Pedro De Ribadeneyra S Ecclesiastical History Of The Schism Of The Kingdom Of England

The sixteenth-century Spanish Jesuit Pedro de Ribadeneyra’s Ecclesiastical History of the Schism of the Kingdom of England is a lively, polemical Catholic account of the English Reformation, translated into English for the first time by Spencer J. Weinreich.

Jesuit Intellectual and Physical Exchange between England and Mainland Europe, c. 1580–1789: ‘The World is our House’? gathers an interdisciplinary group of scholars to explore the Jesuit English Mission’s wider impact within the Society and early modern European Catholicism.

Although the Spanish Inquisition looms large in many conceptions of the early modern Hispanic world, relatively few studies have been made of the Spanish state and Inquisition s approach to book censorship in the seventeenth century. Merging archival and rare book research with a case study of the fiction of Baltasar Gracián, this book argues that privileged authors, like the Jesuit Gracián, circumvented publication strictures that were meant to ensure that printed materials conformed to the standards of Catholicism and supported the goals of the absolute monarchy. In contrast to some elite authors who composed readily transparent critiques of authorities and encountered difficulties with the state and Inquisition, others, like Gracián, made their criticisms covertly in complicated texts like El Criticón.

Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The volume is organized in seven major sections, totaling forty articles, on the Order's foundation and administration, the theological underpinnings of its activities, the Jesuit involvement with secular culture, missiology, the Order's contributions to the arts and sciences, the suppression the Order endured in the 18th century, and finally, the restoration. The volume also looks at the way the Jesuit Order is changing, including becoming more non-European and ethnically diverse, with its members increasingly interested in engaging society in addition to traditional pastoral duties.

What buried secret lies beneath the stones of one of England's greatest former churches and shrines? The ruins of the Benedictine Abbey of Bury St Edmunds are a memorial to the largest Romanesque church ever built. This Suffolk market town is now a quiet place, out of the way, eclipsed by its more famous neighbour Cambridge. But present obscurity may conceal a find as significant as the emergence from beneath a Leicester car-park of the remains of Richard III. For Bury, as Francis Young now reveals, is the probable site of the body – placed in an 'iron chest' but lost during the Dissolution of the Monasteries – of Edmund: martyred monarch of the Anglo-Saxon kingdom of East Anglia and, well before St George, England's first patron saint. After the king was slain by marauding Vikings in the ninth century, the legend which grew up around his murder led to the foundation in Bury of one of the pre-eminent shrines of Christendom. In showing how Edmund became the pivotal figure around whom Saxons, Danes and Normans all rallied, the author points to the imminent rediscovery of the ruler who created England.

Kilian Schindler examines how playwrights such as William Shakespeare, Ben Jonson, and Christopher Marlowe represented religious dissimulation on stage and argues that debates about the legitimacy of dissembling one's faith were closely bound up with early modern conceptions of theatricality. Considering both Catholic and Protestant perspectives on religious dissimulation in the absence of full toleration, Schindler demonstrates its ubiquity and urgency in early modern culture. By reconstructing the ideological undercurrents that inform both religious dissimulation and theatricality as a form of dissimulation, this book makes a case for the centrality of dissimulation in the religious politics of early modern drama. Lucid and original, this study is an important contribution to the understanding of early modern religious and literary culture.

Admired by Shelley for 'its satisfying completeness', this thought-provoking and skilfully constructed play, which dramatizes the same subject as Shakespeare's Henry VIII, is one of its creator's most outstanding achievements.

This book—along with its companion volume Writing Mary I: History, Historiography, and Fiction—centers on representations of Queen Mary I in writing, broadly construed, and the process of writing that queen into literature and other textual sources. It spans an equally wide chronological and geographical scope, accounting for the years prior to her accession in July 1553 through the centuries that followed her death in November 1558 and for her reach across England, and into Ireland, Spain, Italy, Russia, and Africa. Its intent is to foreground words and language—written, spoken, and acted out—and, by extension, to draw out matters of and conversations about rhetoric, imagery, methodology, source base, genre, narrative, form, and more. Taken together, these two volumes find in England’s first crowned queen regnant an incomparable opportunity to ask new questions and seek new answers that deepen our understanding of queenship, the early modern era, and modern popular culture.