Oratory In Action

This book examines the power and possibilities of public speaking, ranging from the oratory of the Athenian law courts to the political oratory of New Labour. A distinctive feature of the book is its conception of the orator as a performer and practitioner, and of oratory itself as a form of action. Historically, the power of eloquence to rouse and influence an audience made the orator a controversial figure whose rhetorical skills provoked suspicion and awe in almost equal measure. These essays show how orators exploit those skills in their attempts to shape the external world of opinion and fact. They also show how the speech itself may be considered as a linguistic event or "way of happening" which seeks to bind the orator and the audience in prized moments of connection.

Do you remember the topic of the last speech you heard? If not, you're not alone. In fact, studies show that audiences remember only 10% to 30% of speech or presentation content. Given those bleak statistics, why do we give speeches at all? We give them, says communications expert Nick Morgan, because they remain the most powerful way of connecting with audiences since ancient Greek times. But as we've evolved to a more conversational mode of public speaking, thanks to television, we have forgotten much of what the Greeks taught us about the nonverbal aspects of speech-giving: the physical connection with audiences that can create an almost palpable emotional bond. Morgan says this "kinesthetic connection" comes from truly listening to your audience—not just with your brain but with your body. In this book, he draws from more than 20 years as a speech coach and consultant, combining the best of ancient Greek oratory with modern communications research to offer a new, audience-centered approach to public speaking. Through entertaining and insightful examples, Morgan illustrates a 3 part process—focusing on content development, rehearsal, and delivery—that will enable readers of all experience levels to give more effective, passion-filled speeches that move audiences to action.

This volume is a collection of essays, written by authorities in the field, on many aspects of ancient rhetoric. These essays deal both with the theory of rhetoric and the practice of oratory and are quite diverse both in tone and audience envisioned. Some of them deal with very basic questions such as how good an orator should appear to be; others deal with very technical matters such as theoretical considerations of issue theory or "figured speeches". Some are focussed on the actual practice of oratory in speeches such as those of Cicero and Caesar; others deal with manifestations of oratory in historical works such as the Histories of Herodotus or reflections on the nature of oratory in works like the Dialogus of Tacitus. One considers parallel developments in rhetorical and artistic treatments of the legend of Busiris.

This book examines the political oratory, rhetoric and persona of Margaret Thatcher as a means of understanding her justifications for ‘Thatcherism’. The main arenas for consideration are set piece speeches to conference, media engagements, and Parliamentary orations. Thatcher’s rhetorical style is analysed through the lens of the Aristotelian modes of persuasion (ethos, pathos, logos). Furthermore, the classical methods of oratorical engagement (deliberative, epidictic, judicial) are employed to consider her style of delivery. The authors place her styles of communication into their respective political contexts over a series of noteworthy issues, such as industrial relations, foreign policy, economic reform, and party management. By doing so, this distinctive book shines new light on Thatcher and her political career.

Before becoming President of the United States, John Quincy Adams was a Harvard professor of language, rhetoric and oratory, with this book comprising his lectures. Published in 1810 when Quincy Adams was in his forties, this work is a collection which demonstrates the breadth of knowledge which he passed to students eager to learn about the arts of speaking. The early lectures cover the basic principles of oratory and eloquence in the context of public speaking, and the origins of rhetoric as a celebrated art form in ancient Greece and Rome. It is clear that the author possesses an intense knowledge of the subject and its professional application. Later on in the text are more specific lectures, such as the importance of perfecting oratory for the courtroom, and the personal qualities a good speaker should cultivate. Keeping tight control of one's emotions when speaking or debating with others, and delivering compelling lectures from the church pulpit, are also discussed at length. Although this material is well over 200 years old with much of the language archaic by modern standards, the ideas and principles espoused by Quincy Adams remain both relevant and important to students and those working in fields where speech is vital.