Peadar O Donnell

Paedar O'Donnell (1893-1986) was a major radical figure in the history of twentieth century Ireland. A socialist, Republican and a writer who saw his pen as a weapon in the revolutionary process, he moved from his role as a trade union organizer to the senior ranks of the IRA during the War of Independence and the Irish Civil War. A key figure in the Republican-Communist nexus of the late twenties and early thirties, O'Donnell was the instigator of the mass campaign against the payment of land annuities to Britain, an issue that helped Fianna Fail to power in 1932 and sparked off the Economic War. As editor of the legendary "Bell Magazine" in the late forties and early fifties he encouraged writers to engage with social and political realities, while he continued to agitate and campaigning on behalf of emigrants, the small farm countryside and other marginalized sections of Irish society. He grew into his role as "the grand old man of the left", inspiring successive generations of activists to take up the struggle and lending his symbolic weight to many progressive political causes. In this new biography, Donal O Drisceoil critically examines Paeder O'Donnell's political and cultural role and influence, standing on the shoulders of a unique participant in public life to gain new perspectives on the dynamics of Irish politics, culture and society in the twentieth century.

Peadar O'Donnell became involved in Irish Republicanism through his initial involvement in socialism, as an organiser for the ITGWU. When he was unsuccessful in establishing a branch of the Irish Citizen Army in Derry he joined the IRA and led Guerilla activities in Donegal and Derry during the War of Independence. He was firmly opposed to the treaty signed at the end of the war and wrote 'The middle class was getting all they wanted, namely the transfer of patronage from Dublin Castle to the Irish parliament. The mere control of patronage did not seem to me sufficient reason for the struggle we had been through.' He was a member of the executive of the anti-treaty IRA, and was in the Four Courts when it was attacked by the Free State forces. He was arrested shortly afterwards and was involved in organising a hunger strike among the anti-treaty Republicans which lasted 41 days. It was while in prison that he began writing 'to escape the bare walls of the prison cell' and this is a story of prison life in the midst of Civil War in Ireland that combines glimpses of humour with moments of tragic poignancy as he describes games of handball and bridge with men who faced the firing squad withing twenty-four hours. O'Donnell was one of the last survivors of the Independece struggle in Ireland, retaining his radicalism and idealism right up to his death in 1986 at the age of 93.

An island community faces its final struggle for survival. The herring shoals move beyond the reach of the islanders' small boats. Hughie Duffy knows bigger boats are the only answer &

When Tom Manus brings his new wife, Brigid, from her island home to his small farm on the mainland, a community's age-old customs are shattered. Out of the ensuing conflicts, Peadar O'Donnell has fashioned a memorable novel and a social document.

The first comprehensive examination of one of Ireland's leading social novelists of this century. No other Irish novelist has succeeded so completely in rendering rural Irish life as Peadar O'Donnell. From the minutest details of life on tiny islands to the broader sweep of townland life in mainland Donegal, O'Donnell manages to re-create rural Ireland in a deeply intimate and moving way. Gonzalez's "reader's guide" provides the first thorough assessment of O'Donnell's complete literary output, both the fiction and non-fiction. He also places O'Donnell in the context of Irish literature in general, showing how his fiction relates to that of his contemporaries, including George Moore and James Joyce, as well as to that of modern Irish literature in general. His novels, The Knife, about the Civil War, The Big Windows, about rural Donegal, and Islanders, about the poverty and struggles of a small island community, probably provide the most unsentimental and honest portrait of Irish life written by any Irish writer this century. His vision of his homeland is complex and many-layered, affectionate yet unsentimental, and always honest. Alexander G. Gonzalez is Professor of English at Cortland College of the State University of New York and has published extensively on contemporary Irish literature.

This text is an in-depth look at the Irish Civil War in the Donegal part of the country. It tells how Donegal became the scene of the last stand up fight between the IRA and British military with the latter using heavy artillery for the first time in Ireland since 1916.

The Men Will Talk to Me is a collection of interviews conducted and recorded by famed Irish republican revolutionary Ernie O’Malley during the 1940s and 1950s. The interviews were carried out with survivors of the four Northern Divisions of the IRA, chief among them Frank Aiken, Peadar O’Donnell and Paddy McLogan, who offer fascinating insights into Ulster’s centrality in the War of Independence and the slide towards Civil War. The title refers to the implicit trust that shadows these interviews, earned through Ernie O’Malley’s reputation as a fearsome military commander in the revolutionary movement – the veterans interviewed divulge details to O’Malley which they wouldn’t have disclosed to even their closest family members. Startlingly direct, the issues covered include the mobilization of the Dundalk Volunteers for the 1916 Rising, the events of Bloody Sunday (1920), the Belfast Pogroms, and the planning of historical escapes from the Curragh and Kilkenny Gaol. The Men Will Talk to Me is an insightful and painstaking reflection of the horror of the Irish War of Independence and Civil War; in words resolute and faltering, the physical and psychological debts of the revolutionary mindset – those of hardened Pro- and Anti-Treaty veterans – are fiercely apparent.