Our Life In The Forest

In the near future, a woman is writing in the depths of a forest. She’s cold. Her body is falling apart, as is the world around her. She’s lost the use of one eye; she’s down to one kidney, one lung. Before, in the city, she was a psychotherapist, treating patients who had suffered trauma, in particular a man, “the clicker”. Every two weeks, she travelled out to the Rest Centre, to visit her “half”, Marie, her spitting image, who lay in an induced coma, her body parts available whenever the woman needed them. As a form of resistance against the terror in the city, the woman flees, along with other fugitives and their halves. But life in the forest is disturbing too—the reanimated halves are behaving like uninhibited adolescents. And when she sees a shocking image of herself on video, are her worst fears confirmed? Our Life in the Forest, written in her inimitable concise, vivid prose recalls Darrieusecq’s brilliant debut, Pig Tales. A dystopian tale in the vein of Never Let Me Go, this is a clever novel of chilling suspense that challenges our ideas about the future, about organ-trafficking, about identity, clones, and the place of the individual in a surveillance state. Marie Darrieussecq is a French writer born in Bayonne in 1969. Her first novel, Pig Tales, was published in 1996 and subsequently translated into thirty-five languages. She has written some fifteen books for adults, including novels, short fiction, a play, and nonfiction works. In 2013 she was awarded both the Prix Médicis and the Prix des Prix for her novel Men. Being Here, her biography of Paula Modersohn-Becker, was released in 2016. She is a regular contributor to contemporary art magazines in France and Britain and also writes for Libération and Charlie Hebdo. She lives in Paris. ‘Our Life in the Forest is a psychologically astute novel, with a few well-executed twists that will no doubt please fans of the genre.’ Saturday Paper ‘Darrieussecq writes with a kind of truncated brevity that is stark, muscular and direct. The effect is immediately arresting...[Our Life in the Forest] is Atwoodesque, melding some of the brutal and unpleasant aspects of our current moment into a plausible but avoidable future.’ Overland ‘Darrieussecq’s writing brings the story to life vividly in your mind.’ Good Reading ‘The reader will be captivated by Darrieussecq’s hypnotic style.’ Le Monde ‘The title could be “Our Life in the Future”, but reducing this book to a dystopian tale is doing it a disservice...A journal from beyond the grave, as time runs out...And a profound novel about loneliness.’ Libération ‘In this exceptional novel, the author of Pig Tales describes a world in the future where surveillance is omnipresent and clones rule...An unusual, strange book.’ L’Observateur ‘A disturbing dystopian tale in which tragedy and irony work together...Ingeniously and brilliantly, Marie Darrieussecq’s sparkling tale adds to the classics of futuristic fiction. Even more profound than the social and political resonance of this novel is the theme of loneliness.’ Télérama ‘In this brilliantly executed dystopia, Marie Darrieussecq writes with rare skill about the concerns of our time—the senseless destruction of the planet and transhumanist madness. Outstanding.’ Le Matin Dimanche ‘Who would have thought Marie Darrieussecq would write a thriller? This brief, feminist and political novel is perhaps her most inventive...With wit and elegance, the author takes us into a narrative full of tension, and with the same humour as in Pig Tales. Once again, she creates an absurd world, and denounces the failings of our society.’ Les Inrockuptibles ‘Once again, Darrieusecq gives us a passionate investigation into the deficiencies, transformations and lapses in our humanity...A little like Ray Bradbury in Fahrenheit 451, she shows how literature is our best means to disrupt functionality. Focus Vif

This book contains information about life in the forest, and includes sections about various forest regions, seasons in the forest and the forest community.

WINNER OF THE AAAS/SUBARU PRIZE FOR EXCELLENCE IN SCIENCE BOOKS BASED ON THE NEW YORK TIMES BESTSELLER THE HIDDEN LIFE OF TREES This interactive and illustrated book for kids aged 8-10 introduces the wonderful science of the forest through outdoor activities, quizzes, fun facts, photographs, and more! Discover the secret life of trees with this nature and science book for kids: Can You Hear the Trees Talking? shares the mysteries and magic of the forest with young readers, revealing what trees feel, how they communicate, and the ways trees take care of their families. The author of The Hidden Life of Trees, Peter Wohlleben, tells kids about the forest internet, aphids who keep ants as pets, nature’s water filters, and more fascinating things that happen under the canopy. Featuring simple activities kids can try on their own, along with quizzes, photographs, and more, Can You Hear the Trees Talking? covers a range of amazing topics including: How trees talk to each other (hint: through the wood wide web!) Why trees are important in the city How trees make us healthy and strong How trees get sick, and how we can help them get better This engaging and visually stunning book encourages learning and fun as kids discover the wonder of the natural world outside their windows. "Lush full-color photos and pictures create an immersive experience and the layout facilitates engaged, delighted learning. ...this book may prompt frequent family visits to, and a new appreciation for, neighborhood trees and local forests.” —Washington Parent

Published in 1978, this is Levertov's most important work produced during the 70s.

