Paris Blues

The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation—reinvention—in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.

The brilliant, bestselling, Giller Prize–winning novel Esi Edugyan’s Half-Blood Blues took the literary world by storm when it was first published, captivating readers and reviewers with its audacity, power, and sheer brilliance. The novel won or was nominated for every literary prize in Canada—and many international ones, too, including the prestigious Man Booker Prize. It was hailed as one of the best books of the year by Oprah, The Globe and Mail, Amazon, The San Francisco Chronicle and The Vancouver Sun, and it was named a New York Times Editor’s Choice. From the smoky bars of pre-war Berlin to the salons of Paris, the narrator of Half-Blood Blues, musician Sid Griffiths, leads the reader through a fascinating, little-known world and into the heart of his own guilty conscience. The bestselling, award-winning Half-Blood Blues is an entrancing, electric story about jazz, race, love and loyalty, and the sacrifices we ask of ourselves—and demand of others—in the name of art.

More than a discography, this book compiles the complete recorded music of Duke Ellington and his sidemen, including studio recordings, movie soundtracks, concerts, dance dates, radio broadcasts, telecasts, and private recordings, creating an easy to use reference source for Jazz collectors and scholars.

Volume II of this two-volume set traces the artist's life and career month by month from the orchestra's return from an extended European tour in June 1950, to Ellington's death in 1974. Jazz historian and graphic designer Vail presents b & w photographs, newspaper reports, advertisements, reviews, and brief diary-type entries; he includes all known club, concert, theater, television, film, and jam sessions, as well as a selected list of recordings. Annotation copyrighted by Book News, Inc., Portland, OR

“German troops entered [Denmark, a] country of four and a half million persons on April 9, 1940, and three years passed before the purge against Danish Jews was begun. On the night of October 1, 1943, the Nazi boot kicked open doors in rooms largely empty. Only a fraction of the Danish Jews — 472 — were caught and sent to Theresienstadt Concentration Camp (where 53 of them died). The remaining 7,500 escaped — thanks to one German and several thousands of their countrymen. How? That was the question that puzzled the American journalist and television-writer, Harold Flender... He returned to Denmark for intensive research among rescuers and rescued and in archives. This book is the result... Flender brings out the risks and agonies, the drama and the heroism, in straight, professional reporting... [a] well-done work.” — Poul Lassen, The New York Times “One of the most exciting books about the frustration of the Nazis that has come out in a long time... a fabulous story.” — Wilmington News “A marvelous story...” — Chicago Tribune “As thrilling as it is uplifting.” — The Christian Science Monitor “Heartwarming story told in thrilling detail... should he read by everyone...” —Cleveland Plain Dealer “Inspiring and little-known story...” — Columbus Dispatch “Remarkable account of human courage and decency.” — The Denver Post “Powerful, heart-warming... one of the best and most starring stories out of the Nazi terror...” — Grand Junction Daily Sentinel “A graphic story of one of history’s greatest rescues.” — Hartford Times “Suspenseful... lifts the spirit... a rewarding book.” — Honolulu Star Bulletin & Advertiser “Simple, dramatic and moving... One of the most exciting and heartening [stories] to come out of the war.” — The London Observer “Impossible to stop reading... Everybody should read it.” — The London Spectator “An inspiring story of courage and good will...” — Library Journal “Remarkable... Effectively and comprehensively told...” — Los Angeles Times “A book that exceeds in fascination, as well as strangeness and truth, any current work of fiction.” — National Jewish Post & Opinion “Is stranger than fiction.” — Norfolk Virginian Pilot “Definitely should be read...” — Philadelphia Bulletin “Very moving and exciting...” — Publishers’ Weekly “Dramatic... well written account...” — Roanoke Times “Exciting and well documented...” — Sacramento Bee “Moving... true story of adventure and devotion...” — St. Petersburg Times “Easy to read and as exciting as any work of fiction...” — Yorkshire Evening Press (UK)

PARIS, 1976: Twenty-year-old American student Julie Scolnik had just arrived in the City of Light to study the flute when, from across a sea of faces in the chorus of the Orchestre de Paris, she is drawn to Luc, a striking (married) French lawyer in the bass section. This moving tale of an ebullient young American and a reserved Frenchman will transport readers to the cafés, streets, and concert halls of Paris in the late seventies, and, spanning three decades, evolves from deep romance to sudden heartbreak, and finally to a lifelong quest for answers to release hidden, immutable grief. Against a magical backdrop of Paris and classical music, Paris Blue is true fairy-tale memoir (with a dark underbelly) about the tenacious grip of first love.

Crumbling pastel-colored facades line its streets, parked vintage cars evoke times past, live music permeates the air. Welcome to Havana, home to an overwhelming energy. Situated along the Straits of Florida, the capital of Cuba has been through several identities: Spanish colonial settlement, mobster rule in the 1930s, glamour of the 1950s, Cuban revolution and, most recently, a cultural renaissance. Havana’s bold, provocative approach to art, cuisine and entertainment—as well as the eclectic blend of African, French, Spanish and North American influences—including its range of architecture styles from the sixteenth century to the modern day, confer this epic city with a legendary status on par with the world’s greatest cities. While some of the building are in disrepair, the beauty of the baroque, neoclassical and art deco features triumphs. The iconic Copa Room cabaret that hosted Ginger Rogers and Abbott and Costello still stands. The Gran Teatro de la Habana, built in the early twentieth century, is now home to the Cuban National Ballet. Habana Vieja is undergoing a massive restoration to its former glory. Havana could be seen as a work-in-progress, but it is more a testament to its never-ending determination to improve and progress, which might be the allure that attracts so many visitors. So take a seat at an authentic paladar (family-run restaurant) and enjoy the vibrant evolution of Havana.