Penmark Abbey

During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres. These plays mixed sentimental moments and comic interludes of domestic melodrama with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further.

Forty-three castles and fortified sites here described were founded or given their most significant fabric after 1217. They include tower-houses, strong houses, possible castles, and twenty masonry castles ranging from the great Clare works at Caerphilly and Morlais to the small modestly fortified sites at Barry and Weobley, and the exceptional fortified priory at Ewenny. The density and variety of the medieval fortifications in Glamorgan are unrivalled, and their study is enriched by an exceptional range of works on the history and records of a historic county formed by merging the lordships of Glamorgan and Gower. Part la described the early castles and traced their role in the Norman conquest and settlement of the fertile southern lowlands down to 1217, when the Clares inherited Glamorgan. In that year the Welsh had expelled the English from Gower and remained unconquered in the Glamorgan uplands. Gower was soon lost again, and under two redoubtable Clare lords the Glamorgan uplands were appropriated in the mid-13th century and secured in a notable programme of castle works. The castle-building of Earl Richard de Clare (1243-62) and his son, Gilbert, the 'Red Earl' (1263-95), as they achieved this 'second conquest of Glamorgan', foreshadowed the later campaigns of Edward I against Gwynedd. At Caerphilly, above all, Earl Gilbert's castle deserves comparison with the great Edwardian works; it introduced defensive features later to be adopted by King Edward's Savoyard master masons. Gower sites considered include the impressive masonry castles at Oystermouth and Penrice. A notable ornately arcaded domestic range at Swansea is the only surviving vestige of the chief castle of Gower, which is tentatively described from a variety of records. AH the illustrated descriptions incorporate detailed historical accounts. The introductory survey outlines the later descent of Glamorgan and Gower to the end of the 15th century, and along with the sectional preambles it provides general discussion of the sites.