Overtones And Undercurrents

Stories and practices from the casebook of pioneering transpersonal psychotherapist Ralph Metzner • Shows how psychological problems often derive from factors not considered in conventional psychotherapy, such as prenatal imprints and ancestral connections • Shares 15 detailed case histories from Metzner’s more than 50 years of practice • Describes how guided imagery meditations, yogic light-fire practices, and selective use of entheogenic substances can be integrated with transpersonal psychotherapy and bring about deep healing Drawing on more than 50 years’ experience as a transpersonal psychotherapist, Ralph Metzner explores the spiritual overtones, karmic undercurrents, and ancestral connections that shape our individual psychologies. Sharing 15 detailed histories from his casebook and the innovative practices he uses in his therapeutic sessions, Metzner shows how the psychological problems we confront often derive from factors not considered in conventional psychotherapy, such as birth trauma, unconscious imprints from prenatal existence, memories from past lives, ancestral and familial soul connections, and even psychic intrusions. The case histories he describes include a wide spectrum of practices, such as the use of quiet meditative retreat, guided regressions, as well as imagery visualizations amplified by entheogens. He describes how tuning in with the spiritual overtones of our being and the karmic undercurrents of our lives can resolve issues such as a fear of intimacy, help heal the after-effects of abuse and abortion, reconcile estranged parental and ancestral relationships, dissolve fears left over from past incarnations, and convert malignant presences into protective allies. In addition to guided meditations, visualizations, and yogic light-fire exercises, the practices in his psychotherapy sessions at times include the selective use of small amounts of psychedelics, mind-expanding substances functioning to amplify awareness of the subtler realms of consciousness. Part of each case history gives a description of the particular visualization used, adding to the book’s practical use as a guidebook for transpersonal psychotherapists. Through the healing experiences he describes, Metzner reveals how attending to karmic undercurrents and spiritual overtones can often bring about a peaceful resolution to long-standing distress and spiritual alienation.

There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. George Plasketes adapts the iconic "A-side/B-side" dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered "B-sides"”overlooked, underappreciated, and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular culture, music and media during the past 40 years. The underappreciated yet enduring contributions of a variety of creative individuals in music, television and film are a centerpiece of this volume: actress Doris Day's son, Terry Melcher, a 1960s music producer whose imprint is on the surf, country blues, garage pop and most importantly the folk rock genre; Hans Fenger's kid chorus cover project, a musical variation of "outsider art" that became representative of the tribute wave that began in the 1990s and continues today; versatile guitarist virtuoso Ry Cooder's extensive film soundtrack work; World Music "missionary efforts" of American artists beyond Paul Simon's Graceland, including Neil Diamond's precursor with Tap Root Manuscript in the 1970s and the exotic adventures of Henry Kaiser and David Lindley in Madagascar and Norway”to name just a few examples. These B-sides represent undercurrents, but they resonate as overtones in the mainstream of music and culture, many as historical hinges. Collectively, these B-sides are an A-side antidote of outskirt observations, individual snapshots of artists, artifacts and rituals, genres and generations, producers and musical productions in television, film and video. They constitute an important connect-the-dots cultural chronicle with a multi-layered context”social, legal, historic, economic, technological, generational, aesthetic”for interpreting the interrelations between creators and institutions, the music market place, the production of culture and important connections between the peripheral and the popular.

Robert Paul presents his study of the Atonement in three sections. The first covers the period from the Apostolic Fathers, on through the scholastic and Reformation writers, to the eighteenth century. The second begins with the evangelical revival and brings the history of thought on the Atonement down to our own day. The third leads on from an atonement-centered theology to its dramatic expression in and through the Gospel sacraments: two comprehensive chapters on Baptism and the Lord's Supper bring the book to its conclusion. Here is an excellent historical survey of the doctrine of the Atonement for the student.

