Peaches Goes It Alone

A stunning new collection from a “beguiling and magisterial” poet (The New York Times Book Review) This is the End of Days. This is what we’ve been waiting for always. I walked over to the Hudson River, heading for Mars. Each poem of mine is a suicide belt. I say that to my girlfriend Life. Peaches Goes It Alone, Frederick Seidel’s newest collection of poems, begins with global warming and ends with Aphrodite. In between is everything. Peaches Goes It Alone presents the sexual and political themes that have long preoccupied Seidel—and thrilled and offended his readers. Lyrical, grotesque, and elegiac, Peaches Goes It Alone adds new music and menace to Seidel’s masterful body of work.

Thought-provoking and provocative, Slow Finance anticipates a profound change in public attitudes. It outlines how credit growth and globalisation have contributed to the excessive scale of the financial sector. Just as the Slow Food movement represents a reaction to the food industry losing sight of its ultimate purpose, Slow Finance explores how parallel trends will soon be reflected in the investment world. At once think-piece, potted history and call-to-action, the ideas in Slow Finance is an essential read for professionals, academics, business leaders and private investors alike, as well as policy-makers seeking a more sustainable approach to investing.

This book presents some very raw facts about the negative aspects of racism and the devastating effects it has on individuals, municipalities, States, the Nation and indeed the world. It covers a ten year period in the author’s life, presented autobiographically, from 1940 to 1950. The story is based primarily on historical events as reported in the ex Black weekly newspaper, “The Pittsburgh Courier.” The news articles are presented as parts of fictionalized dialogue between the author, his young peers and older adult advisors. Most of the fictionalized accounts have some bases in truth but some did not occur in the sequence or to individuals as presented. Names of individuals reported in news media have not been changed, nor have the names of family members and teachers. Names of townspeople have been changed although a real person existed for that character. The primary goal of the book is to present true facts about the history of the “disease” based on a false premise of “race” that has caused so much suffering, ignorance and despair over centuries in the hope that we will stop perpetuating it and let it die the ignoble death it deserves.

From the winner of the PEN/Voelker Award, poems of love, terror, rage, and desire. Here I am, not a practical man, But clear-eyed in my contact lenses, Following no doubt a slightly different line than the others, Seeking sexual pleasure above all else, Despairing of art and of life, Seeking protection from death by seeking it On a racebike, finding release and belief on two wheels . . . --from "The Death of the Shah" The poems in Ooga-Booga are about a youthful slave owner and his aging slave, and both are the same man. This is the tenderest, most savage collection yet from Frederick Seidel, "the most frightening American poet ever" (Calvin Bedient, Boston Review).

Seidel is the great controversialist of American poetry. Dubbed a 'transgressive adventurer,' a 'demonic gentleman,' a 'triumphant outsider,' a 'great poet of innocence,' and 'an example of the dangerous Male of the Species', his sly, witty and wide-eyed poems seem earnest one moment and flippant the next, and will see him rotating his caustic fire from high-society cocktail parties to street-level poverty, genocide to Obamacare, New York to Syria. He's never more than a turn-line from humour, and it is often when he is at his funniest that he is also at his most shocking. The Independent said of his last collection: 'There is no contemporary poet writing in English as witty, as shrewd, as touching and as debonair as Frederick Seidel. That's a lot of praise, but he surely merits it.' Widening Income Inequality, Seidel's new collection, is a rhymed magnificence of sexual, historical, and cultural exuberance. Rarely has poetry been this dapper, or this dire, or this true.

An overview of Frederick Seidel's best and most famous poetry from the past five decades, showing the evolution of a master poet’s craft Frederick Seidel has been hailed as "the poet of a new contemporary form" (Dan Chiasson, The New York Review of Books) and "the most frightening American poet ever" (Calvin Bedient, Boston Review). The poems in Frederick Seidel Selected Poems span more than five decades and provide readers with some of Seidel's most powerful work. Frederick Seidel is, in the words of the critic Adam Kirsch, "the best American poet writing today."