Performed Literature
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Handbook of EHealth Evaluation
Author | : Francis Yin Yee Lau,Craig Kuziemsky |
Publsiher | : Unknown |
Total Pages | : 487 |
Release | : 2016-11 |
Genre | : Medical care |
ISBN | : 1550586017 |
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To order please visit https://onlineacademiccommunity.uvic.ca/press/books/ordering/
Performing Early Christian Literature
Author | : Kelly Iverson |
Publsiher | : Cambridge University Press |
Total Pages | : 241 |
Release | : 2021-10-07 |
Genre | : Art |
ISBN | : 9781316516225 |
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Performance creates a unique space for audience experience and influences how traditions, like the Gospels, are received and interpreted.
Popular Chinese Literature and Performing Arts in the People s Republic of China 1949 1979
Author | : Bonnie S. McDougall |
Publsiher | : University of California Press |
Total Pages | : 360 |
Release | : 2018-05-18 |
Genre | : Literary Criticism |
ISBN | : 9780520301917 |
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The essays in this volume constitute an exceptionally broad and inclusive account of Chinese literature and performing arts since 1949. Extending beyond fiction to poetry and drama, and covering song, opera, and film as well, these essays reveal a more lively and varied cultural life than that disclosed by studies confined to fiction and literary politics. Rather than stopping at the assumption that art reflects Party or government policy, the essays uncover the traditional roots of popular literature and performing art by employing literary and artistic methods of analysis. While often lacking in appeal to Western audiences, these popular arts nonetheless have their own artistic validity and convey complex meanings to broadly based Chinese audiences. The materials and analyses presented here have social as well as cultural relevance. Variety and change rather than monolithic uniformity have characterized post-1949 cultural bureaucracies, writers, performers, and audiences. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.
Performing Privacy and Gender in Early Modern Literature
Author | : M. Trull |
Publsiher | : Springer |
Total Pages | : 213 |
Release | : 2013-05-07 |
Genre | : Literary Criticism |
ISBN | : 9781137282996 |
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This book argues that the early modern public/private boundary was surprisingly dynamic and flexible in early modern literature, drawing upon authors including Shakespeare, Anne Lock, Mary Wroth, and Aphra Behn, and genres including lyric poetry, drama, prose fiction, and household orders. An epilogue discusses postmodern privacy in digital media.
Performing Early Christian Literature
Author | : Kelly Iverson |
Publsiher | : Cambridge University Press |
Total Pages | : 241 |
Release | : 2021-10-07 |
Genre | : Religion |
ISBN | : 9781009033855 |
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Scholars of early Christian literature acknowledge that oral traditions lie behind the New Testament gospels. While the concept of orality is widely accepted, it has not resulted in a corresponding effort to understand the reception of the gospels within their oral milieu. In this book, Kelly Iverson reconsiders the experiential context in which early Christian literature was received and interpreted. He argues that reading and performance are distinguishable media events, and, significantly, that they produce distinctive interpretive experiences for readers and audiences alike. Iverson marshals an array of methodological perspectives demonstrating how performance generates a unique experiential context that shapes and informs the interpretive process. Iverson's study explores the dynamic oral environment in which ancient audiences experienced the gospel stories. He shows why an understanding of oral performance has important implications for the study of the NT, as well as for several issues that are largely unquestioned by biblical scholars.
Consciousness Performing Arts and Literature
Author | : Daniel Meyer-Dinkgräfe |
Publsiher | : Cambridge Scholars Publishing |
Total Pages | : 423 |
Release | : 2018-09-30 |
Genre | : Performing Arts |
ISBN | : 9781527516908 |
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Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of International Opera Theater; a new perspective on liveness and livecasts; a reassessment, with Anita S. Hammer, of the concept of a universal language of the theatre; a discussion of two productions of new plays; the development of a new concept of theatre of the heart; a comparison of Western and Thai positions on the concept of beauty; and an examination of the role of conflict for theatre. The final chapter of the book is taken up by the author’s first novel, which launches the new genre of spiritual romance.
Performing Identity and Gender in Literature Theatre and the Visual Arts
Author | : Panayiota Chrysochou |
Publsiher | : Cambridge Scholars Publishing |
Total Pages | : 135 |
Release | : 2017-03-07 |
Genre | : Performing Arts |
ISBN | : 9781443878586 |
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This volume presents a compelling mélange of chapters focusing on the myriad ways in which performance and gender are inextricably bound to identity. It shows how gender, performance and identity play themselves out in various ways, contexts and genres, in order to illumine the very instability and fluidity of identity as a static category. As such, it is a must-read for anyone interested in gender studies, identity politics and literature in general.
Performing Economic Thought
Author | : Bradley Ryner |
Publsiher | : Edinburgh University Press |
Total Pages | : 230 |
Release | : 2013-12-17 |
Genre | : Literary Criticism |
ISBN | : 9780748684663 |
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This study examines the structural similarities between English mercantile treatises and drama c1600-1642. Bradley D. Ryner analyses the representational conventions of plays and mercantile treatises written between the chartering of the English East India Company in 1600 and the closing of the public playhouses at the outset of the English Civil War in 1642. He shows that playwrights' manipulation of specific elements of theatrical representation - such as metaphor, props, dramatic character, stage space, audience interaction, and genre - exacerbated the tension between the aspects of the world taken into account by a particular representation and those aspects that it neglects.