Painting And Reinterpreting The Masters

For centuries, artists have learnt from the art that came before them. This book explains how to make paint meaningful and imaginative responses to the works of the masters. There are step by step examples to illustrate how to get started and how to use thumbnail pencil sketches. Advice is given on how to make larger and slower drawings, and then oil-sketch copies of the masters' work. The author studies the composition, rhythms and colours of the masters and uses their work as a source to practise and understand paintings, and as a springboard for your own discovery and invention. This book explores how a brave and imaginative use of colour can reinterpret paintings to achieve a greater and more expressive effect. Images from the earliest art to the twentieth century are included to feed your creative imagination, and examples of contemporary interpretations to show you the way. With over two hundred inspiring images, it is a unique guide to developing your own artistic voice while studying and enjoying some of the art world's greatest treasures.

A revised and enlarged edition of Painting lessons from the great masters.

Reconstruction of the formulas for painting media invented from the time of Van Eyck to the end of the 17th century.

Master the art of oil painting with instruction on key topics and techniques such as materials, observation, references, forms, composition, color palettes, mixing colors, underpainting, working in layers, light effects, painting on location, textures and more from ten contributors, including beautiful gallery images of finished works. You will enjoy producing better artworks and getting professional-looking results by studying the methods of today's experts, such as Laurie Kersey, Camille Przewodek, Albert Handell, Kevin MacPherson, Phil Starke, Marc Hanson and more. These award-winning contributors have exhibited around the world and have distinguished publishing histories with F+W Media and others.

Reading art from a semiotic perspective, this book offers a new interpretation of the development of Chinese landscape painting and outlines a new framework for contemporary semiotics and critical theory. It will appeal to those interested in visual art, Chinese studies, critical theory, semiotics, and other relevant fields, and will allow the reader to learn how to put theory into the practice of studying art, how to give new life to an important theory, and how to acquire a new point of view in appreciating and enjoying art with a certain critical theory.

Painting technique is a relatively neglected aspect of art history, although technique is vitally important in the development of painting styles and movements. In this volume, the techniques of 77 of the world's greatest painters are examined in over 100 of their finest paintings. This comprehensive study shows the development of technique from the frescoes of Giotto to the acrylic paintings of David Hockney, revealing the extent to which changes of technique and the evolution of artist's material went hand in hand. Some of the unique features of the book are: -- A concise description of the career and general technique of the artist -- Actual size details indicating the scale of the work -- Diagrams showing the unpainted blank surface and subsequent sizing stages -- Illustrations demonstrating the underdrawing of the work -- Reproductions of the whole painting and a series of details -- Extensive captions to explain the relevance of each detail This book, compiled with the aid of a team of 14 technical consultants, experienced as either picture conservators or art historians, is an invaluable tool for the appreciation and understanding of the great paintings of the past and the present.