Parva Naturalia Little Physical Treatises

Aristotle is one of the most crucial figures in the history of Western thought, and his name and ideas continue to be invoked in a wide range of contemporary philosophical discussions. The Bloomsbury Companion to Aristotle brings together leading scholars from across the world and from a variety of philosophical traditions to survey the recent research on Aristotle's thought and its contributions to the full spectrum of philosophical enquiry, from logic to the natural sciences and psychology, from metaphysics to ethics, politics, and aesthetics. Further essays address aspects of the transmission, preservation, and elaboration of Aristotle's thought in subsequent phases of the history of philosophy (from the Judeo-Arabic reception to debates in Europe and North America), and look forward to potential future directions for the study of his thought. In addition, The Bloomsbury Companion to Aristotle includes an extensive range of essential reference tools offering assistance to researchers working in the field, including a chronology of recent research, a glossary of key Aristotelian terms with Latin concordances and textual references, and a guide to further reading.

Natural philosophy encompassed all natural phenomena of the physical world. It sought to discover the physical causes of all natural effects and was little concerned with mathematics. By contrast, the exact mathematical sciences were narrowly confined to various computations that did not involve physical causes, functioning totally independently of natural philosophy. Although this began slowly to change in the late Middle Ages, a much more thoroughgoing union of natural philosophy and mathematics occurred in the seventeenth century and thereby made the Scientific Revolution possible. The title of Isaac Newton's great work, The Mathematical Principles of Natural Philosophy, perfectly reflects the new relationship. Natural philosophy became the 'Great Mother of the Sciences', which by the nineteenth century had nourished the manifold chemical, physical, and biological sciences to maturity, thus enabling them to leave the 'Great Mother' and emerge as the multiplicity of independent sciences we know today.

Aristotle’s Parva naturalia continues the investigation begun in the De anima. The De anima defines the soul and treats its main powers, nutrition, sense perception, intellection, and locomotion. The Parva naturalia — On sense and sensible objects, On memory and recollection, On sleep, On dreams, On divination in sleep, On motion of animals (De motu animalium ), On length and shortness of life, and On youth and old age and respiration — attends more to bodily involvement with soul. While each work offers fascinating and challenging insights, there has never been as extensive a commentary covering them together. A reason is that the works have often been viewed as incidental and even inconsistent. The De motu animalium has not typically been included, when viewed as an isolated work on animal locomotion. This commentary argues that the treatises, considered together and with the De motu among them, display a tight sequence manifesting an artful, yet easily overlooked, design. We reveal many techniques of Aristotle’s writing that have received little consideration previously. Our commentary contributes to a unified and comprehensive account of Aristotle’s overall project regarding the soul and its connections with the body.

PHILOSOPHY IN THE WEST: MEN, WOMEN, RELIGION, SCIENCE This single volume history of philosophy in the West is distinguished by its wide coverage of figures, by its inclusion of well over thirty women, and by its substantive discussion of the historical background of each epoch. Each chapter begins with an overview of the period and concludes with a lengthy bibliography of both primary and secondary texts. There is a useful glossary of terms at the end of the book. Philosophy in the West is intended as a general guide to those taking courses in the history of philosophy, humanities, and related areas. It will also be of interest to those in the fields of theology, philosophy, feminism, and historical studies.

No other work on Galileo Galilei has brought together such a complete description of the historical context in its political, cultural, philosophical, religious, scientific, and personal aspects as this volume has done. In addition to covering the whole of Galileo's life, it focuses on those things that are most pertinent to the Galileo Affair, which culminated in his condemnation by the Inquisition in 1633. It also includes an extensive discussion of the relationship between religion and science in general, and of the relationship between Christianity and science in particular, without which a true understanding of the affair is much weakened. This discussion of the relationship of Christianity with science-a long, generally positive relationship-is most timely since the case of Galileo is, as many historians and Pope Benedict XVI have stated, the beginning of the alienation of the Church from much of the intellectual culture of our present age. The "warfare between science and religion" is an old myth that should finally be retired, but for many it is still axiomatic. This work shows the significance of astrology in the history of society and the Church (Galileo was a master astrologer), and the importance of the internal tensions and factions within the Roman Curia in the seventeenth century. It also tells of the profound battles among Church leadership over the direction of the Church in a time of uncertainty and intellectual and cultural ferment. The Galileo Affair is not just of its time and place, and it is not just about Galileo, but it touches upon that perennial issue of how the Church deals with issues of adaptation and change.

During the Renaissance, new ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the art of this period. In The Sensory World of Italian Renaissance Art, François Quiviger explores the ways in which the senses began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renaissance ideas and practices, investigating their link to mental imagery—namely, how Renaissance artists made touch, sound, and scent palpable to the minds of their audience. Quiviger points to the shifts in ideas and theories of representation, which were evolving throughout the sixteenth century, and explains how this shaped early modern notions of art, spectatorship, and artistic creation. Featuring many beautiful images by artists such as Dürer, Leonardo da Vinci, Titian, Pontormo, Michelangelo, and Brueghel, The Sensory World of Renaissance Art presents a comprehensive study of Renaissance theories of art in the context of the actual works they influenced. Beautifully illustrated and extensively researched, it will appeal to students and scholars of art history.

Philosopher, alchemist, and privateer, Kenelm Digby (1603-1665) cut a striking figure across Europe in the middle of the 17th century. Digby corresponded with Galileo, Descartes, Gassendi, Gilbert and Harvey, and was one of the founding members of the Royal Society. In 1644 he published his major philosophical work, Two Treatises: Of Bodies and of Man's Soul - the first comprehensive philosophical work in the English language. In the Two Treatises Digby discussed at length a vast array of philosophical ideas: elements, matter, mechanism, motion, force and causation, as well as sensation, perception, memory, imagination, intellect, reason, and immortality. MacDonald's edition is the first scholarly edition of this great work since it went out of print in 1669: it offers a normalized text, copious annotations, and a lengthy introduction which situates Digby's ideas in the currents of 17th century philosophical thought.