Ornamental Borders Scrolls And Cartouches In Historic Decorative Styles

Hundreds of beautiful copyright-free line illustrations of intricately carved furniture trimmings. Delicate floral wreaths, scrolls, more.

Graphic artists, illustrators, and craftspeople will welcome this treasury of beautifully engraved ornate frames, scrollwork, and other highly decorative designs — 800 in all — reproduced from an extremely rare mid-19th-century style book. Comprising 142 plates, the volume features a lavish assortment of ornaments, bedecked with flowers, mythological creatures, and other fanciful touches, all beautifully rendered in meticulous detail. Other striking designs incorporate a rich selection of classical columns, plus heraldic designs — shields, coats-of-arms, seals, and insignias from Austria, Russia, Denmark, France, and many other countries — for a touch of medieval flair or aristocratic ambience. In addition, this collection offers a variety of charming calligraphic alphabets in styles ranging from plain to majestic. An invaluable source of inspiration and a treasury of designs for permission-free use, these distinctive images are ideal for enhancing such print projects as ads, brochures, newsletters, posters, signs, catalog copy, and much more.

This lavish collection of royalty-free engravings by the celebrated 19th-century artist F. Knight — reproduced directly from a rare original edition — contains elaborate wall murals with trompe-l’oeil effects; scenes of hunters, flanked by mythological figures; idealized damsels in rustic settings; and numerous other florid motifs.

This rare collection, originally published in Germany during the 1860s, presents a wealth of designs from temples and other buildings of ancient Greece and Rome. The seventy-one black-and-white plates include mythological creatures, floral borders, engraved columns and capitals, and many other decorative motifs, all rendered with the delicacy and precision characteristic of classical ornament. A valuable source of royalty-free illustrations, this compilation abounds in images that will provide a touch of authenticity to any graphic project related to ancient Greece or Rome. Fine art aficionados, crafters and designers, and collectors of classical art will rejoice in this inexpensive volume and its hard-to-find artwork.

Freshly rendered and richly detailed, the 129 designs in this collection depict cherubs, mythological animals, human faces and figures, floral and foliated designs, and many other items, all derived authentic sources.

Dragons, fish, flowers, and foo dogs abound in this magnificent compilation of Chinese designs and motifs. An exotic archive of permission-free art, this volume offers 361 crisp black-and-white images in a wide variety of shapes and sizes that adapt themselves easily to use as spot illustrations, borders, and a host of other possibilities. Certain to lend a distinctive Far Eastern accent to any project, these evocative images will prove a treasury of inspiration for illustrators, graphic artists, and crafters.

This well-known book was prepared more than 75 years ago by two British architects, and its reputation has grown steadily since. The Audsleys' clear rendering of ornaments and designs from a wide variety of sources and national traditions, their excellent sense of space and proportion, and their straightforward execution of these ornaments in line have made the collection among the most valuable of its kind. The 60 plates contain over 250 large-scale line drawings, mostly executed by the authors. The designs and patterns shown are derived from architectural decorative motifs, textile designs, patterns from ceramics and tiles, and more from Egypt, Greece, Italy, Japan, Persia, Medieval Europe, and other places. A brief text specifies sources for many of the designs, and captions identify national origin and often the original color scheme.

In the mid-19th century, typefounders plied their trade with an extraordinary exuberance, creating a new and dazzling range of typefaces and ornamentation that in sheer versatility, ornate beauty, and sumptuousness remain unsurpassed. Today, as never before, their work is sought by artists, designers, and craftspeople for its elegance, expressiveness, and ability to command attention. This unique volume contains the work of one of the most celebrated typefounders of that glorious era in type design: Charles Derriey, who, from his Parisian foundry, fed the Victorians' insatiable appetite for decoration and embellishment with a truly fabulous assortment of display types and printers' ornaments. The 113 plates reprinted here from his 1862 typographic catalog include over 2,500 royalty-free type forms and ornamental designs. Here is an incredibly rich source of intricately ornamented typefaces along with an eye-catching array of vignettes (dingbats, headpieces, tailpieces, etc.), rules, flourishes, corner elements, and much more, including a wide selection of Victorian frames and border material. Leaf through it and you will find it to be not only a fascinating presentation of type design, but also an extensive sampler of Victorian ornamentation — a valuable reference book and source of royalty-free graphics, sturdily yet inexpensively produced, that will offer you years of inspiration, enjoyment, and practical use.