Passing Ceremony

The brilliant debut novel by Helen Weinzweig, one of the first feminist writers in Canada and the award-winning author of Basic Black With Pearls. In Helen Weinzweig’s brilliant debut novel, a wedding reception becomes a gothic dream. The bride is not all she seems and there is something ambiguous about the groom — and just about everyone else at the surreal and strangely moving wedding. Like a piece of music, Passing Ceremony is composed of brief, suggestive fragments that grow into a tightly integrated whole. There are bits of real and imagined conversation; polite dialogues that slide into mad comic banality; and scenes that could be quiet nightmares out of Borges. A satire and a rueful meditation on the ways people hurt one another, Weinzweig gives us a world suspended in time, an uneasy territory of the soul, which we all inhabit. This edition features a new introduction by Jim Polk.

A Ceremony for Every Occasion has been written as a guide for Pagans and non-Pagans alike who wish to celebrate the passing of the seasons, the Wheel of the Year and who need a Rite of Passage for different times in their life. These rituals are spiritual, at the same time non-religious in the general accepted term. They can be adapted and used in different parts of the World and with different Deity, with a little work or simply used exactly as written. This book is a practical, step by step guide, and contains a basic list of all the items needed to take along to a ritual site in order to perform the ceremonies. There are illustrations and instructions on for instance 'how to make a set of Handfasting Cords' with photos as a guide. Each chapter has an introduction with points of interest about the season and the Deity associated. ,

In Sacred Ceremony: How to Create Ceremonies for Healing, Transitions, and Celebrations, Steven Farmer offers ideas on how to create your own ceremonies to consecrate the critical events and passages that you experience on your life’s journey.

This Is A New Release Of The Original 1922 Edition.

A lost feminist classic — and winner of the Toronto Book Award — reissued to coincide with the 35th anniversary of publication. In her yearning, elusive search for a lover, Shirley Kaszenbowski sheds her drab “basic black” existence together with torturous memories of guilt and loss as a Jewish immigrant in Toronto. Shirley Kaszenbowski, née Silverberg, is a middle-aged, middle-class woman in a Holt Renfrew tweed coat, a basic black dress, and a strand of real pearls. She may seem ordinary enough, pricing silk scarves at Eaton’s or idling in hotel coffee shops, but in fact she is searching for her lover. He is an elusive figure, a man connected with “The Agency,” a powerful technocrat who may or may not have suggested a rendezvous based on a secret code in the National Geographic. Her search takes her to the world of her past as a Jewish immigrant in the Spadina-Dundas area of Toronto. She finds the bakeries and rooming houses of her youth still haunted by survivors of postwar Europe and by her own memories of guilt and loss, while the consolations of art, opera, and pornography offer only echoes of her own illusions and desires. Her strange, wryly funny odyssey ends in a dramatic confrontation scene with her husband and “the other woman,” as she trades in her basic black for another chance. In Basic Black with Pearls, Weinzweig displays her gift for creating sympathetic characters in a slightly surreal, but always recognizable world.

Returning to Ceremony is the follow-up to Chantal Fiola’s award-winning Rekindling the Sacred Fire and continues her ground-breaking examination of Métis spirituality, debunking stereotypes such as “all Métis people are Catholic,” and “Métis people do not go to ceremonies.” Fiola finds that, among the Métis, spirituality exists on a continuum of Indigenous and Christian traditions, and that Métis spirituality includes ceremonies. For some Métis, it is a historical continuation of the relationships their ancestral communities have had with ceremonies since time immemorial, and for others, it is a homecoming – a return to ceremony after some time away. Fiola employs a Métis-specific and community-centred methodology to gather evidence from archives, priests’ correspondence, oral history, storytelling, and literature. With assistance from six Métis community researchers, Fiola listened to stories and experiences shared by thirty-two Métis from six Manitoba Métis communities that are at the heart of this book. They offer insight into their families’ relationships with land, community, culture, and religion, including factors that inhibit or nurture connection to ceremonies such as sweat lodge, Sundance, and the Midewiwin. Valuable profiles emerge for six historic Red River Métis communities (Duck Bay, Camperville, St Laurent, St François-Xavier, Ste Anne, and Lorette), providing a clearer understanding of identity, culture, and spirituality that uphold Métis Nation sovereignty.