Parks

When Canada created a Dominion Parks Branch in 1911, it became the first country in the world to establish an agency devoted to managing its national parks. Over the past century this agency, now Parks Canada, has been at the center of important debates about the place of nature in Canadian nationhood and relationships between Canada s diverse ecosystems and its communities."

"Fifty-Nine Parks collaborated with some of the world's foremost contemporary artists and designers to create original posters that celebrate the unique beauty of the U.S. National Park system. Each poster is a contemporary take on the W.P.A. posters of the 1930s, resulting in a one-of-a-kind tribute to the majesty of the national parks"--

Exclusive online content, photos, and more, available here Parks are importantly fertile places to talk about land. Whether its big national parks, provincial campgrounds, isolated conservation areas, destination parks, or humble urban patches of grass, we tend to speak of parks as unqualified goods. People think of parks as public or common land, and it is a common belief that parks are the best uses of land and are good for everyone. But no park is innocent. Parks are lionized as “natural oases,” and urban parks as “pure nature” in the midst of the city — but that’s absurd. Parks are as “natural” as the roads or buildings around them, and just as political. Every park in North America is performing modernity and settler colonialism everyday. Furthermore, parks are not private property, but while they are called ‘public’, they are highly regulated spaces that normatively demand and closely control behaviours. Parks are a certain kind of property, and thus creations of law, and they are subject to all kinds of presumptions about what parks are for, and what kinds of people should be doing what kinds of things in them. Parks — as they are currently constituted — are colonial enterprises. On This Patch of Grass is an investigation into one small urban park — Vancouver’s Victoria Park, or Bocce Ball Park — as a way to interrogate the politics of land. The authors grapple with the fact that they are uninvited guests on the occupied and traditional territories of the Musqueam (xwməθkwəy̓əm), Squamish (Skwxwú7mesh), and Tsleil-Waututh (səliľwətaʔɬ) nations. But Bocce Ball Park is also a wonderful place in many ways, with a startling plurality of users and sovereignties, and all kinds of overlapping activities and all kinds of overlapping people co-existing more-or-less peaceably. It is a living exhibition of the possibilities of sharing land and perhaps offers some clues to a decolonial horizon. The book is a collaborative exercise between one white family and some friends looking at the park from a variety of perspectives, asking what we might say about this patch of grass, and what kinds of occupation might this place imply.

Winner of the Alfred B. Thomas Award and sponsored by the Southeastern Council of Latin American Studies, Revolutionary Parks tells the surprising story of how forty national parks were created in Mexico during the latter stages of the first social revolution of the twentieth century. By 1940 Mexico had more national parks than any other country. Together they protected more than two million acres of land in fourteen states. Even more remarkable, Lázaro Cárdenas, president of Mexico in the 1930s, began to promote concepts akin to sustainable development and ecotourism. Conventional wisdom indicates that tropical and post-colonial countries, especially in the early twentieth century, have seldom had the ability or the ambition to protect nature on a national scale. It is also unusual for any country to make conservation a political priority in the middle of major reforms after a revolution. What emerges in Emily Wakild’s deft inquiry is the story of a nature protection program that takes into account the history, society, and culture of the times. Wakild employs case studies of four parks to show how the revolutionary momentum coalesced to create early environmentalism in Mexico. According to Wakild, Mexico’s national parks were the outgrowth of revolutionary affinities for both rational science and social justice. Yet, rather than reserves set aside solely for ecology or politics, rural people continued to inhabit these landscapes and use them for a range of activities, from growing crops to producing charcoal. Sympathy for rural people tempered the radicalism of scientific conservationists. This fine balance between recognizing the morally valuable, if not always economically profitable, work of rural people and designing a revolutionary state that respected ecological limits proved to be a radical episode of government foresight.