Originally published in 1962, the purpose of this book was to examine the working of the educative process when it is concerned with older people; not with children, prisoners, willing or unwilling, of a system of basic education, but voluntary contractors; not green, pliable saplings, but sturdy and sometimes unbending timber – in short, adults with an outlook on life already formed, often with family responsibilities, and with a store of past experience, special interests, training, or expertise. The teaching of older people does not consist merely of the adaptation of the methods applicable to school or college to the intellectual level of those to whom time and opportunity may have given an already broad understanding, theoretical or empirical, of a variety of subjects. The teaching of adults must take full account of method, but whatever the context, is also much concerned with the interrelations between individuals in groups, and with changes in the individuals themselves. For the adult, in the main, the purpose of education is improvement; this may imply a feeling of dissatisfaction with standards already achieved or a strong determination to reach new educational goals for specific reasons connected with status or advancement. These factors often bring with them into the setting of the adult class anxieties, tensions, feelings of inadequacy, or burdens of responsibility that overshadow the learning process because of the importance of the outcome. Habits and attitudes may already have been formed that stand in the way of assimilating new patterns and techniques of learning. This book is concerned with the social and psychological factors of which account must be taken in approaching the teaching of adults. It considers methods of teaching and of learning, and proceeds to inquire into the deeper attitudinal influences at work, both in the teacher and in the student. Throughout the book theory is illustrated by the liberal use of examples. The author has also attempted to go beyond the particular to the general and to discuss the issues and principles that apply over a wide field of education and indeed of management. Thus the scope and usefulness of the book are not confined solely to the tutorial situation, but extend to those fields in which problems of group relations and leadership are to be found within the context of training or of management.

Musaicum Books presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices: Novels:Black MagicJulia RoseingraveThe Crime of Laura SarelleThe Spectral BrideThe Man with the ScalesMoss RoseSo Evil My LoveShort Stories:The Last Bouquet—Some Twilight Tales:The Last BouquetMadam SpitfireThe Fair Hair of AmbrosineThe Hidden ApeElsie's Lonely AfternoonThe Lady ClodaghThe Sign-Painter and the Crystal FishesRaw MaterialThe Bishop of Hell and Other Stories:Florence FlanneryKecksiesThe Avenging of Ann LeeteThe Bishop of HellThe Crown Derby PlateThe Grey ChamberThe HousekeeperThe Extraordinary Adventure of Mr. John ProudieOther Twilight Tales:The BreakdownScoured SilkOne Remained BehindHalf-Past TwoThe House by the Poppy FieldAnn Mellor's LoverThe Folding DoorsDark AnnA Stranger KnockedDecayBrent's FollyThey Found My GraveA Poor Spanish LodgingTwilightThe Extraordinary Adventure of Grace EndicottThe Burning of the VanitiesGiuditta's Wedding NightPetronilla of the Laurel Trees

The battle between the unscrupulous intellect and the caring heart has never been so poignantly portrayed as in COLLISION. The president of PTP Corporation uses every trick to secure the acquisition of AIC Corporation. He is so smart and so ruthless his subordinates hardly know how to interpret his commands and often fall short. The stockholders love him, but in the final episode, he might actually be failing while achieving the greatest success. The lovely, kindhearted Lucinda Brahms loses her job but gains what is most precious to her. Do the young couple in the story find each other in spite of the dangerous intrigues and unexpected secrets exposed? How will they escape the evil overshadowing them and survive to fight again on their own terms? The collisions in this story are on several levels. The action moves from the boardroom, to the university campus, and on to secret hideouts. Light and dark, warm and cold intersect as the key figures collide in the struggle for power.

This potpourri of satire on language use in Western culture will trigger chuckles and guffaws from an eclectic readership In The Clan of the Flapdragon and Other Adventures in Etymology by B. M. W. Schrapnel, Ph.D., the pseudonymous critic satirizes a variety of subjects in and out of academe. These adventurous essays include lampoons on writing, language, and literature, and the collection is a delightful spoof of much in contemporary culture—especially areas of intellectual pretension. Readers will be entertained by anachronistic allusions, improbable parodies, whimsical etymologies, tongue-in-cheek word play, and stunning purple prose—examples of just some of the liberties Schrapnel takes with the language. Dr. Schrapnel includes a wide array of audience reactions in the form of bogus letters from fictional readers, confirming that language and literature are everyone’s business. He also offers an annual list of words that writers and speakers should use more often—a lexicographer’s equivalent to the endangered species list—and coins terms such as prufrockery and grendelish.