Pawnee Music

The Pawnees have appeared in many historical documents, from early Spanish accounts and journals of American explorers and adventurers to fascinating accounts of daily life by Quaker agents and Presbyterian missionaries during the nineteenth century. In recent years, Pawnee activists have taken the lead in the repatriation struggle and have fought for respectful burials of their ancestors' remains. This is the first comprehensive bibliography of the Pawnees, examining a wide spectrum of books and journals on Pawnee history, culture, and ethnology. Chapters are devoted to topics such as: Pawnee archaeology and anthropology, Myths and legends, Social organization, Material culture, Music and dance, Religion, Education, Repatriation. Entries are thoroughly annotated and evaluated, making this up-to-date research tool essential for historians, ethnologists, and other Pawnee researchers.

This collection of letters written by and to the missionaries, as well as their journal entries, illustrates the life of the mission, from the everyday complications of building and maintaining a community far from urban areas, to the navigation of the bureaucratic policies of the federal government and the American Board, to the ideological differences of the Pawnees' multiple missionaries and the ensuing rift within the community. These writings provide a unique and personal portrayal of this small white community in the heart of the Pawnees' domain.

This book with accompanying audio is a detailed guide to learning how to play these songs on the Native American flute. Delve into a deeper understanding of the Native American flute with this unique collection of songs specifically tailored for this beautiful instrument. American Indian music from several Nations (Cheyenne, Lakota, Papago, Ojibwa and many more) has been adapted to the Nakai TAB system and presented for your enjoyment and musical development. These songs of the hunt and home, songs of love and war will increase your appreciation for the richness and diversity of American Indian culture. The music in this collection ranges from easy to very challenging and will improve your skills on this fascinating instrument. Access to online audio

Descriptions of the dances, costumes, body decorations, and musical accompaniment supplement information on the cultural background of Indian dancing

Between 1864 and 1877, during the height of the Plains Indian wars, Pawnee Indian scouts rendered invaluable service to the United States Army. They led missions deep into contested territory, tracked resisting bands, spearheaded attacks against enemy camps, and on more than one occasion saved American troops from disaster on the field of battle. In War Party in Blue, Mark van de Logt tells the story of the Pawnee scouts from their perspective, detailing the battles in which they served and recounting hitherto neglected episodes. Employing military records, archival sources, and contemporary interviews with current Pawnee tribal members—some of them descendants of the scouts—Van de Logt presents the Pawnee scouts as central players in some of the army's most notable campaigns. He argues that military service allowed the Pawnees to fight their tribal enemies with weapons furnished by the United States as well as to resist pressures from the federal government to assimilate them into white society. According to the author, it was the tribe's martial traditions, deeply embedded in their culture, that made them successful and allowed them to retain these time-honored traditions. The Pawnee style of warfare, based on stealth and surprise, was so effective that the scouts' commanding officers did little to discourage their methods. Although the scouts proudly wore the blue uniform of the U.S. Cavalry, they never ceased to be Pawnees. The Pawnee Battalion was truly a war party in blue.

The Pawnee Mythology, originally published in 1906, preserves 148 tales of the Pawnee Indians, who farmed and hunted and lived in earth-covered lodges along the Platte River in Nebraska. The stories, collected from surviving members of four bands-Skidi, Pitahauirat, Kitkehahki, and Chaui-were generally told during intermissions of sacred ceremonies. Many were accompanied by music. George A. Dorsey recorded these Pawnee myths early in the twentieth century after the tribe's traumatic removal from their ancestral homeland to Oklahoma. He included stories of instruction concerning supernatural beings, the importance of revering such gifts as the buffalo and corn, and the results of violating nature. Hero tales, forming another group, usually centered on a poor boy who overcame all odds to benefit the tribe. Other tales invited good fortune, recognized wonderful beings like the witch women and spider women, and explained the origin of medicine powers. Coyote tales were meant to amuse while teaching ethics. George A. Dorsey (1868-1931) was a distinguished anthropologist and journalist who also wrote about the traditions of the Arapahos, Arikaras, and Osages. Douglas R. Parks is a professor of anthropology and associate director of the American Indian Studies Research Institute at Indiana University. He is the editor of James R. Murie's Ceremonies of the Pawnee (Nebraska 1989) and the editor and translator of Myths and Traditions of the Arikara Indians (Nebraska 1996).