Passage To Ararat

In Passage to Ararat, which received the National Book Award in 1976, Michael J. Arlen goes beyond the portrait of his father, the famous Anglo-Armenian novelist of the 1920s, that he created in Exiles to try to discover what his father had tried to forget: Armenia and what it meant to be an Armenian, a descendant of a proud people whom conquerors had for centuries tried to exterminate. But perhaps most affectingly, Arlen tells a story as large as a whole people yet as personal as the uneasy bond between a father and a son, offering a masterful account of the affirmation and pain of kinship.

"One doesn't have to be a panjandrum of Communications to realize that television does something to us," Michael Arlen (former TV critic of The New Yorker) writes in the Introduction to Living-Room War. He continues, "Television has a transforming effect on events. It has a transforming effect on the people who watch the transformed events-it's just hard to know what that is." Living-Room War is Arlen's valiant-and entertaining-attempt to figure out exactly what exactly television does to us. This timeless collection of essays provides a poetic look at 1960s television culture, ranging from the Vietnam war to Captain Kangaroo, from the 1968 Democratic convention to televised sports.

It will come as no surprise that Michael J. Arlen's first novel is at once romantic, disturbing, and original, an artistic achievement of impressive subtlety and force. A famous father and his estranged son meet for the first time in many years on the father's ranch in New Mexico. Tom Avery, a New York-based journalist on the edge of turning forty, thinks it's time for his new wife, Catherine, to meet his father, a celebrated Hollywood director Sam Avery. At seventy-two, Sam is still full of hell and larger than life--imperious, charming, catankerous, seductive, and dangerous. When the three come together, father and son seem doomed to increasing and potentially deadly conflict. At the same time, Tom's love for his pretty, somewhat unworldly wife is gradually transmuted by the threat of a strange, erotic triangle involving his father. The drama is enacted in a stark, real world--eagles soar in the mountains, a rider is thrown in a treacherous race--but it is also a dream world, the kind that sometimes takes over when men and women are caught up in unexpected feelings. Does Catherine, for instance, really abandon Tom for Sam? Or does Tom somehow "offer" his wife as a gift to his unapproachable father? And, for that matter, can Sam ever care about anyone but himself? Say Goodbye to Sam is concerned, in the end, with the dangers of love, and with the bravery required not only in loving someone but in being loved.

In this breathtaking debut novel by Felix Gilman, one man embarks on a thrilling and treacherous quest for his people’s lost god—in an elaborate Dickensian city that is either blessed …or haunted. Arjun arrives in Ararat just as a magnificent winged creature swoops and sails over the city. For it is the day of the return of that long-awaited, unpredictable mystical creature: the great Bird. But does it come for good or ill? And in the service of what god? Whatever its purpose, for one inhabitant the Bird sparks a long-dormant idea: to map the mapless city and liberate its masses with the power of knowledge. As the creature soars across the land, shifting topography, changing the course of the river, and redrawing the territories of the city’s avian life, crowds cheer and guns salute in a mix of science and worship. Then comes the time for the Bird’s power to be trapped—within the hull of a floating warship called Thunderer, an astounding and unprecedented weapon. The ship is now a living temple to the Bird, a gift to be used, allegedly, in the interests of all of Ararat. Hurtled into this convulsing world is Arjun, an innocent who will unwittingly unleash a dark power beyond his imagining—and become entangled in a dangerous underground movement that will forever transform Ararat. As havoc overtakes the streets, Arjun dares to test the city’s moving boundaries. In this city of gods, he has come to search among them, not to hide. A tour de force of the imagination, and a brilliant tale of rebellion, Thunderer heralds the arrival of a truly gifted fantasy writer who has created a tale as rich, wondrous, and captivating as the world in which it is set.

With The View from Highway 1, Michael J. Arlen continued his original and valuable efforts to evolve a new criticism for the still-young medium of television. In the process he has produced an impressive commentary on the passing life and times of this communications-conscious nation. The View from Highway 1 is television critic Michael J. Arlen's second essay collection, originally published in 1976. In twenty-one diverse and perceptive essays, he ranges over such matters as Howard Cosell's sports-announcing style and Tom Snyder's intriguingly abrasive news delivery. He discusses the odd combination of anger and comedy that animates All in the Family and the buried eroticism in certain detergent commercials. He provides a masterful analysis of the diminished role of foreign news on television, and also a fascinating study of TV's often inept interviewers and their "How do you feel...?" interviewing techniques.

Reproduction of the original: Passages From the American Note-Books by Nathaniel Hawthorne

“The Gimmicks is a gorgeous epic that astounds with its scope and beauty. With empathy and humor, McCormick unravels the ties between brotherhood and betrayal, love and abandonment, and the fictions we create to live with the pain of the past. This novel will blow you away.” —Brit Bennett, New York Times bestselling author of The Mothers Set in the waning years of the Cold War, a stunning debut novel about a trio of young Armenians that moves from the Soviet Union, across Europe, to Southern California, and at its center, one of the most tragic cataclysms in twentieth-century history—the Armenian Genocide—whose traumatic reverberations will have unexpected consequences on all three lives. This exuberant, wholly original novel begins in Kirovakan, Armenia, in 1971. Ruben Petrosian is a serious, solitary young man who cares about two things: mastering the game of backgammon to beat his archrival, Mina, and studying the history of his ancestors. Ruben grieves the victims of the 1915 Armenian Genocide, a crime still denied by the descendants of its perpetrators, and dreams of vengeance. When his orphaned cousin, Avo, comes to live with his family, Ruben’s life is transformed. Gregarious and physically enormous, with a distinct unibrow that becomes his signature, Avo is instantly beloved. He is everything Ruben is not, yet the two form a bond they swear never to break. But their paths diverge when Ruben vanishes—drafted into an extremist group that will stop at nothing to make Turkey acknowledge the genocide. Unmoored by Ruben’s disappearance, Avo and Mina grow close in his absence. But fate brings the cousins together once more, when Ruben secretly contacts Avo, convincing him to leave Mina and join the extremists—a choice that will dramatically alter the course of their lives. Left to unravel the threads of this story is Terry “Angel Hair” Krill, a veteran of both the US Navy and the funhouse world of professional wrestling, whose life intersects with Avo, Ruben, and Mina’s in surprising and devastating ways. Told through alternating perspectives, The Gimmicks is a masterpiece of storytelling. Chris McCormick brilliantly illuminates the impact of history and injustice on ordinary lives and challenges us to confront the spectacle of violence and the specter of its aftermath.