Pemberley Shades

Originally published in 1949, the unusual plot takes the Darcys into the realm of the Gothic—perfect for fans of Death Comes to Pemberley. Mr. Darcy must appoint a new rector at Pemberley, which affords the author the opportunity to introduce a host of new characters to mingle with the beloved and familiar ones of Jane Austen. A delightfully witty plot, full of surprises: "Who could have foretold that Dr. Robinson, who had done nothing of note in all his lifetime should, by the common and natural act of dying, set in motion a train of events so strange, so startling, so far removed from probability as to emulate the riotous fancies of a disordered mind?" "The kind of story Jane Austen would have delighted to tell." —J. Donald Adams What readers are saying: "Really a great book and captures Austen's characters quite well. I was excessively diverted." "A very original plot." "A wonderful addition to Jane Austen's Pride and Prejudice sequels!"

Several years have passed since the wedding of Mr. Fitzwilliam Darcy and the former Elizabeth Bennet, and Lady Catherine's prediction about polluting the shades of Pemberley have not come to pass. Blessed with a son and the company of Miss Georgiana Darcy, the Darcys of Pemberley are settled into their quiet life when it is disrupted by the death of a local Rector. The search for the new one begins, but the newly-hired Stephen Acworth proves of increasingly mysterious character. Does he seek the living or a lady's heart? The cast of Pride and Prejudice returns to wreak minor havoc on Pemberley and Derbyshire, but Darcy and Elizabeth have something they did not have during the events of the previous novel: each other's undying support. Dorothy Bonavia-Hunt's acclaimed sequel to Jane Austen's Pride and Prejudice returns to publication. Second Edition.

Mr. Darcy must appoint a new rector at Pemberley, which affords the author the opportunity to introduce a host of new characters to mingle with the beloved and familiar ones of Jane Austen.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

Taking up where Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fi ction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the fi nal essay deals with the phenomenon and explosive growth of fanfi ction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations.

The historical novel is an enduringly popular genre that raises crucial questions about key literary concepts, fact and fiction, identity, history, reading, and writing. In this comprehensive, focused guide, Jerome de Groot offers an accessible introduction to the genre and critical debates that surround it, including: the development of the historical novel from early eighteenth-century works through to postmodern and contemporary historical fiction different genres, such as sensational or ‘low’ fiction, crime novels, literary works, counterfactual writing and related issues of audience, value, and authenticity the many functions of historical fiction, particularly the challenges it poses to accepted histories and postmodern questioning of ‘grand narratives’ the relationship of the historical novel to the wider cultural sphere with reference to historical theory, the internet, television, and film key theoretical concepts such as the authentic fallacy, postcolonialism, Marxism, queer and feminist reading. Drawing on a wide range of examples from across the centuries and around the globe The Historical Novel is essential reading for students exploring the interface of history and fiction.

Every ending marks a potential beginning; every act of reading is, in a very real sense an act of re-writing; and to revise is, literally, to re-see. These bits of conventional wisdom underlie the topic explored in this volume's collection of essays by literary critics who want to know more about the instinct to continue and the impulse to revise an existing text.