Performing Arts In The Austrian 18th Century

The contributors to this volume address theater's role as the mirror of a perfect society and its strikingly international orientation in the Austrian 18th century.

In the Austrian Netherlands, city culture determined social life: the cities' feeling of independence stimulated the realization of a personal interdependence within them and consolidated a new conception of society and its focal point. The court attempted to unite and appease at the same time. Theater supplied the symbols and the rituals which shaped and contributed to the building of a new identity. This book describes this social progress from the point of view of the theater and in doing so offers the first extensive study of the influence of the Brussels' Monnaie Theatre on theatrical life in the Dutch speaking part of the Southern Netherlands.

The book series “Ottomania” researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. In Ottoman Empire and European Theatre, vol. IV: Seraglios in Theatre, Music and Literature, the series continues to explore one of the most popular subjects of eighteenth-century art: the seraglio and its harem. This volume provides a deeper understanding of the seraglio's various manifestations in the artworks, music and theatre of the Austrian/ Habsburg and central European regions, including interconnections with Italy and France, from the sixteenth to the nineteenth centuries. The studies examine descriptions of the seraglio by European diplomats, the seraglio's visual traces in European artworks, and depictions of the seraglio in eighteenth-century Austrian Singspiele. They also consider seraglios from the Ottoman point of view and investigate the music of the seraglio in eighteenth-century opera.

Offers new insights into the political and modern uses of public monuments devoted to figures from the past and the role of historical culture in the creation of national identity.

Throughout history, fashion has emerged as one of the most powerful driving forces determining the political, economic and social ramifications of the production, distribution and circulation of goods. Indeed fashion, especially in relation to clothing and textiles, shapes the relationship between self and society in unique ways. In this light, the collected papers in this volume position fashion as the lens - the critical mediating force - through which to analyse and understand cultural, economic and political shifts within a broad spectrum of societies in Europe, Asia, Africa and America from the seventeenth to twenty-first centuries. Topics include a seventeenth-century failing fashion region, the material politics of marketing American abolitionist fashions, the construction of a fashionable ethos for French perfumes, and the use and meanings of clothing and textiles in the politics of Nigerian silk robes and early modern domestic décor in Europe. This volume represents an important shift in scholarship towards a more in-depth understanding of the role of fashion in early modern and modern times and will appeal to international readers interested in material culture, fashion, consumer studies and cultural anthropology, among other areas.

Performing Arts in Changing Societies is a detailed exploration of genre development within the fields of dance, theatre, and opera in selected European countries during the decades before and after 1800. An introductory chapter outlines the theoretical and ideological background of genre thinking in Europe, starting from antiquity. A further fourteen chapters cover the performing genres as they developed in England, France, Germany, and Austria, and follow the dissemination and adaptation of the corresponding genres in minor and major cities in the Nordic countries. With a strong emphasis on the role that pragmatic and contextual factors had in defining genres, the book examines such subjects as the dancing masters in Christiania (Oslo), circa 1800, the repertory and travels of an itinerant acrobat and his wife in Norway in the 1760s, and the influence of Enlightenment ideas on bourgeois drama in Denmark. Including detailed analyses in the light of material, political, and social factors, this is a valuable resource for scholars and researchers in the fields of musicology, opera studies, and theatre and performance studies.

Bursting with images from across time, a sparkling chronicle of rockets, pinwheels, and more. This book illuminates the glittering history of fireworks, from their mysterious beginnings to the dazzling big-budget displays of today. It describes how they enthralled the world’s royal courts and became a sensation across the British Empire. There are stories of innovations like “living fireworks,” fiercely fought international competitions, and the technology behind modern showpieces viewed by millions. Practitioners say fireworks are an art, and they have inspired artists from Shakespeare, Handel, Dickens, and Whistler to Katy Perry. But John Withington also covers fireworks’ practical uses—rescues at sea, attempts to control the weather—while not ignoring their dangers, accidents, or efforts to make them safer.