Oxford Dictionary Of Reference And Allusion

Allusions are a marvelous literary shorthand. A miser is a Scrooge, a strong man a Samson, a beautiful woman a modern-day Helen of Troy. From classical mythology to modern movies and TV shows, this revised and updated third edition explains the meanings of more than 2,000 allusions in use in modern English, from Abaddon to Zorro, Tartarus to Tarzan, and Rambo to Rubens. Based on an extensive reading program that has identified the most commonly used allusions, this fascinating volume includes numerous quotations to illustrate usage, drawn from sources ranging from Thomas Hardy and Charles Dickens to Bridget Jones's Diary. In addition, the dictionary includes a useful thematic index, so that readers not only can look up Medea to find out how her name is used as an allusion, but also can look up the theme of "Revenge" and find, alongside Medea, entries for other figures used to allude to revenge, such as The Furies or The Count of Monte Cristo. Hailed by Library Journal as "wonderfully conceived and extraordinarily useful," this superb reference--now available in paperback--will appeal to anyone who enjoys language in all its variety. It is especially useful for students and writers.

Allusions form a colourful extension to the English Language, drawing on our collective knowledge of literature, mythology, and the Bible to give us a literary shorthand for describing people, places, and events. So a miser is a Scrooge, a strong man is a Samson or a Hercules, a beautifulwoman is a Venus or a modern-day Helen of Troy-we can suffer like Sisyphus, fail like Canute, or linger like the smile of the Cheshire Cat. This completely new reference work explains the meanings of the allusions in use in modern English, from Abaddon to Zorro, Tartarus to Tarzan, and Rubens to Rambo. The fascinating book is based on an extensive reading programme that has identified the most commonly-used allusions, and quotations areincluded at most entries to illustrate usage, from a range of authors and sources, from Thomas Hardy to Ben Elton, Charles Dickens to 'Bridget Jones's Diary'.

Over 1,900 entries. Allusions form a colourful extension to the English language, drawing on our collective knowledge of literature, mythology, and the Bible to give us a literary shorthand for describing people, places, and events. So a cunning crook is an Artful Dodger, a daydreamer is like Billy Liar, a powerful woman is a modern-day Amazon. This absorbing and accessible A-Z explains the meanings of allusions in modern English. Fascinating to browse through, the book is based on an extensive reading programme that has identified the most commonly-used allusions. For the third edition all entries have been reviewed, revised, and thoroughly updated to ensure the consistency of coverage of allusions and references. New to this edition is the inclusion within each entry of a short summary definition for the allusion or reference, ideal for quick reference, and at least one illustrative citation from a wide range of source materials in almost every entry. The Oxford Dictionary of Reference and Allusion is both a useful and user-friendly reference work for students of English literature and language, as well as for non-native English speakers for aid with unusual references, and an absorbing volume for all lovers of literature and culture in general.

Allusions form a colourful extension to the English language, drawing on our knowledge of literature and mythology to give a shorthand for describing people, places, and events. This text explains the meanings of the allusions in use in modern English. Originally published: 2001.

'The Oxford Dictionary of Phrase and Fable' is a major reference work, providing a wealth of fascinating and informative background detail from over 20,000 phrases and allusions used in English today.

A guide to references commonly used in speech and writing. Explains more than 900 allusions. Entries include examples from todays leading media. A must for serious readers, language lovers, and ESL students.

This indispensable work is a comprehensive resource offering abundant information that students and general readers of all ages will find clear and to the point. A useful companion to The Facts On File Dictionary of Cultural and Historical Allusions explains the meanings and origins of allusions from the Bible and classical mythology, including Greek, Roman, Norse, Celtic, and Egyptian. It features approximately 2,000 entries, from Abelard and Heloise to Zeus. It covers biblical and mythological figures (Narcissus, Athena, Daniel), places (Mount Olympus, Gesthemane, Elysian Fields), key concepts (doomsday, utopia), and other references with biblical and mythological origins (judgment of Solomon, salt of the earth, patience of Job, labors of Hercules). It also includes a pronunciation key for difficult words or terms; examples of usage; and extensive cross-references.

This Dictionary is part of the Oxford Reference Collection using sustainable print-on-demand technology to make the acclaimed backlist of the Oxford Reference programme perennially available in hardback format. What is a ham-and-egger? What are Anglo-Saxon attitudes? Who or what is liable to jump the shark? Who first tried to nail jelly to the wall? The answers to these and many more questions are in this fascinating book. Here in one volume you can track down the stories behind the names and sayings you meet, whether in classic literature or today's news. Drawing on Oxford's unrivalled bank of reference and language online resources, this dictionary covers classical and other mythologies, history, religion, folk customs, superstitions, science and technology, philosophy, and popular culture. Extensive cross referencing makes it easy to trace specific information, while every page points to further paths to explore. A fascinating slice of cultural history, and a browser's delight from start to finish. What is the fog of war? Who first wanted to spend more time with one's family? When was the Dreamtime? How long since the first cry of Women and children first? Where might you find dark matter? Would you want the Midas touch? Should you worry about grey goo?