Papers Presented To The Conference On The Atlantic Slave Trade In African And African American Memory

"With Aldon Nielson, the editors of this volume agree that ""the middle passage may be the great repressed signifier of American historical consciousness."" The essays collected here illustrate that the repressed memory of crossing lives not only in the academy, in oral traditions, and in the stone walls of slave fortresses but in the liturgy as well as the spiritual and religious practices throughout the African Diaspora. Descendants of African slaves living in the wide Diaspora are bearers of an ""unforgetful strength"" that endures and endures, manifesting itself in every aspect of culture. Black writers, artists and musicians in the New World have tested the limits of cultural memory, finding in it the inspiration to ""speak the unspeakable."" "

Note: this is an abridged version of the book with references removed. The complete edition is also available. While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory.

While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory.

In this book, Ana Lucia Araujo argues that despite the rupture provoked by the Atlantic slave trade, the Atlantic Ocean was never a physical barrier that prevented the exchanges between the two sides; it was instead a corridor that allowed the production of continuous relations. Araujo shows that the memorialization of slavery in Brazil and Benin was not only the result of survivals from the period of the Atlantic slave trade but also the outcome of a transnational movement that was accompanied by the continuous intervention of institutions and individuals who promoted the relations between Brazil and Benin. Araujo insists that the circulation of images was, and still is, crucial to the development of reciprocal cultural, religious, and economic exchanges and to defining what is African in Brazil and what is Brazilian in Africa. In this context, the South Atlantic is conceived as a large zone in which the populations of African descent undertake exchanges and modulate identities, a zone where the European and the Amerindian identities were also appropriated in order to build its own nature. This book shows that the public memory of slavery and the Atlantic slave trade in the South Atlantic is plural; it is conveyed not only by the descendants of the victims but also by the descendants of perpetrators. Although the slave past is a critical issue in societies that largely relied on slave labor and where the heritage of slavery is still present, the memories of this past remain very often restricted to the private space. This book shows how in Brazil and Benin social actors appropriated the slave past to build new identities, fight against social injustice, and in some cases obtain political prestige. The book illuminates how the public memory of slavery in Brazil and Benin contributes to the rise of the South Atlantic as an autonomous zone of claim for recognition for those peoples and cultures that were cruelly broken, dispersed, and depreciated by the Atlantic slave trade. Public Memory of Slavery is an important book for collections in slavery studies, memory studies, Brazilian and Latin American studies, ethnic studies, cultural anthropology, African studies and African Diaspora.Araujo sheds light on the paradoxical understandings of the slave trade insouthern Benin and the unintended results of some international efforts torecognise the history of slavery and the slave trade. [...] makes a usefuladdition to the literature because the reader is only reminded how muchAfricans and descen- dants of Africans have shaped this vast Atlantic worldterritory through divergent processes of exchange and recreation, occurringboth within and beyond the gaze of Western dis- course. (Itinerario, November 2011)The book is broad ranging and provides an introduction to numerous subjects(...) Recommended. (Choice, June 2011)

It's an awful story. It's an awful story. Why do you want to bring this up now?--Chief Awusa of Atorkor For centuries, the story of the Atlantic slave trade has been filtered through the eyes and records of white Europeans. In this watershed book, historian Anne C. Bailey focuses on memories of the trade from the African perspective. African chiefs and other elders in an area of southeastern Ghana-once famously called "the Old Slave Coast"-share stories that reveal that Africans were traders as well as victims of the trade. Bailey argues that, like victims of trauma, many African societies now experience a fragmented view of their past that partially explains the blanket of silence and shame around the slave trade. Capturing scores of oral histories that were handed down through generations, Bailey finds that, although Africans were not equal partners with Europeans, even their partial involvement in the slave trade had devastating consequences on their history and identity. In this unprecedented and revelatory book, Bailey explores the delicate and fragmented nature of historical memory.

This is the first book to explore national representations of slavery in an international comparative perspective. Contributions span a wide geographical range, covering Europe, North America, West and South Africa, the Indian Ocean and Asia.