Paris Mon Amour

Le Flaneur, the turn-of-the-century French term for the urban stroller, the street wanderer -- an intellectual with plenty of leisure time to idly traverse the byways of the city, drifting from one quarter to another, making discoveries, meeting old acquaintances, making new ones. It remains the best way to see Paris. This volume of photography is a memoir of numerous walks through the French capital by some great photographers, who set out, like le flaneur, to capture by chance something they had never seen before. These images map and re-map the desired paths and favourite landmarks of one of the most photographed cities in the world, reprinting classic shots from the last two hundred years -- right up to the present day. They poignantly evoke the bars, the cafes, the architecture, the parks and, of course, the vibrancy of the people. Turning the pages is like taking a walk through the history of the city, noting the changes and those elements that are forever Paris -- the tree-lined boulevards, the dimly lit bistros, the narrow passages, and the banks of the River Seine.

Alexandra has built a new life in Paris, finding the happiness she never expected with her husband Phillipe. Philippe values the comfort and intimacy of his second marriage. Hard to believe he'd risk it all. Jean-Luc is the son of Philipe's best friend. He wants Alexandra and once she is involved only one of them will get the blame. Paris Mon Amour charts the passion and the price of inescapable desire, obsessive love and devastating betrayal.

For almost half a century the author dreamed of France, of someday walking the Champs Elysees, and touching the Eiffel Tower. Her book, Paris, Mon Amour, is an account of one perfect week in Paris, where seeing the Mona Lisa in the famed Louvre was possible; and popping into a sidewalk café, a daily occurrence! It was intended to be a light-hearted account of that week; but became so much more as she encountered an atmosphere never before experienced. The Parisian way!

Many years ago, Jacques Tardi was introduced to American audiences with"Manhattan," a grim and grimy story of depression, madness and suicide in NewYork City. Three decades later, New York Mon Amour collects "Manhattan" andthree other tales of the Big Apple spectacular collection is this rendered byTardi with just as much panache and you-are-there detail as his reworks set inParis or the trenches of World War I. Aside from "Manhattan," the centerpiece ofthe book is the graphic novel "Cockroach Killer," written by Benjamin Legrand.This violent, surreal conspiracy thriller, starring a hapless exterminator namedWalter, remains one of the cartoonist's most startling, confounding works. Thevolume is rounded out with two short tales, both written by Dominique Grange:"So Hard" (starring John Lennon - but not that John Lennon), and "The Killing ofHung" (a story of revenge and redemption).

A two-century survey of exquisite Parisian photography, these cinematic black-and-white photos tell the diverse stories of Paris, from Henri Cartier-Bresson's romantic images of street life to scenes of protest and struggle during May 1968. Just as the city has served as inspiration to generations of artists, this book will stir readers to make...

The award-winning screenplay for the classic film the New York Post hailed as “overwhelming . . . a motion picture landmark.” One of the most influential works in the history of cinema, Alain Renais’s Hiroshima Mon Amour gathered international acclaim upon its release in 1959 and was awarded the International Critics’ Prize at the Cannes Film festival and the New York Film Critics’ Award. Ostensibly the story of a love affair between a Japanese architect and a French actress visiting Japan to make a film on peace, Hiroshima Mon Amour is a stunning exploration of the influence of war on both Japanese and French culture and the conflict between love and inhumanity.

As anyone in the news business knows, audiences swell with the scale of disaster; humans have always been drawn to the rumors of our own demise. In this darkly comic book, noted film historian David Thomson examines iconic disasters, both real and fictional, exposing the slippage between what occurs and what we observe. Demonstrating how disasters become yet another commodity for our consumption, Thomson shows how digital culture sates our desire to witness chaos while suffering none of its aftereffects. Through classic movies such as San Andreas; eyewitness responses to real disasters such as the Aberfan coal mining disaster and the coronavirus pandemic; and media portrayals of disasters throughout history, Thomson pulls back the curtain to reveal why we love watching disaster unfold--but only if it happens to others.