Parks and recreation systems have evolved in remarkable ways over the past two decades. No longer just playgrounds and ballfields, parks and open spaces have become recognized as essential green infrastructure with the potential to contribute to community resiliency and sustainability. To capitalize on this potential, the parks and recreation system planning process must evolve as well. In Parks and Recreation System Planning, David Barth provides a new, step-by-step approach to creating parks systems that generate greater economic, social, and environmental benefits. Barth first advocates that parks and recreation systems should no longer be regarded as isolated facilities, but as elements of an integrated public realm. Each space should be designed to generate multiple community benefits. Next, he presents a new approach for parks and recreation planning that is integrated into community-wide issues. Chapters outline each step—evaluating existing systems, implementing a carefully crafted plan, and more—necessary for creating a successful, adaptable system. Throughout the book, he describes initiatives that are creating more resilient, sustainable, and engaging parks and recreation facilities, drawing from his experience consulting in more than 100 communities across the U.S. Parks and Recreation System Planning meets the critical need to provide an up-to-date, comprehensive approach for planning parks and recreation systems across the country. This is essential reading for every parks and recreation professional, design professional, and public official who wants their community to thrive.

Catie Marron’s City Parks captures the spirit and beauty of eighteen of the world’s most-loved city parks. Zadie Smith, Ian Frazier, Candice Bergen, Colm Tóibín, Nicole Krauss, Jan Morris, and a dozen other remarkable contributors reflect on a particular park that holds special meaning for them. Andrew Sean Greer eloquently paints a portrait of first love in the Presidio; André Aciman muses on time’s fleeting nature and the changing face of New York viewed from the High Line; Pico Iyer explores hidden places and privacy in Kyoto; Jonathan Alter takes readers from the 1968 race riots to Obama’s 2008 victory speech in Chicago’s Grant Park; Simon Winchester invites us along on his adventures in the Maidan; and Bill Clinton writes of his affection for Dumbarton Oaks. Oberto Gili’s color and black-and-white photographs unify the writers’ unique and personal voices. Taken around the world over the course of a year, in every season, his pictures capture the inherent mood of each place. Fusing images and text, City Parks is an extraordinary and unique project: through personal reflection and intimate detail it taps into collective memory and our sense of time’s passage.

Knit unique beanies inspired by the jaw-dropping and unique landscapes from each of the 63 US National Parks. From the brightly colored pebbles of Lake McDonald in Montana’s Glacier National Park to the regal granite cliffs of El Capitan and Half Dome in California’s Yosemite Valley, the US National Parks contain some of the most recognizable and iconic natural landmarks in the world. Capture the majesty each national park offers with original beanie patterns created by knitting designer and outdoor enthusiast Nancy Bates. Beanies range from simple beanie constructions to more challenging stitch patterns such as the two-color crossovers inspired by South Dakota’s Badlands or the multiple cable designs inspired by New Mexico’s Carlsbad Caverns. Clear charts, easy-to-read keys, and thorough instructions help any knitter, whether beginner or experienced, through these gratifying projects. Show your love and appreciation of our national parks with these beautiful and practical beanie projects you can wear any time or any place. 63 KNITTING PATTERNS: Every US National Park is celebrated with a unique beanie design, including the newly designated park New River Gorge in West Virginia BEAUTIFULLY PHOTOGRAPHED: Each pattern is accompanied by photos of the finished beanie and gorgeous images of the park’s landscapes that inspired it INSPIRED BY NATURE: Learn about each national park’s unique fauna, flora, and landscapes that inspired each original beanie, from the Painted Wall in Colorado’s Black Canyon of the Gunnison to the Salt Flats in California Death Valley EASY-TO-FOLLOW INSTRUCTIONS: Each of the 63 beanies knitting patterns have been tested and verified and offer clear charts so that knitters of every skill level can knit a beanie in no time

It all started with a map. . . . Maps of the Disney Parks are more than just atlases used by guests to find their way to Big Thunder Mountain Railroad. They are snapshots of a place and time, relics treasured by collectors, and gorgeous pieces of artwork. In fact, it was a map-imagined by Walt Disney and drawn by Herbert Ryman-that was used to sell the idea of Disneyland to investors. Unfold this book bursting with beautiful maps from when the very first Disney Park opened in 1955 right up to today. Discover details on how and why the domestic and international parks have changed over time, and enjoy six decades worth of skillful creativity.