Orientation To The Theatre Sic
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Orientation to the Theatre sic
Author | : Theodore W. Hatlen |
Publsiher | : Prentice Hall |
Total Pages | : 390 |
Release | : 1981 |
Genre | : Drama |
ISBN | : UCSC:32106009617181 |
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Orientation to the Theater
Author | : Theodore W. Hatlen |
Publsiher | : Allyn & Bacon |
Total Pages | : 135 |
Release | : 1991-12 |
Genre | : Electronic Book |
ISBN | : 0136400876 |
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A widely-used, highly acclaimed, and fully illustrated introduction to all aspects of the theatre.
Orientation to the Theatre
Author | : Theodore W. Hatlen |
Publsiher | : Unknown |
Total Pages | : 55 |
Release | : 1981 |
Genre | : Drama |
ISBN | : 0136421326 |
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Orientation to the Theater
Author | : Theodore W. Hatlen |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 1987 |
Genre | : Drama |
ISBN | : 013642158X |
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Which Direction Ireland Proceedings of the 2006 ACIS Mid Atlantic Regional Conference
Author | : Donald McNamara |
Publsiher | : Cambridge Scholars Publishing |
Total Pages | : 290 |
Release | : 2009-10-02 |
Genre | : Social Science |
ISBN | : 9781443814904 |
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Ireland is going changes so rapidly and so dramatically that it has left many people, both in Ireland and abroad, wondering where it is headed next, as well as leaving some people wondering where it actually came from. Which direction Ireland? probes a variety of currents and concepts at play in Ireland, examining geographical, historical, social, political, and literary changes that have taken place in both Ireland and Irish-America. It offers cogent insight into those changes and and well-founded projections about the future. While examining the question, Which Direction Ireland? provides encouragement for those who want to make the journey with enthusiasm as well as curiosity.
Contemporary Group Theatre in Kolkata India
Author | : Arnab Banerji |
Publsiher | : Routledge |
Total Pages | : 251 |
Release | : 2020-05-17 |
Genre | : Art |
ISBN | : 9781000068993 |
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This book is the first of its kind offering a materialistic semiotic analysis of a non-Western theatre culture: Bengali group theatre. Arnab Banerji fills two lacunas in contemporary theatre scholarship. First, the materialist semiotic approach to studying a non-Western theatre event allows Banerji to critically examine the material conditions in which theatre is created and seen outside the Euro-American context. And second, by shifting the critical lens onto a contemporary urban theatre phenomenon from India, the book attempts to even out the scholastic imbalance in Indian theatre scholarship which has largely focused on folk and classical traditions. The book shows a refreshing new perspective toward a theatre culture that frequently escapes the critical lens in spite of being one of the largest urban theatre cultures in the world. Theatre events are a sum total of the conditions in which they are built and the conditions in which they are viewed. Studying the event separate from its materialistic beginnings and semiotic effects allow only a partial insight into the performance phenomenon. The materialist semiotic critical framework of this book locates the Bengali group theatre within its performative context and offers a heretofore unexplored insight into this vibrant theatre culture.
Classical Greek Theatre
Author | : Clifford Ashby |
Publsiher | : University of Iowa Press |
Total Pages | : 217 |
Release | : 1999 |
Genre | : Drama |
ISBN | : 9781587294631 |
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Many dogmas regarding Greek theatre were established by researchers who lacked experience in the mounting of theatrical productions. In his wide-ranging and provocative study, Clifford Ashby, a theatre historian trained in the practical processes of play production as well as the methods of historical research, takes advantage of his understanding of technical elements to approach his ancient subject from a new perspective. In doing so he challenges many long-held views. Archaeological and written sources relating to Greek classical theatre are diverse, scattered, and disconnected. Ashby's own (and memorable) fieldwork led him to more than one hundred theatre sites in Greece, southern Italy, Sicily, and Albania and as far into modern Turkey as Hellenic civilization had penetrated. From this extensive research, he draws a number of novel revisionist conclusions on the nature of classical theatre architecture and production. The original orchestra shape, for example, was a rectangle or trapezoid rather than a circle. The altar sat along the edge of the orchestra, not at its middle. The scene house was originally designed for a performance event that did not use an up center door. The crane and ekkyklema were simple devices, while the periaktoi probably did not exist before the Renaissance. Greek theatres were not built with attention to Vitruvius' injunction against a southern orientation and were probably sun-sited on the basis of seasonal touring. The Greeks arrived at the theatre around mid-morning, not in the cold light of dawn. Only the three-actor rule emerges from this eclectic examination somewhat intact, but with the division of roles reconsidered upon the basis of the actors' performance needs. Ashby also proposes methods that can be employed in future studies of Greek theatre. Final chapters examine the three-actor production of Ion, how one should not approach theatre history, and a shining example of how one should. Ashby's lengthy hands-on training and his knowledge of theatre history provide a broad understanding of the ways that theatre has operated through the ages as well as an ability to extrapolate from production techniques of other times and places.
National Union Catalog
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 1032 |
Release | : 1982 |
Genre | : Catalogs, Union |
ISBN | : UIUC:30112027606844 |
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Includes entries for maps and atlases.