Outside The Revolution Everything

In the often fraught political landscape of Cuba, a constant need to define and redefine the ‘space’ of national identity has long pervaded all manner of discourse. In its assumed role as the last bastion of resistance against the hegemonic forces of ‘globalisation’ (‘Americanisation’), the Revolution of 1959 is often made an all-encompassing indicator of ‘authentic’ Cuban identity. However, political recalcitrance, economic stagnation and the ever-present lure of the States has left generations of young Cubans questioning the ability of the Revolution to represent a contemporary Cuban identity. A growing number of what may broadly be classified as ‘alternative musicians’ are utilising a re-established and redefined left-wing voice - one that recontextualises notions of what constitutes ‘el pueblo’ (‘the people’) - precisely as a critique of the anachronisms of the Revolution. This book examines briefly the work of three such artists - punk band Porno Para Ricardo, rapper Eskuadrón Patriota, and singer-songwriter Pedro Luis Ferrer - to provide examples of such reclamations of a left wing voice within Cuba. Redefinitions of ‘the people’ pan-nationally, along cultural and social, rather than exclusive nationalisitic lines; attempts to reclaim the means of cultural production from an overbearing and censoring hegemony; narratives of Cuban history and geography that seek to augment the often rigidly defined space of ‘official Cubanness’ by recognising cultural difference (often made tacit in the unifying rhetoric of the revolution), yet appealing to the notion of social equality, are all constituent parts of this ‘new’ new left in Cuba. As yet another evental tipping point – the death of Fidel Castro – comes ever closer, yet potentially less traumatic, this book outlines a less epochal, and more measured reinterpretation of established symbols of Cuban identity; one that can maintain its localness whilst engaging in global politics and cultural flows.

Through the reclamation of a left-wing identity, disparate groups of Cuban musicians seek a collective Cubanness ‘outside of the Revolution’. ,

The recent retirement of Fidel Castro turned the world’s attention toward the tiny but prominent island nation of Cuba and the question of what its future holds. Amid all of the talk and hypothesizing, it is worth taking a moment to consider how Cuba reached this point, which is what Antoni Kapcia provides with his incisive history of Cuba since 1959. Cuba In Revolution takes the Cuban Revolution as its starting point, analyzing social change, its benefits and disadvantages, popular participation in the revolution, and the development of its ideology. Kapcia probes into Castro’s rapid rise to national leader, exploring his politics of defense and dissent as well as his contentious relationship with the United States from the beginning of his reign. The book also considers the evolution of the revolution’s international profile and Cuba’s foreign relations over the years, investigating issues and events such as the Bay of Pigs crisis, Cuban relations with Communist nations like Russia and China, and the flight of asylum-seeking Cubans to Florida over the decades. The collapse of the Soviet Union between 1989 and 1991 catalyzed a severe economic and political crisis in Cuba, but Cuba was surprisingly resilient in the face of the catastrophe, Kapcia notes, and he examines the strategies adopted by Cuba over the last two decades in order to survive America’s longstanding trade embargo. A fascinating and much-needed examination of a country that has served as an important political symbol and diplomatic enigma for the twentieth century, Cuba In Revolution is a critical primer for all those interested in Cuba’s past—or concerned with its future.

Eye-opening and compelling, the overlooked world of freight shipping, revealed as the foundation of our civilization On ship-tracking websites, the waters are black with dots. Each dot is a ship; each ship is laden with boxes; each box is laden with goods. In postindustrial economies, we no longer produce but buy. We buy, so we must ship. Without shipping there would be no clothes, food, paper, or fuel. Without all those dots, the world would not work. Freight shipping has been no less revolutionary than the printing press or the Internet, yet it is all but invisible. Away from public scrutiny, shipping revels in suspect practices, dubious operators, and a shady system of "flags of convenience." Infesting our waters, poisoning our air, and a prime culprit of acoustic pollution, shipping is environmentally indefensible. And then there are the pirates. Rose George, acclaimed chronicler of what we would rather ignore, sails from Rotterdam to Suez to Singapore on ships the length of football fields and the height of Niagara Falls; she patrols the Indian Ocean with an anti-piracy task force; she joins seafaring chaplains, and investigates the harm that ships inflict on endangered whales. Sharply informative and entertaining, Ninety Percent of Everything reveals the workings and perils of an unseen world that holds the key to our economy, our environment, and our very civilization.

Most conventional readings of the Cuban Revolution have seemed mesmerised by the personality and role of Fidel Castro, often missing a deeper political understanding of the Revolution's underlying structures, bases of popular loyalty and ethos of participation. In this ground-breaking work, Antoni Kapcia focuses instead on a wider cast of characters. Along with the more obvious, albeit often misunderstood, contributions from Che Guevara and Raúl Castro, Kapcia looks at the many others who, over the decades, have been involved in decision-making and have often made a significant difference. He interprets their various roles within a wider process of nation-building, demonstrating that Cuba has undergone an unusual, if not unique, process of change. Essential reading for anyone interested in Cuba's history and its future.

Television has become a ubiquitous part of our lives, and yet its impact continues to evolve at an extraordinary pace. The evolution of television from analog to digital technology has been underway for more than half a century. Today's digital technology is enabling a myriad of new entertainment possibilities. From jumbotrons in cyberspace to multi-dimensional viewing experiences, digital technology is changing television. Consequently, new advertising metrics that reflect the new viewer habits are emerging. The ability to capture a viewer's interactions changes the advertising proposition. Telephone and wireless companies are challenging the traditional mass media providers - broadcasters, cable and satellite companies - and they’re all finding ways to deliver TV programming, video content and Internet offerings to large and small screens in the home and on the go. This volume showcases insights from industry insiders and researchers from a variety of disciplines. It explores the economic, cultural, technical, and policy implications of digital television, addressing such questions as: How will content be monetized in the future? What programming opportunities become possible with the advent of going digital? Will content still be king or will the conduits gain the upper hand? This book analyzes the digital television evolution: its impacts on the economics of the TV industry, its significance for content creation from Hollywood blockbusters to You Tube, the changing role of the consumer, and what's coming next to a theatre near you.