Palestinian Refugees And Identity

After the creation of the State of Israel in 1948, Palestinian refugees fled over the border into Jordan, which in 1950 formally annexed the West Bank. In the wake of the 1967 War, another wave of Palestinians sought refuge in the Hashemite kingdom. Today, 42 per cent of registered Palestinian refugees live in Jordan. As a result of this historical context, one might expect Palestinian refugee camps to be highly politicised spaces. Yet Luigi Achilli argues in this book that there is in fact a relative absence of political activity. Instead, what is prevalent is a desire to live an 'ordinary life'. It is within the framework of the performing and creating everyday life – working, praying, relaxing, watching football matches, surfing the internet, or idling in barber shops – that Achilli examines nationalism and identity. Palestinian refugees have been traditionally depicted by the Western media as inherently political beings, ready to fight and resist all attempts to quash their nationalist struggle. But except for occasional political demonstrations and events, neither the political turmoil in Gaza and the West Bank, nor the uprisings throughout the Middle East of 2011, have roused refugees out of what they described as the ordinary course of daily life in the camp. Achilli argues instead that refugee daily life in many ways revolves around the practice of suspending the political. The performative and reiterative dimensions of ordinary activities have not, however, precluded refugees from feeling an affinity for many of the meanings, ideals, and values of Palestinian nationalism. Achilli holds that it is through the desire for an 'ordinary life' that these Palestinian refugees are able to assert their own meanings and understandings of national identity against the more inflexible interpretations provided by the political systems in Gaza and the West Bank. Examining the concepts of 'everyday' Islam as well as the construction of masculine identity in the camps, Achilli offers vital analysis of the complexities and ambiguities of camp-dwellers' experience of the political in ordinary times.

More than four million Palestinian refugees live in protracted exile across the Middle East. Taking a regional approach to Palestinian refugee exile and alienation across the Levant, this book proposes a new understanding of the spatial and political dimensions of refugee camps across the Middle East. Combining critical scholarship with ethnographic insight, the essays uncover host states’ marginalisation of stateless refugees and shed light on new terminology on refugees, migration and diaspora studies. The impact on the refugee community is detailed in novel studies of refugee identity, memory and practice and new legal approaches to compensation and "right of return". The book opens a critical debate on key concepts and proposes a new understanding of the spatial and political dimensions of refugee camps, better understood as laboratories of Palestinian society and "state-in-making". This strong collection of original essays is an essential resource for scholars and students in refugee studies, forced migration, disaster studies, legal anthropology, urban studies, international law and Middle East history.

After six decades of protracted refugeehood, patterns of social identification are changing among the young people of the fourth refugee generation in the Palestinian refugee camp Burj al-Shamali in Southern Lebanon. Though their identity as Palestinian refugees remains the same compared to older refugee generations, there is an important shift in the young refugees’ relationship towards the homeland, their status as refugees, Islam, the camp society, as well as in their relationship towards religious or ethnic “others” in and outside Lebanon. This ePaper examines how technology, globalisation and outside influences have impacted the young Palestinians’ interpretation of their identity and their understanding of Palestinianness. The author concludes with reflections on the young refugees’ attitudes towards their Palestinian identity in the diaspora, which, as she argues, can only survive when the young refugees see their identity as a virtue rather than as a hindrance.

Schulz examines the ways in which Palestinian identity has been formed in the diaspora through constant longing for a homeland lost. In so doing, the author advances the debate on the relationship between diaspora and the creation of national identity.

Encompassing history, politics, and political culture, Bowker grapples with fundamental issues of Palestinian identity in the context of the peace process.

Nearly half of the world's eight million Palestinians are registered refugees, having faced partition and exile. Landscape of Hope and Despair examines this refugee experience in Lebanon through the medium of spatial practices and identity, set against the backdrop of prolonged violence. Julie Peteet explores how Palestinians have dealt with their experience as refugees by focusing attention on how a distinctive Palestinian identity has emerged from and been informed by fifty years of refugee history. Concentrating ethnographic scrutiny on a site-specific experience allows the author to shed light on the mutually constitutive character of place and cultural identification. Palestinian refugee camps are contradictory places: sites of grim despair but also of hope and creativity. Within these cramped spaces, refugees have crafted new worlds of meaning and visions of the possible in politics. In the process, their historical predicament was a point of departure for social action and thus became radically transformed. Beginning with the calamity of 1948, Landscape of Hope and Despair traces the dialectic of place and cultural identification through the initial despair of the 1950s and early 1960s to the tumultuous days of the resistance and the violence of the Lebanese civil war and its aftermath. Most significantly, this study invokes space, place, and identity to construct an alternative to the received national narratives of Palestinian society and history. The moving stories told here form a larger picture of these refugees as a people struggling to recreate their sense of place and identity and add meaning to their surroundings through the use of culture and memory.