Parables In German And English

The thirteenth-century poet who used the pseudonym Der Stricker ("The Knitter) is the earliest known composer of fables, sermonettes, and parables - examples of Kleindichtung -in the German language. Some of the Stricker's fables and parables are, as far as is known, original with him, others are new variants of works that had appeared in other lands and languages. The sermonettes are typical examples of what might be called the folk-theology of the day, drawing on oral tradition rather than directly on the Scriptures. In his verse-tales, the author proves to be a keen, often harsh social critic providing a realistic, often cynical, picture of medieval society that stands in sharp contrast to the romanticism of nearly all German literature of his century. This is the first collection of The Stricker's short narratives in English translation.

Winner of the 2009 Christianity Today Award for Biblical Studies, Stories with Intent offers pastors and students a comprehensive and accessible guide to Jesus' parables. Klyne Snodgrass explores in vivid detail the historical context in which these stories were told, the part they played in Jesus' overall message, and the ways in which they have been interpreted in the church and the academy. Snodgrass begins by surveying the primary issues in parables interpretation and providing an overview of other parables—often neglected in the discussion—from the Old Testament, Jewish writings, and the Greco-Roman world. He then groups the more important parables of Jesus thematically and offers a comprehensive treatment of each, exploring both background and significance for today. This tenth anniversary edition includes a substantial new chapter that surveys developments in the interpretation of parables since the book's original 2008 publication.

Contending that Jesus narrative parables are more poetic than metaphoric, Hedrick argues that parables should be heard solely on their own terms. Hedrick s dissatisfaction with figurative and metaphorical approaches or those that argue for a particular meaning or a single interpretation diverges sharply from the modern consensus and breaks new ground in parable studies.

Modern scholarship on the parables has long been preoccupied with asking what Jesus himself said and what he intended to accomplish with his parables. Ruben Zimmermann moves beyond that agenda to explore the dynamics of parabolic speech in all its rich complexity. Introductory chapters address the history of research and distinguish historical from literary and reader-oriented approaches, then set out a postmodern hermeneutic that analyzes narrative elements and context, maps the sociohistorical background, explores stock metaphors and symbols, and opens up contemporary horizons of interpretation. Subsequent chapters then focus on one parable from early Christian sources (Q, Mark, Matthew, Luke, John, and the Gospel of Thomas) to explore how parables function in each literary context. Over all reigns the principle that the meaning or theological "message" of a parable cannot be extracted from the parabolic form; thus the parables continue to invite hearers' and readers' involvement to the present day.