Ossuaries

Dionne Brand’s hypnotic, urgent long poem is about the bones of fading cultures and ideas, about the living museums of spectacle where these bones are found. At the centre of Ossuaries is the narrative of Yasmine, a woman living an underground life, fleeing from past actions and regrets, in a perpetual state of movement. She leads a solitary clandestine life, crossing borders actual (Algiers, Cuba, Canada), and timeless. Cold-eyed and cynical, she contemplates the periodic crises of the contemporary world. This is a work of deep engagement, sensuality, and ultimate craft from an essential observer of our time and one of the most accomplished poets writing today.

Evans concludes his volume with a measured consideration of the historical value of the archaeological data afforded by the several inscriptions.

Death and burial practices vary from one culture to the next, and there’s some pretty unusual traditions out there. Have you ever heard of people saving the bones of their ancestors? That’s what happens in ossuaries and charnel houses. You might be wondering why people would do this, and there are several fascinating reasons you need to read to believe. Inside this creepy volume, readers will find amazing photographs of charnel houses and ossuaries, including the dark passages of the Paris catacombs and the ornately decorated Sedlec Ossuary. Photographs are paired with engaging passages, sidebars, and fact facts that explain ancient, and not so ancient, death traditions.

From bone fetishism in the ancient world to painted skulls in Austria and Bavaria: an unusual and compelling work of cultural history. It is sometimes said that death is the last taboo, but it was not always so. For centuries, religious establishments constructed decorated ossuaries and charnel houses that stand as masterpieces of art created from human bone. These unique structures have been pushed into the footnotes of history; they were part of a dialogue with death that is now silent. The sites in this specially photographed and brilliantly original study range from the Monastery of Santa Maria delle Grazie in Palermo, where the living would visit mummified or skeletal remains and lovingly dress them; to the Paris catacombs; to fantastic bone-encrusted creations in Austria, Cambodia, the Czech Republic, Ecuador, Egypt, Germany, Greece, Italy, Peru, Portugal, Serbia, Slovakia, Slovenia, Spain, Switzerland, and elsewhere. Paul Koudounaris photographed more than seventy sites for this book. He analyzes the role of these remarkable memorials within the cultures that created them, as well as the mythology and folklore that developed around them, and skillfully traces a remarkable human endeavor.

This publication outlines the material preserved in the ancient Jewish cemeteries in the Land of Israel and provides a comprehensive and instructive study of Jewish funerary customs, practices, and rituals relating to death, burial and mourning, as well as addressing the meaning of Jewish funerary art and tradition.

Of the parts of the human body, the bones have a unique durability that lends itself to collection. Provided a body has not been cremated, the skeletal remains can be recovered even millions of years after death, cleaned of flesh and debris, studied at length, and stored indefinitely without the maintenance that wet specimens require. Motivations for collecting human skeletal material range from the practical (in anthropology, medicine, forensics) to the ritualistic (phrenology, in the relics of martyrs and saints). This book is an examination of those motivations and the collections they have brought about--catacombs, ossuaries, mass graves, prehistoric excavations, private collections, and institutions. The book contains sections on procuring, handling, storing, transporting, cleaning, and identifying skeletal remains. The repatriation of remains and legislation covering the topic are also addressed.

McCane offers here a dazzling examination of funerary practices in early Roman Palestine.