Pay No Heed To The Rockets

"Across Palestine, from the Allenby Bridge and Ramallah, to Jerusalem and Gaza, Marcello Di Cintio has met with writers, poets, librarians, booksellers and readers, finding extraordinary stories in every corner. Stories of how revolutionary writing was smuggled from the Naqab Prison; stories from the Gallery Café, whose opening three thousand creative intellectuals gathered to celebrate; and the lost generations of stories contained within the looted books that sit in Israel's National Library. Pay No Heed to the Rockets offers a window into the cultural heritage of Palestine, revealing a humanity often unreported. Paying homage to the memory of literary giants like Mahmoud Darwish and Ghassan Kanafani and the contemporary authors whom they continue to inspire, this evocative journey shares both the anguish and inspiration of Palestine today"--Back cover.

"With humility, respect, and great sensitivity, he seeks out writers, people skilled at telling stories, and asks them to narrate their own situations. The result is a document that captures not only the manifold sorrows and injustices of Palestinian life but something of its beauty, its joys, and its yearning." —Ben Ehrenreich, author of The Way to the Spring Taking the long route through the West Bank, into Jerusalem, across Israel, and finally into Gaza, Marcello Di Cintio meets with Palestinian poets, authors, librarians, and booksellers to learn about Palestine through their eyes. Pay No Heed to the Rockets offers a look at life in contemporary Palestine through the lens of its literary culture, one that begins with art rather than with war.

Marcello Di Cintio first visited Palestine in 1999. Like most outsiders, the Palestinian narrative that he knew had been simplified by a seemingly unending struggle, a near-Sisyphean curse of stories of oppression, exile, and occupation told over and over again. In Pay No Heed to the Rockets, he reveals a more complex story, the Palestinian experience as seen through the lens of authors, books, and literature. Using the form of a political-literary travelogue, he explores what literature means to modern Palestinians and how Palestinians make sense of the conflict between a rich imaginative life and the daily tedium and violence of survival. Di Cintio begins his journey on the Allenby Bridge that links Jordan to Palestine. He visits the towns and villages of the West Bank, passes into Jerusalem, and then travels through Israel before crossing into Gaza. En route, he meets with poets, authors, librarians, and booksellers. He begins to see Palestine thorugh their eyes, through the stories of their stories. In the company of literary giants like Mahmoud Darwish and Ghassan Kanafani and the contemporary authors whom they continue to inspire, Di Cintio travels thorugh the rich cultural and literary heritage of Palestine. It's there that he uncovers a humanity, and a beauty, often unnoticed by news media. At the seventieth anniversary of the Arab-Israeli War, Pay No Heed to the Rockets tells a fresh story about Palestine, one that begins with art rather than war.

What does it mean to live against a wall? Travel to the world’s most disputed edges to meet the people who live alongside the razor wire, concrete, and steel and how the structure of the walls has influenced their lives. In this ambitious first person narrative, Marcello Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier. From Native American reservations on the U.S.-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they pen in. He learns that while every wall fails to accomplish what it was erected to achieve – the walls are never solutions – each wall succeeds at something else. Some walls define Us from Them with Medieval clarity. Some walls encourage fear or feed hate. Some walls steal. Others kill. And every wall inspires its own subversion, either by the infiltrators who dare to go over, under, or around them, or by the artists who transform them.

Shortlisted for the Bressani Literary Prize • A Globe and Mail Book of the Year • A CBC Books Best Canadian Nonfiction of 2021 In conversations with drivers ranging from veterans of foreign wars to Indigenous women protecting one another, Di Cintio explores the borderland of the North American taxi. “The taxi,” writes Marcello Di Cintio, “is a border.” Occupying the space between public and private, a cab brings together people who might otherwise never have met—yet most of us sit in the back and stare at our phones. Nowhere else do people occupy such intimate quarters and share so little. In a series of interviews with drivers, their backgrounds ranging from the Iraqi National Guard, to the Westboro Baptist Church, to an arranged marriage that left one woman stranded in a foreign country with nothing but a suitcase, Driven seeks out those missed conversations, revealing the unknown stories that surround us. Travelling across borders of all kinds, from battlefields and occupied lands to midnight fares and Tim Hortons parking lots, Di Cintio chronicles the many journeys each driver made merely for the privilege to turn on their rooflight. Yet these lives aren’t defined by tragedy or frustration but by ingenuity and generosity, hope and indomitable hard work. From night school and sixteen-hour shifts to schemes for athletic careers and the secret Shakespeare of Dylan’s lyrics, Di Cintio’s subjects share the passions and triumphs that drive them. Like the people encountered in its pages, Driven is an unexpected delight, and that most wondrous of all things: a book that will change the way you see the world around you. A paean to the power of personality and perseverance, it’s a compassionate and joyful tribute to the men and women who take us where we want to go.

For seventy years Israel has existed as a state, and for forty years it has honored a peace treaty with Egypt that is widely viewed as a triumph of U.S. diplomacy in the Middle East. Yet the Palestinians - the would-be beneficiaries of a vision for a comprehensive regional settlement that led to the Camp David Accords in 1978 - remain stateless to this day. How and why Palestinian statelessness persists are the central questions of Seth Anziska's groundbreaking book, which explores the complex legacy of the agreement brokered by President Jimmy Carter. Based on newly declassified international sources, Preventing Palestine charts the emergence of the Middle East peace process, including the establishment of a separate track to deal with the issue of Palestine. At the very start of this process, Anziska argues, Egyptian-Israeli peace came at the expense of the sovereignty of the Palestinians, whose aspirations for a homeland alongside Israel faced crippling challenges. With the introduction of the idea of restrictive autonomy, Israeli settlement expansion, and Israel's 1982 invasion of Lebanon, the chances for Palestinian statehood narrowed even further. The first Intifada in 1987 and the end of the Cold War brought new opportunities for a Palestinian state, but many players, refusing to see Palestinians as a nation or a people, continued to steer international diplomacy away from their cause.

This book argues that the idea of human rights is not exclusively religious, but that its realization in practice requires urgent action on the part of people of all faiths, and of none. Acknowledging the ambiguous moral legacy of their own tradition, Christianity, the authors draw on christological themes to draft blueprints for a culturally sensitive "theology of human rights."

Palestinian political cartoonist Mohammad Sabaaneh has gained renown worldwide for his stark black-and-white drawings that express the numerous abuses and losses that his countrymen suffer under Israel's occupation and celebrate their popular resistance. This collection includes 180 of Sabaaneh's best cartoons, including some depicting the privations he and other Palestinian political prisoners have suffered in Israel's many prisons. This book offers profound insights into the political and social struggles facing the Palestinian people and a pointed critique of the inaction or complicity of the "international community." Veteran graphic artist Seth Tobocman contributes a foreword.