Oromo Nationalism And The Ethiopian Discourse

Focusing on the issue of the Oromo national struggle for liberation, statehood, and democracy, this book critically examines the dialectical relationship between Ethiopian colonialism and Oromo culture, epistemology, politics, and ideology in the context of the accumulated collective grievances of the Oromo nation. Specifically, the book identifies chains of sociological and historical factors that facilitated the development of Oromummaa (Oromo nationalism) and the Oromo national movement. It demonstrates how the Oromo national movement has been challenging and transforming Ethiopian imperial politics, tracks the different forms and phases of the movement, and maps out its future direction. Currently, the Oromo are the largest ethno-national group and political minority in the Ethiopian Empire. They were colonized and incorporated into Ethiopia as colonial subjects in the last decades of the 19th century through the alliance of Abyssinian/Ethiopian colonialism and European imperialism. Since their colonization, the Oromo people have been treated as second-class citizens and have been economically exploited and culturally and politically suppressed. Despite the fact that Oromo resistance to Ethiopian colonialism existed during the process of their colonization and subjugation, it was only in the 1960s and 1970s that Oromo nationalists initiated organized efforts to liberate their people. Presently, Oromo nationalism plays a central role in Ethiopian politics.

The Oromo people are one of the most numerous in Africa. Census data are not reliable but there are probably twenty million people whose first language is Oromo and who recognize themselves as Oromo. In the older literature they are often called Galla. Except for a relatively small number of arid land pastoralists who live in Kenya, all homelands lie in Ethiopia, where they probably make up around 40 percent of the total population. Geographically their territories, though they are not always contiguous, extend from the highlands of Ethiopia in the north, to the Ogaden and Somalia in the east, to the Sudan border in the west, and across the Kenyan border to the Tana River in the south.Though different Oromo groups vary considerably in their modes of subsistence and in their local organizations, they share similar cultures and ways of thought.

Since 1991, there has been renewed debate in Ethiopia concerning the implication of the country's past for the present government. The long-standing debate was given an added impetus by Eritrea's independence from Ethiopia and the threat of disintegration posed by the continual struggle for self-determination by other ethnonational groups. In this book, a team of historians and sociologists confront 'the scholarship of power' that dismisses politically engaged scholarship in the name of academic objectivity.

Oromo Persecution and Discrimination in Ethiopia and Renaissance for Justice and equality for all

"In Sentinel Musicians of the Ethiopian American Diaspora, Kay Kaufman Shelemay shares more than forty years of research among Ethiopian musicians in the midst of a widespread and evolving diaspora. Beginning on the eve of the Ethiopian revolution in 1974 all the way up to the present day, Shelemay follows musicians as some leave Ethiopia for the US, setting up essential networks of support in cities such as New York, Boston, and Washington, DC. Throughout this profound transition, Shelemay shows how Ethiopian musicians serve a critical function in social and political life by both safeguarding community identity and challenging authority within Ethiopian society. She coins the term "sentinel musicians" to express musicians' double capacity to guard culture and guide it through periods of change, transforming the world around them under political pressures and during times of extreme social stress. While musicians held this role in Ethiopian culture long before the revolution began, it has taken on new meanings and contours in the Ethiopian diaspora. Some sentinel musicians have quite literally led the way as they migrated to new locales, establishing transnational networks, founding new institutions, and undertaking numerous initiatives in community building. Ultimately, Shelemay shows that musicians are uniquely positioned to serve this sentinel role as guardians and challengers of cultural heritage"--