Painting What You Want To See

If you've ever wanted to control your art so that you can paint anything—and paint it well—this is the book for you! The mediums are oil, watercolor, and contour drawing but this is a book about making good paintings, not learning a particular medium. The subject matter is broad, ranging from still lifes to figures and portraits, to landscapes. Again, the point is that if you can paint, you can paint anything! But you must never feel compelled to paint what is before you. You must feel free to paint not what you see, but what you want to see—the way you want it to look—and this book shows you how. Paint What You Want to Seeis a complete course in painting and "seeing." It even includes critiques of student work and problem paintings—you learn where the paintings went wrong and how they can be improved. There are also numerous assignments to practice at home, with examples of how to do them, and valuable lessons on the essentials of values, color, and composition. You will learn how to make a contour drawing, how to layer your washes until you get the right value, and how to use "local value" and color-values to make strong statements. You will also learn how to mix subtle colors such as greens, grays, flesh-tones, and darks; paint with analogous and complementary colors; paint light, shadows, and negative shapes; and see tubed paint in terms of value. Lessons on composition include directing the eye with edges; vignetting; placing darks and other colors; advice on handling patterns; integrating subject and background; subduing or emphasizing contours; and hints on loosening up your painting style. The book concludes with a review of famous artists' painting, with suggestions on applying their "lessons" to your own work. Painting What You Want to Seeis for artists of all levels of ability, particularly for intermediate and advanced students who already know how to paint and want to make better, more expressive paintings. The instructions are clear and simple, with numerous examples, excellent illustrations, informative captions, and many useful assignments to help you develop your own style. Except for sections on drawing and values, the entire book is in color. All in all, a most extraordinary book!

Everything you always wanted to know about oil painting...but were afraid to ask. Or maybe you weren’t afraid—maybe you just didn’t know what to ask or where to start. In The Oil Painting Course You’ve Always Wanted, author Kathleen Staiger presents crystal clear, step-by-step lessons that build to reinforce learning. Brush control, creating the illusion of three dimensions, foolproof color mixing, still-life painting, landscapes, and portraits—every topic is covered in clear text, diagrams, illustrations, exercises, and demonstrations. Staiger has taught oil painting for more than thirty-five years; many of her students are now exhibiting and selling their paintings. Everyone from beginning hobby painters, to art students, to BFA graduates has questions about oil painting. Here at last are the answers!

How-to art instruction book teaching painters how to mix color.

Line and wash is an exciting combination. This practical book shows you how to exploit the strength of ink with the transparency of watercolour to produce powerful and dynamic paintings. With over 170 illustrations, it covers a wide range of styles and subjects, before exploring mixed media, new surfaces and other ways to take your line and wash work to another level. Includes advice on choosing materials; exercises to hone your drawing and painting skills; gives inspiration for new approaches to line and wash and, finally, step-by-step demonstrations of ideas and projects. This book is a visual treat and an essential guide for all artists who want to try this exciting technique.

A unique system for jump-starting artistic creativity, encouraging experimentation and growth, and increasing sales for artists of all levels, from novices to professionals. Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible! With her encouraging tone and useful exercises, Marine teaches you to: -Master composition and value -Become confident in any medium including oil painting, acrylic painting, watercolors, and other media -Choose subjects wisely -Stay fresh and loose -Photograph, post, and sell your art online -Become connected to the growing movement of daily painters around the world

Charles Reid is beloved as a teacher for his ability to guide students beyond the superficial and straight into the heart of what makes good painting good. In Painting by Design he explains how seeing your painting subjects in terms of light, shadow, shape, value, and color, will help you create striking works that embody effective design while capturing the intangible essence of the subject. A firm believer in drawing as an ideal tool for understanding a subject as an abstract form, Reid opens this book with lessons in contour and rhythm drawing, providing photographs for you to work from. Next comes a chapter on effective and reliable ways to treat color and value in your work. With clear and easy-to-follow pointers on working with oils and watercolors, Painting by Design explains how color functions as an important design element. Reid goes on to cover figure painting and the difficult art of rendering faces with realistic detail and expression, neatly demonstrating how the techniques and strategies learned in earlier chapters can be used to create specific effects. Finally, Reid shares his method of properly balancing a painting. Explaining how to combine what he refers to as "the effect" (sharp-focus, high-contrast compositional elements) with "the big blur" (softer edges, lighter values) to create interesting and dynamic artwork. Packed with assignments, detailed demonstrations, and illuminating examples, Painting by Design provides big-picture strategies and techniques alongside tips for identifying and addressing specific compositional problems. Ideal for any artist who wants to hone their skills and develop their sense of composition, Painting by Design stands out among Reid's impressive catalog of painting books. Readers interested in related titles from Charles Reid will also want to see: Flower painting in oil (ISBN: 9781626543805), Painting What (You Want) to See (ISBN: 9781626543782), Pulling Your Paintings Together (ISBN: 9781626543843), The Natural Way to Paint (ISBN: 9781626543829).

"The Landscape Painter's Workbook takes a modern approach to the time-honored techniques and essential elements of landscape painting, from accomplished artist, veteran art instructor, and established author Mitchell Albala"--