Other British Voices

This volume discusses the lives and writings of five nonconformist women who comprised the heart of a vibrant literary circle in England between 1760 and 1840. Whelan shows these women's keen awareness and often radical viewpoints on contemporary issues connected to politics, religion, gender, and the Romantic sensibility.

British Voices tells the story of Joe Hayman’s travels around the UK in the aftermath of the 2011 riots, speaking to over 1,000 members of the public about the state of British society – an approach unique amongst contemporary studies of the UK. Hayman undertook the three-month journey because he wanted the voices of ordinary citizens in Britain to be heard. Their views are reproduced faithfully and without judgment in this book and include: “It feels like the country is drifting; no one knows what to do.” Pensioner, Birmingham “If the politicians and bankers aren’t held accountable, the apathy extends across the whole country.”Student, Bangor“When I was young, we used to go out and kick a ball but it's all PlayStations now. We had three roads, but now it's a town and you have no idea who people are.” Man, Shetland Isles “It’s all moving at an astonishing pace now – strangely, my teenage years were actually much more peaceful in spite of the Troubles.” Woman, Belfast Tying these views together, Hayman concludes that the UK is a nation of kind, decent people but that confusion, loss and despair are all too common. British Voices is an uncompromising analyisis of the most pressing concerns of people at all levels of British society, that will appeal to those interested in politics and current affairs.

Accents and dialects are constantly undergoing small variations over time, but evidence shows that change may have become increasingly rapid in the past few decades. 'Urban Voices' presents one of the few recent surveys of this phonological variation and change in urban accents across Great Britain and Ireland. Each of the specially commissioned chapters is divided into two parts. The first provides a detailed description of accent features within one or more urban centres, including information on social and stylistic variation and ongoing change. The second discusses a range of current theoretical and methodological issues. Some chapters present wholly new data based on fieldwork carried out specifically for inclusion in 'Urban Voices', while others summarise data from well-known research, up-dated and reanalysed in accordance with new findings. Containing copious illustrative and pedagogic material, this textbook presents a clear pathway to state-of-the-art research for students of sociolinguistics, dialectology, phonetics, and phonology at advanced undergraduate and graduate level. In addition, the detailed descriptive data and the accompanying cassette constitute a valuable resource for students and teachers of English, clinicians and speech therapists, forensic phoneticians, researchers in speech recognition and speech synthesis, and actors. Contributors: Deborah Chirrey, Edge Hill University College / Beverley Collins, Rijks Universiteit Leiden, Netherlands / Gerard J Docherty, University of Newcastle, UK / Paul Foulkes, University of Leeds, UK / Nigel Hewlett, Queen Margaret College / Raymond Hickey, University of Essen, Germany / Paul Kerswill, University of Reading, UK / Anne Grethe Mathisen, University of Oslo, Norway / Kevin McCafferty, Universitetet i Tromso, Norway / Inger Mees, Copenhagen Business School, Denmark / Lesley Milroy , University of Michigan, USA / Mark Newbrook, Monash University, Australia / James M Scobbie, Queen Margaret College, UK / Jana Stoddart, Olomouc, Czech Republic / Jane Stuart-Smith, University of Glasgow, UK / Laura Tollfree, Monash University, Australia / Peter Trudgill, University of Fribourg, Switzerland / Alice Turk, University of Edinburgh, UK / Clive Upton, University of Leeds, UK / Dominic Watt, University of Leeds, UK / J D A Widdowson, University of Sheffield, UK / Ann Williams, University of Reading, UK.

During the last decades of the twentieth century it has become increasingly difficult to consider British literature as 'national' or 'mainstream'. The book investigates contemporary fiction and poetry written in, or relating to, Britain and uncovers a distinct sense of a new and different national and social reality. Tracing literary effects of migration, globalization, and regionalization the book focuses on literary tradition as an inspiration or object of hate and frustration for the exploration and expression of post-Imperial experiences.

?Ireland's War of Independence generated a wealth of published material but very little from a British perspective. Yet many British servicemen left accounts of their time in Ireland from 1918 to 1921. They describe military operations, the IRA, the Irish, the actions of their own forces, morale and relationships with local communities. There is Brigadier Vinden's strange tale of a drinking session with Michael Collins and humour in the sending of Gaelic-speaking Highlanders into a public house to eavesdrop in the belief that Sinn Féiners always spoke Irish to each other. The author has gone deep into British military archives to unearth these never-published accounts. Supplemented with unpublished photographs from the Imperial War Museum and the Irish National Library, these accounts form a landmark oral history told through the personal experiences of men from across the ranks.

This volume discusses the lives and writings of five nonconformist women who comprised the heart of a vibrant literary circle in England between 1760 and 1840. Whelan shows these women's keen awareness and often radical viewpoints on contemporary issues connected to politics, religion, gender, and the Romantic sensibility.

Accents of English is about the way English is pronounced by different people in different places. Volume 1 provides a synthesizing introduction, which shows how accents vary not only geographically, but also with social class, formality, sex and age; and in volumes 2 and 3 the author examines in greater depth the various accents used by people who speak English as their mother tongue: the accents of the regions of England, Wales, Scotland and Ireland (volume 2), and of the USA, Canada, the West Indies, Australia, New Zealand, South Africa, India, Black Africa and the Far East ( volume 3). Each volume can be read independently, and together they form a major scholarly survey, of considerable originality, which not only includes descriptions of hitherto neglected accents, but also examines the implications for phonological theory. Readers will find the answers to many questions: Who makes 'good' rhyme with 'mood'? Which accents have no voiced sibilants? How is a Canadian accent different from an American one, a New Zealand one from an Australian one, a Jamaican one from a Barbadian one? What are the historical reasons for British-American pronunciation differences? What sound changes are currently in progress in New York, in London, in Edinburgh? Dr Wells his written principally for students of linguistics, phonetics and English language, but the motivated general reader will also find the study both fascinating and rewarding.

This book is an assessment of narrative technique in contemporary British fiction, focusing on the experimental use of the demotic voice (regional or national dialects). The book examines the work of James Kelman, Graham Swift, Will Self and Martin Amis, amongst many others, from a practical as well as theoretical perspective.