Outings At Odd Times

PREFATORY. Nature, and Books about it. Often, during a long and dusty walk in midsummer, I have chanced suddenly upon a wayside spring, and stooping drank directly from the bosom of Mother Earth. Filled with the pleasant recollections of such moments, how tame is all other tipple, even though the crystal is a marvel of art, with "beady bubbles winking at the brim"! So, too, I find it with matters of graver import. I would that no one should aid me in gathering my stores, but with my own hands I would delve at the fountain-head. The spirit of such an aim is a spur to youth, but becomes a source of amusement rather than a more serious matter in our maturer years. I am more than willing now to take nature at second hand. But is this safe? How far can we trust another's eyes, ears, and sense of touch and smell? There are critics scattered as thickly as motes in a sunbeam, veritable know-alls, who shriek "Beware!" when nature is reported; but, for all this, outdoor books are very tempting to a host of people, and in the long run educate rather than misinform. That ever two naturalists should wholly agree, after careful study of an animal, is not probable. There will be the same differences as exist between two translations of the same book. What a crow, a mouse, or a gorgeous cluster of blooming lotus is to me, these will never be to another; but, because of this, do not persist that your neighbor is blind, deaf, or stupid. I recently had a horse ask me to let down the bars; to another it would have been merely the meaningless fact that the horse neighed. Having an outdoor book in hand, when and how should it be read? It is no doubt very tempting to think of a shady nook, or babbling brook, or both, in connection with the latest outdoor volume. Possibly, as you start out for a quiet day, you string together a bit of rhyme concerning the book, as Leigh Hunt did and others have done since. It is a common practice to carry a book into the fields, but not a logical one. How can a book, even one of outdoor topics, compete with Nature? Certainly if Nature is to the reader but a convenient room, a lighter and more airy one than any at home, does it not signify a serious lack in the mind of that person? From a notice of a recent publication I clip the following: "A capital book to slip into one's pocket when taking an outing." If, because of its size, it could be readily slipped into one's pocket, then it was a capital way of getting rid of it. What sort of an outing can one have who reads all the while? Is not the cloud-flecked sky something more than a ceiling, the surrounding hills more than mere walls, the grass and flowers more than carpet? There is one pleasure even greater than that of reading, and that is being out of doors. To read at such a time seems to imply one of two things: either that the reader knows Nature thoroughly, or is indifferent to such knowledge. The former phenomenon the world has never seen; the latter, to speak mildly, deserves our pity. To escape ridicule, which is something, to insure happiness, which is more, to avoid great dangers, which is of even greater importance, one must know something of Nature

In the late nineteenth century, Charles Conrad Abbott, a medical doctor and self-taught archaeologist, gained notoriety for his theories on early humans. He believed in an American Paleolithic, represented by an early Ice Age occupation of the New World that paralleled that of Europe, a popular scientific topic at the time. He attempted to prove that the Trenton gravels—glacial outwash deposits near the Delaware River—contained evidence of an early, primitive population that pre-dated Native Americans. His theories were ultimately overturned in acrimonious public debate with government scientists, most notably William Henry Holmes of the Smithsonian Institution. His experience—and the rise and fall of his scientific reputation—paralleled a major shift in the field toward an increasing professionalization of archaeology (and science as a whole). This is the first biography of Charles Conrad Abbott to address his archaeological research beyond the Paleolithic debate, including his early attempts at historical archaeology on Burlington Island in the Delaware River, and prehistoric Middle Woodland collections made throughout his lifetime at Three Beeches in New Jersey, now the Abbott Farm National Historic Landmark. It also delves into his modestly successful career as a nature writer. As an archaeologist, he held a position with the Peabody Museum at Harvard University and was the first curator of the American Section at the Penn Museum. He also attempted to create a museum of American archaeology at Princeton University. Through various sources including archival letters and diaries, this book provides the most complete picture of the quirky and curmudgeonly, C. C. Abbott.