Pens Es Et Impressions

Phyllis Reeves never married. But that didn't mean that she didn't have feelings. Those feelings were inspired by La Nature, Émotions, L'Amour, Les Voyages, and Les Chats. She labors at length in personifying nature around her, showering adoration on her cats, asking the big questions of the universe, yearning to be loved, expressing desires to make her life mean something all in seemingly simple poems. They reveal the need to connect with her environment, in spite of much loneliness she experienced in life. When reading her poems, we find the true Phyllis. Enjoy this collection of French poetry and let it be an inspiration to you to find your sensitive side, to use poetry to express your feelings, whatever they may be. Phyllis Reeves ne s'est jamais mariée, mais elle était pleine de sentiments inspirés par La Nature, Émotions, L'Amour, Les Voyages, and Les Chats. Elle travaille dur pour personnifier la nature autour d'elle en inondant ses chats d'adoration, en demandant des questions importantes de l'univers, en ayant envie d'être aimée, en exprimant le désir de faire de sa vie quelque chose de significatif tout dans des poèmes apparemment simples. Ils révèlent le besoin de s'entendre avec son environnement, en dépit de la grande solitude qu'elle avait dans sa vie. En lisant ses poèmes, on découvre la vraie Phyllis. Profitez de cette collection de poésie et permettez-la d'être votre inspiration de trouver votre côté sensible et d'utiliser la poésie pour exprimer vos sentiments, quoi qu'ils soient.

Impression Management Theory and Social Psychological Research gathers together the various strands of thinking and research on impression management. This book does not easily lend itself to a singular organization. Not only do the authors deal with very different topics, they sometimes disagree with one another on assumptions and interpretations. Nevertheless, there are chapters that tend to group together. The book can be organized into six parts. Part I, General Theory, consists of chapters that deal primarily with issues related to the reasons for, and specific tactics of, impression management. Part II, Impression Management and Laboratory Research, includes two chapters that make a major contribution to the social psychology of the experiment. Part III, Attitudes as Tactics of Self-Presentation, centers around the concept of attitudes. The chapters in Part IV, Self-Presentation and Harm-Doing, are organized around the theme of harm-doing. Part V, Bargaining, Distributive Justice, and Impression Management, focuses on the distribution of rewards in groups. Part VI, Individual Differences and Impression Management, is concerned with individual differences such as mental illness, social anxiety, and shyness.

French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.

This book explores the relation between language and our senses and emotions, taking readers into domains as diverse as wine-tasting, marriage guidance counselling, medical training and face recognition. The authors suggest that language is capable of both confusing and clarifying.

Recollections and Impressions of James A. McNeill Whistler by Arthur Jerome Eddy provides a fascinating insight into the life and works of the renowned American artist, James A. McNeill Whistler. Through Eddy's personal recollections and impressions, readers can explore the artistic genius and temperament of Whistler in a new light. Experience the vibrant world of art through Recollections and Impressions of James A. McNeill Whistler. It's a book that continues to inspire and intrigue readers with its revealing account of one of the most influential artists of the 19th century. So why read Recollections and Impressions of James A. McNeill Whistler? Because it offers a unique glimpse into the life and work of a great artist. Secure your copy today.

DigiCat Publishing presents to you this special edition of "A Holiday in the Happy Valley with Pen and Pencil" by T. R. Swinburne. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Best Books of the Year: Financial Times, The Economist Book of the Year: The Leaflet (International Forum on the Future of Constitutionalism) Longlisted for the Cundill History Prize Profiled in The New Yorker New York Times Book Review • Editors’ Choice Vivid and magisterial, The Gun, the Ship, and the Pen reconfigures the rise of a modern world through the advent and spread of written constitutions. A work of extraordinary range and striking originality, The Gun, the Ship, and the Pen traces the global history of written constitutions from the 1750s to the twentieth century, modifying accepted narratives and uncovering the close connections between the making of constitutions and the making of war. In the process, Linda Colley both reappraises famous constitutions and recovers those that have been marginalized but were central to the rise of a modern world. She brings to the fore neglected sites, such as Corsica, with its pioneering constitution of 1755, and tiny Pitcairn Island in the Pacific, the first place on the globe permanently to enfranchise women. She highlights the role of unexpected players, such as Catherine the Great of Russia, who was experimenting with constitutional techniques with her enlightened Nakaz decades before the Founding Fathers framed the American constitution. Written constitutions are usually examined in relation to individual states, but Colley focuses on how they crossed boundaries, spreading into six continents by 1918 and aiding the rise of empires as well as nations. She also illumines their place not simply in law and politics but also in wider cultural histories, and their intimate connections with print, literary creativity, and the rise of the novel. Colley shows how—while advancing epic revolutions and enfranchising white males—constitutions frequently served over the long nineteenth century to marginalize indigenous people, exclude women and people of color, and expropriate land. Simultaneously, though, she investigates how these devices were adapted by peoples and activists outside the West seeking to resist European and American power. She describes how Tunisia generated the first modern Islamic constitution in 1861, quickly suppressed, but an influence still on the Arab Spring; how Africanus Horton of Sierra Leone—inspired by the American Civil War—devised plans for self-governing nations in West Africa; and how Japan’s Meiji constitution of 1889 came to compete with Western constitutionalism as a model for Indian, Chinese, and Ottoman nationalists and reformers. Vividly written and handsomely illustrated, The Gun, the Ship, and the Pen is an absorbing work that—with its pageant of formative wars, powerful leaders, visionary lawmakers and committed rebels—retells the story of constitutional government and the evolution of ideas of what it means to be modern.