Passion And Social Constraint

In intellectual and academic circles, Ernest van den Haag was respected for his brilliant mind, his outspoken and often highly controversial assertions, and a very unacademic, sharp, biting style.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Using a long questionnaire and in-depth interviews, Hochschild examines the ideals and contemporary practices of Americans on the subject of distributive justice, and discovers neither the rich nor the nonrich support the downward redistribution of wealth.

Holmes argues that the aspirations of liberal democracy - including individual liberty, the equal dignity of citizens, and a tolerance for diversity - are best understood in relation to two central themes of classical liberal theory: the psychological motivations of individuals and the necessary constraints on individual passions provided by robust institutions. Paradoxically, Holmes argues, such institutional restraints serve to enable, rather than limit or dilute, effective democracy.

This work analyzes texts by contemporary Swiss writer Gertrud Leutenegger in regard to the interrelationship of literary freedom and social constraints by applying different discursive variants of literary discourse analysis. How do the enigmatic texts written in an idiosyncratic and unique style, filled with myths and codes of dream and life sequences relate to the Swiss environment? Are they just free associations and combinations constituting an esoteric utopia? Is Gertrud Leutenegger ortslos as Martin Roda Becher defines postmodern writers? Critical approaches of several schools of literary criticism; feminism, male gender studies, psychoanalysis, mythology, theory of style, linguistics, and sociolinguistics contrast the functional textual differentiations. A wide interdisciplinary need in literary projects is thus disclosed. Therefore, this volume is of interest for scholars of all branches of social and literary sciences. Unprecedented are the models of masculinity and the images of men derived from a first person singular narrative by a Swiss woman writer. She works through the ontological process of subjectivity reflected in the image of a patriarch governor and an Italian immigrant. The chapter on Swissness in the Text is of crucial importance concerning the categorization of German Literature and questions about minor literature. This socio-critical analysis shows that there is a transcendence between the writing subject-(author) and literature. Yet, the body can be retrieved from literature since das Herz muß im Körper belassen werden, als Sitz der Erkenntnis, as Gertrud Leutenegger says. All her texts are body writings; her words originate in the female body experiencing constraints in Switzerland.