Parting From Phantoms

As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.

Moving through the elegiac ruins of the Berlin Wall and the Yugoslav disintegration, Writing Postcommunism explores literary evocations of the pervasive disappointment and mourning that have marked the postcommunist twilight.

Documenting four painful years in the life of German writer Christa Wolf, this volume of essays, letters and diary entries portrays the cultural and political situation in the former German Democratic Republic. An admired writer, Wolf was reviled after the publication of her novel "What Remains"

This study of the political significance of theories of tragedy and ordinary language uses of "tragedy" offers a fresh perspective on democracy in contemporary times.

Transnationalism, Migration and the Challenge to Europe: The Enlargement of Meaning puts forward an alternative outline for thinking about migration in a European context. Moving beyond the agenda of identity politics, the book addresses possibilities more related to the experiential and existential dimensions of migratory – and importantly, post-migratory – lives. Examining the fundamental and radical argument that migrants should be regarded not as a problematical category, but rather as opening up new cultural and imaginative channels for those living in Europe, the book draws on extensive empirical work by the authors undertaken over the past ten years. Grounded in the actual lives and experiences of migrant Turks, the book evaluates how their articulations regarding identity and belonging have been changing over the last decade. The agenda regarding migration and belonging has shifted over this crucial period of time. This shift is counterpoised against the unchanging national positions, and against the supra-national stance of 'official' European approaches and policies regarding migration and identity. Transnationalism, Migration and the Challenge to Europe would be of interest to those involved in sociology, anthropology, transnational studies, migration studies, cultural studies, media studies, European studies.

In the political history of the past century, no city has played a more prominent-though often disastrous-role than Berlin. At the same time, Berlin has also been a dynamic center of artistic and intellectual innovation. If Paris was the "Capital of the Nineteenth Century," Berlin was to become the signature city for the next hundred years. Once a symbol of modernity, in the Thirties it became associated with injustice and the abuse of power. After 1945, it became the iconic City of the Cold War. Since the fall of the Wall, Berlin has again come to represent humanity's aspirations for a new beginning, tempered by caution deriving from the traumas of the recent past. David Clay Large's definitive history of Berlin is framed by the two German unifications of 1871 and 1990. Between these two events several themes run like a thread through the city's history: a persistent inferiority complex; a distrust among many ordinary Germans, and the national leadership of the "unloved city's" electric atmosphere, fast tempo, and tradition of unruliness; its status as a magnet for immigrants, artists, intellectuals, and the young; the opening up of social, economic, and ethnic divisions as sharp as the one created by the Wall.

Taking stock of contemporary social, cultural, and political currents, Timothy Brennan explores key turning points in the recent history of American intellectual life. He contends that a certain social-democratic vision of politics has been banished from public discussion, leading to an unlikely convergence of the political right and the academic left and a deadening of critical opposition. Brennan challenges the conventional view that affiliations based on political belief, claims upon the state, or the public interest have been rendered obsolete by the march of events in the years before and after Reagan. Instead, he lays out a new path for a future infused with a sense of intellectual and political possibility. In highlighting the shift in America's intellectual culture, Brennan makes the case for seeing belief as an identity. As much as race or ethnicity, political belief, Brennan argues, is itself an identity-one that remains unrecognized and without legal protections while possessing its own distinctive culture. Brennan also champions the idea of cosmopolitanism and critiques those theorists who relegate the left to the status of postcolonial "other." Wars of Position documents how alternative views were chased from the public stage by strategic acts of censorship, including within supposedly dissident wings of the humanities. He explores how the humanities entered the cultural and political mainstream and settled into an awkward secular religion of the "middle way." In a series of interrelated chapters, Brennan considers narratives of the fall of the Berlin Wall and the Clinton impeachment; reexamines Salman Rushdie's pre-fatwa writing to illuminate its radical social leanings; presents a startling new interpretation of Edward Said; looks at the fatal reception of Antonio Gramsci within postcolonial history and criticism; and offers a stinging critique of Hardt and Negri's Empire and the influence of Italian radicalism on contemporary cultural theory. Throughout the work, Brennan also draws on and critiques the ideas and influence of Heidegger, Lyotard, Kristeva, and other influential theorists.

Multiculturalism is one of the most controversial topics in both the United States and Germany.This interdisciplinary collection of essays by German scholars in American Studies and American scholars in German Studies analyze the "other" from this dual perspective and from their respective disciplines such as literary and cultural studies, political science, anthropology,and history. More particularly they examine multiculturalism in terms of national and ethnic identities, as well as gender and race, and look at the disciplines and institutions that produce and legitimize discourses on subjects such as minority literatures, feminism, and the notion of foreignness itself. What becomes clear is the fact that careful attention must be paid to the particular conditions and different ideological concepts that shape this term, i.e., the "national" historical, political, social, and institutional contexts in which it appears, circulates, and accrues meanings. Contributors: G. Welz, T. Brennan, B. Ostendorf, R. Hof, S. Lennox, A. Koenen, F. Hajek, C.Gersdorf, G. H. Lenz, F. Trommler, H. C. Seeba, A. Seyhan, A. Hornung, B. Thomas, G. O. Kvistad, H.-J. Puhle