiffman’s meticulous reporting leaves no doubt that he is telling nothing less than scary truth” (Daily News, New York).

From the aftermath of World War II to the convulsions of Brexit, festivals have deployed Shakespeare as a model of inclusive and progressive theatre to seek cultural solutions to Europe's multi-faceted crises. Shakespeare on European Festival Stages is the first book to chart Shakespeare's presence at continental European festivals. It examines the role these festivals play in European socio-cultural exchanges, and the impact festivals make on the wider production and circulation of staged Shakespeare across the continent. This collection offers authoritative, lively and informed accounts of the production of Shakespeare at the following festivals: the Avignon Festival and Le Printemps des comédiens in Montpellier (France), the Almagro festival (Spain), Shakespeare at Four Castles (Czech Republic and Slovakia), the International Shakespeare Festival in Craiova (Romania), the Shakespeare festivals in Elsinore (Denmark), Gdansk (Poland), Gyula (Hungary), Itaka (Serbia), Neuss (Germany), Patalenitsa (Bulgaria), Rome and Verona (Italy). Shakespeare on European Festival Stages is essential reading for students, scholars and practitioners interested in Shakespeare in performance, in translation and in a post-national Shakespeare that knows no borders and belongs to all of Europe.

Showcasing a wide array of recent, innovative and original research into Shakespeare and learning in Australasia and beyond, this volume argues the value of the 'local' and provides transferable and adaptable models of educational theory and practice.

The moon landing was an important moment in history, but many forget what was happening behind the scenes -- discover the groundbreaking political history of the Apollo program in this riveting exploration of America's space missions. Since July 1969, Neil Armstrong's first step on the Moon has represented the pinnacle of American space exploration and a grand scientific achievement. Yet, as Smithsonian curator Teasel Muir-Harmony argues in Operation Moonglow, its primary purpose wasn't advancing science. Rather, it was part of a political strategy to build a global coalition. Starting with President John F. Kennedy's 1961 decision to send astronauts to the Moon to promote American "freedom" over Soviet "tyranny," Project Apollo was central to American foreign relations. From that perspective, the critical event did not just take place on the lunar surface, it took place in homes, public squares, palaces, and schools around the world, as Apollo captured global attention like never before. After the Moon landing, the Apollo astronauts and President Richard Nixon traveled the world to amplify the sense of participation and global unity shared by billions of people who followed the flight. Drawing on a rich array of untapped archives and firsthand interviews with Apollo astronauts, Operation Moonglow paints a riveting picture of the intersection of spaceflight, geopolitics, propaganda, and diplomacy during the Cold War.

This year's volume is devoted to the theme of Shakespeare and the Globe, including the original Globe, playhouse of Shakespeare's time, the new Globe Theatre on Bankside and the notion of a global Shakespeare.

Shakespeare Is Missing is a pair of tales with crossing arcs. The first begins in 1605. A man and woman carry on an illicit tryst in the Crown Inn, Oxford, England. The lovers are married; not, of course, to each other. A child is born of their clandestine affair. The man, whose reputation as a playwright and poet is growing throughout his country, is William Shakespeare. The woman is Jane Davenant, the wife of the inns proprietor, who sleeps peacefully one fl oor below. Jane will later be known as The Dark Lady of Shakespearean legend. The second tale, set in 2010, moves eastward across America then on to England. Its antagonist seeks vengeance against the Bard, foreshadowed by poems, which pathetically mimic Shakespeares style. The vengeance begins with thefts and vandalism of the Bards works in San Francisco and Las Vegas, then escalates from an assault in Milwaukee to explosive mayhem and murder at Washington DCs venerated Folger Shakespeare Library. To solve these crimes, Ovid Kent, a former DEA operative, now a rare book dealer, is hired by a billionaire English fi nancier and owner of the worlds largest private collection of Shakespeareana, an expected target of the mayhem. Ovid is aided throughout by the frequently evanescing Will Shakespeare himself. The storylines have their dramatic nexus in Oxford, in the very room of the very inn where the fi rst tale began. There, the stunning climax plays itself out in a breath-holding scene between Ovid, Will Shakespeare and the antagonist

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.