As a young man, American Louis Sarno heard a song on the radio that gripped his imagination. With some funding from musician Brian Eno, he followed the mysterious sounds all the way to the Central African rain forest and found their source with the Bayaka Pygmies, a tribe of hunters and gatherers. Nothing could have prepared him for life among the Pygmies, a people legendary for their short stature and musical wealth. Sarno never left. Considered outwardly lazy by some, scrounging, and near alcoholic, the Pygmies Sarno met had seemingly lost all desire to hunt or make music. Only after he had lived with them for some time (on a diet of tadpoles) was he allowed to join them in the rain forest where they still in relative harmony with nature. There Sarno experienced the extraordinary beauty and spiritual sophistication of their culture and the supreme importance of music as the principal means by which they communicate with the rain forest and its magical spirits. Over the decades Sarno has recorded more than 1,000 hours of unique Bayaka music. He is a fully accepted member of the Bayaka society and married a Bayaka woman. Permanently changed by his experience and captivated by a Bayaka culture, In Song from the Forest Sarno has chronicled his attempt to protect the fragile existence of the Pygmies in an increasingly destructive world. Once, when his son, Samedi, became seriously ill and Sarno feared for his life, he held his son in his arms through a frightful night and made him a promise: “If you get through this, one day I’ll show you the world I come from.” Now the time has come to fulfill his promise. In a new major documentary film, Sarno tells the story of the Bayaka as he travels with Samedi from the African rain forest to another jungle, one of concrete, glass, and asphalt: New York City. Together, they meet Louis’ family and old friends, including his closest friend from college, Jim Jarmusch. Carried by the contrasts between rainforest and urban America, and a fascinating soundtrack, Louis‘ and Samedi‘s stories are interwoven to form a touching portrait of an extraordinary man and his son. SONG FROM THE FOREST is a modern epic film set between rainforest and skyscrapers.

Fairytales are one of our earliest and most vital cultural forms, and forests one of our most ancient landscapes. Both evoke a similar sensation in us - we find them beautiful and magical, but also spooky, sometimes horrifying. In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of the fairytales made famous by the Grimms and Hans Christian Andersen. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland visits forests through the seasons, from the exquisite green of a beechwood in spring, to the muffled stillness of a snowy pine wood in winter. She camps with her son Adam, whose beautiful photographs are included in the book; she takes a barefoot walk through Epping Forest with Robert Macfarlane; she walks with a mushroom expert through an oak wood, and with a miner through the Forest of Dean. Maitland ends each chapter with a unique, imaginitive re-telling of a fairytale. Written with Maitland's wonderful clarity and conversational grace, Gossip from the Forest is a magical and unique blend of nature writing, history and imaginative fiction.

A lyrical book about the adventure of life, The Forest is also a magnificent visual work, both painterly and a technical feat of paper engineering. Here, sensory experience and the textures of the material world are rendered through die-cuts, embossing, cutouts, and two gatefolds. A beautifully considered work. Riccardo Bozzi was born in Milan in 1966. He is a journalist for the Italian newspaper Corriere della Sera. Violeta L piz is an illustrator from the Spanish island of Ibiza. Her beautifully textured work is filled with personality and playfulness. Valerio Vidali is an Italian illustrator based in Berlin. Vidali enjoys botanical gardens and spends his spare time building kites that rarely fly.

In the near future, a woman is writing in the depths of a forest. She’s cold. Her body is falling apart, as is the world around her. She’s lost the use of one eye; she’s down to one kidney, one lung. Before, in the city, she was a psychotherapist, treating patients who had suffered trauma, in particular a man, “the clicker”. Every two weeks, she travelled out to the Rest Centre, to visit her “half”, Marie, her spitting image, who lay in an induced coma, her body parts available whenever the woman needed them. As a form of resistance against the terror in the city, the woman flees, along with other fugitives and their halves. But life in the forest is disturbing too—the reanimated halves are behaving like uninhibited adolescents. And when she sees a shocking image of herself on video, are her worst fears confirmed? Our Life in the Forest, written in her inimitable concise, vivid prose recalls Darrieusecq’s brilliant debut, Pig Tales. A dystopian tale in the vein of Never Let Me Go, this is a clever novel of chilling suspense that challenges our ideas about the future, about organ-trafficking, about identity, clones, and the place of the individual in a surveillance state.