Peerless Jim

Jim Driscoll, adopted Welshman, one of the greatest boxers who ever lived. Robust, hot-headed, a born fighter - and a legend in his own lifetime. Moving between South Wales, London and America in the early years of the twentieth century, this is the dramatic story of a true-life sporting hero - a story of fierce pride and burning ambition, but also of human weakness and a love that survives against all odds.

A collection of poems and activities designed to win over the most reluctant 14- to 16-year-olds

The population of Ireland is five million, but 70 million people worldwide call themselves Irish. Here, Tim Pat Coogan travels around the globe to tell their story. Irish emigration first began in the 12th century when the Normans invaded Ireland. Cromwell's terrorist campaign in the 17th century drove many Irish to France and Spain, while Cromwell deported many more to the West Indies and Virginia. Millions left due to the famine and its aftermath between 1845 and 1961. Where did they all go? From the memory of the wild San Patricios Brigade soldiers who deserted the American army during the Mexican War to fight on the side of their fellow Catholics to Australia's Irish Robin Hood: Ned Kelly, Coogan brings the vast reaches of the Irish diaspora to life in this collection of vivid and colourful tales. Rich in characterization and detail, not to mention the great Coogan wit, this is an invaluable volume that belongs on the bookshelf of every Celtophile.

A fascinating collection of stories from Welsh history collected from Phil Carradice’s popular BBC Wales blog, gathered together for the first time in a book. Among the incredible stories are... The man from Clydach who invented a Death Ray The Welsh aristocrat whose parrot once bit Herman Goering on the nose The witch who cursed the launch of a warship at Pembroke Dockyard The battle that was won by a herd of cows These stories are part and parcel of Welsh heritage and make history interesting. Snapshots of Welsh History – without the boring bits covers a wide range of Welsh history topics. Written in Phil’s unique easy-to-read yet elegant style, these stories are funny, tragic, sad and hilarious. Yet the one thing they all have in common is that they make compelling reading.

A favorite locale of such film pioneers as D. W. Griffith and Mary Pickford, the historic borough of Fort Lee was the first center of the American motion picture industry. Studios lined both sides of Main Street, and enormous film laboratories fed the nickelodeon market with thousands of reels of comedies and cliffhangers. Broadway stars and producers came here to make many of their first feature-length films; but by the 1920s, Theda Bara, Fatty Arbuckle, and Douglas Fairbanks were gone. Yet even after the studios closed down, the film industry was still the backbone of the local economy, with hundreds working behind the scenes in the printing, storage, and distribution of movies being made in Hollywood.

Easily the most enduring of all sports questions is "Who was/is the best . . . ?" Perhaps in no sport is the question more asked and argued over than in boxing. And in boxing perhaps none is more qualified to answer the question than Bert Randolph Sugar. In Boxing's Greatest Fighters, not only does the former publisher of Ring Magazine tell us who the best fighters were, he lists them in order. Could Sugar Ray Robinson have beaten Muhammad Ali? Could Sugar Ray Leonard have beaten Sonny Liston? The answer, most experts agree, would be "no." But what if, as Bert Sugar has done here, one were to take all the boxers and reduce them in the mind's eye to the same height, the same weight, and the same ring conditions? The answers would be quite different. And while some fans may express outrage that Rocky Marciano barely makes the top twenty, and Marvin Hagler staggers into the top seventy-five, others will nod eagerly when they read that Harry Greb and Benny Leonard were better than just about anybody. So whether you read Boxing's Greatest Fighters cover to cover, pick your favorites at random, or simply browse through the many rare photographs, "at the bell, come out arguing."

In 2002 Vernon Scannell wrote the following: 'It has been my firm belief since I first began to attempt the art of poetry that the making of a poem should be, as Yeats asserted, a difficult business. However, I have always felt reservations about what seems to me the only partially true belief , stated by both Eliot and Hopkins in their different ways, that the meaning of a poem is of less significance than its structure and texture, Eliot's 'nice bit of meat for the house-dog.' Ideally the poem should be the perfection of expression of meaning inseparable from the methods by which that expression is achieved. As Paul Valéry has said, 'A man is a poet if the difficulties inherent in his art provide him with ideas; he is not a poet if they deprive him if ideas.' That was an important statement, his credo. It can accurately be said that almost every poem in this collected volume bears testimony to it. Although not covering the full span of his career - Scannell didn't die until 2007 and was writing almost literally until the very end - the body of his work is here and how impressive it is. On immaculate display is a conspectus of poems embracing the narrative, lyrical, satirical and contemplative. There are poems of pathos and comedy, intelligence and passion: whatever their form, free verse or rhyming, tenor or subject, they are executed with unfailing craftsmanship. In his obituary of Vernon Scannell, Alan Brownjohn wrote, 'What might have been considered unusual given a colourful, even swashbuckling, personality that spawned innumerable anecdotes, was his fastidious procedure as a poet, his unflinching focus on the age-old themes of love, war and death, his concern for ''a real involvement with living experience''. Craft and care, and for that matter clarity and accessibility, were unquestionable necessities if you were serious about the art; students on Scannell's creative writing courses were liable to be sat down, hangover or not, to write a sonnet after breakfast.'' 'Scannell is one of what appears to be a vanishing breed, a poet of technical accomplishment who understands that poetry, like the other arts, is a craft as well.' Charles Osborne, Sunday Telegraph 'You actually want to go back and revisit the poems many times. Their shrewd structures hold their elements firmly in place and they resonate also with the kind of humanity time is generous to . . . Scannell has earned a place in the tradition of English poetry.' Paul Fussell, Poetry Review '. . . accurate, humane, humorous, often eloquent and always well-made poems.' Anthony Thwaite, Sunday Telegraph