Party In The Blitz

Nobel Prize winner Elias Canetti's sensational memoir: a frank, acerbic, and cranky way his years of British exile.

Exceedingly perceptive, at times amusing and always unpredictable, this autobiography by Nobel Prize-winner Elias Canetti is a fascinating and lively read. Canetti spent forty years in London, beginning in 1939, during which he moved in elite circles, numbering the great writers, artists, thinkers and politicians of the time among his friends and acquaintances. But he felt it was an era in which England, having given its best in World War II, lost its glory.Canetti started work on his England memoirs in 1985. Four separate drafts were begun, of which this book, unfinished at the time of his death in 1994, is the product. Restrictive covenants in Canetti's will prevented the publication of his manuscripts and papers for a time, but PARTY IN THE BLITZ was finally published in German in 2003.In this sensational collection of portraits of those who were meaningful in his life, Canetti is an honest and often cruel observer of the personalities of those around him. T S Eliot, he believed, was an embodiment of the grip of decline in which English society found itself. He was intrigued by the English society party, finding in it evidence of a stiff-upper-lip attitude verging on social repression. Already well documented is Canetti's affair with Iris Murdoch. In writing of their rendezvous Canetti is, characteristically, unrestrainedly acerbic. John Bayley would later refer to him as "the god-monster of Hampstead".His style is at times staccato, at times elaborately philosophical, but always displaying the author's sharp-tongued wit and intelligence.This is a unique and personal account of an extraordinary man's life in the age of the Hampstead intelligentsia.

The Blitz Companion offers a unique overview of a century of aerial warfare, its impact on cities and the people who lived in them. It tells the story of aerial warfare from the earliest bombing raids and in World War 1 through to the London Blitz and Allied bombings of Europe and Japan. These are compared with more recent American air campaigns over Cambodia and Vietnam in the 1960s and 1970s, the NATO bombings during the Balkan Wars of the 1990s, and subsequent bombings in the aftermath of 9/11. Beginning with the premonitions and predictions of air warfare and its terrible consequences, the book focuses on air raids precautions, evacuation and preparations for total war, and resilience, both of citizens and of cities. The legacies of air raids, from reconstruction to commemoration, are also discussed. While a key theme of the book is the futility of many air campaigns, care is taken to situate them in their historical context. The Blitz Companion also includes a guide to documentary and visual resources for students and general readers. Uniquely accessible, comparative and broad in scope this book draws key conclusions about civilian experience in the twentieth century and what these might mean for military engagement and civil reconstruction processes once conflicts have been resolved.

In 1934, Veza Taubner and Elias Canetti were married in Vienna. Elias describes the arrangement to his brother Georges as a “functional” marriage. Meanwhile, an intense intellectual love affair develops between Veza and Georges, a young doctor suffering fromtuberculosis. Four years later, Veza and Elias flee Nazi-ruled Vienna to London, where they lead an impoverished and extremely complicated marital life in exile. Spanning the major part of Elias’s struggle for literary recognition, from 1933, before the publication of his novel, Auto-da-Fé, to 1959, when he finished his monumental Crowds and Power, the Canetti letters provide an intimate look at these formative years through the prism of a veritable love triangle: the newly married Elias has a string of lovers; his wife, Veza, is hopelessly in love with an idealized image of his youngest brother, Georges; and Georges is drawn to good looking men as well as to his motherly sister-in-law. Independently and often secretly, the couple communicates with Georges, who lives in Paris: Veza tells of Elias’s amorous escapades and bouts of madness, Elias complains about Veza’s poor nerves and depression. Each of them worries about Georges’s health–if she could, Veza would kiss away the germs. Georges is an infrequent correspondent, but he diligently stores away the letters from his brother and sister-in-law. In 2003, long after his death, they were accidentally discovered in a Paris basement and comprise not only a moving and insightful document, but real literature.

"Since the revelation of Iris Murdoch's (1919-1999) affair with Elias Canetti (1905-1994), scholarship on their relationship has been largely biographical, focusing in particular on Canetti's alleged role as the real-life model for some of Murdoch's most invidious protagonists. Little research, however, has been done on the extensive common ground between the two writers' literary projects. In this groundbreaking comparative study, Elaine Morley conducts a careful philological comparison of Murdoch's and Canetti's works, from their literary themes and theories to their idiosyncratic stylistic practices. Morley demonstrates that these authors were preoccupied with a common philosophical problem, and that they were in fact not only personally close, but also more intellectually allied than has been previously thought. Elaine Morley is Lecturer in German and Comparative Literature at Queen Mary, University of London where she convenes the MA in Anglo-German Cultural Relations."

The Liberal Party and the Economy, 1929-1964 explores the reception, generation, and use of economic ideas in the British Liberal Party between its electoral decline in the 1920s and 1930s, and its post-war revival under Jo Grimond. Drawing on archival sources, party publications, and the press, this volume analyses the diverse intellectual influences which shaped British Liberals' economic thought up to the mid-twentieth century, and highlights the ways in which the party sought to reconcile its progressive identity with its longstanding commitment to free trade and competitive markets. Peter Sloman shows that Liberals' enthusiasm for public works and Keynesian economic management - which David Lloyd George launched onto the political agenda at the 1929 general election - was only intermittently matched by support for more detailed forms of state intervention and planning. Likewise, the party's support for redistributive taxation and social welfare provision was frequently qualified by the insistence that the ultimate Liberal aim was not the expansion of the functions of the state but the pursuit of 'ownership for all'. Liberal policy was thus shaped not only by the ideas of reformist intellectuals such as John Maynard Keynes and William Beveridge, but also by the libertarian and distributist concerns of Liberal activists and by interactions with the early neoliberal movement. This study concludes that it was ideological and generational changes in the early 1960s that cut the party's links with the New Right, opened up common ground with revisionist social democrats, and re-established its progressive credentials.

In a series of powerful accounts drawn from diaries, letters, sound archives and interviews recorded during the period of devastation, discovery and transformation that make the blitz such an outstanding event in Britain's recent past, "The Blitz" brings to life the intense experiences, as they happened all over Britain.

The Blitz and Its Legacy is a fascinating volume which includes war experiences of destruction, architecture, urban design, the political process of planning and reconstruction, and also popular perceptions of rebuilding. Its findings provide very timely lessons which highlight the value of learning from historical precedent. Drawing together leading scholars and new researchers from across the fields of planning, history, architecture and geography, this volume presents an historical and cultural commentary on the immediate and longer-term impacts of wartime destruction.