Performing Dreams

Over several centuries, the Xavante of Central Brazil have maintained an invincible sense of identity and feeling of control over historical processes, despite repeated invasions by colonists and settlers, capitalist commercial ventures, and most recently, an enormous government-sponsored agricultural project. In this discourse-centered study, Laura Graham explores how the Xavante use the ritual performance of myths and dreams to maintain their culture despite these disruptive forces. At the heart of the book is an extraordinary performance, in which a community elder tells his dream of an encounter with the creators. Graham analyzes the various components of his performance--narrative, myth-telling, song, and dance--and considers the entire community's participation in the preparations, rehearsal, and public performance of the dream, including their adaption to her presence and modern technologies. From this analysis, Graham demonstrates how the practice of myth-telling is an essential element in cultural continuity and the creation of social memory and how it also provides a kind of immortality for the myth-teller. Her findings will be of interest not only to students of South American cultures and linguistics but also to everyone intrigued by the role of myth and dreams in social life and social change.

Includes discography (page 203-225) and index.

Juggling soccer, school, friends and family leaves John with little time for anything else. One day at the local community center, following the sound of drums, he stumbles into an Indigenous dance class. Before he knows what's happening, John finds himself stumbling through beginner classes with a bunch of little girls, skipping soccer practice and letting his other responsibilities slide. When he attends a powwow and witnesses a powerful performance, he realizes that he wants to be a dancer more than anything. But the nearest class for boys is at the Native Cultural Center in the city, and he still hasn't told his family or friends about his new passion. If he wants to dance, he will have to stop hiding. Between the mocking of his teammates and the hostility of the boys in his dance class, John must find a way to balance and embrace both the Irish and Cree sides of his heritage.

This book explores how dreams, remembered upon awakening, are turned into social action in a European society. Supported by ethnographic research of modern Iceland and examples from the historical literature, the book argues that the social meaning ascribed to the Icelandic dream has been a continuous part of Icelandic everyday life for a thousand years and is still being adapted today. (Series: European Studies in Culture and Policy - Vol. 12)

Throughout recorded time people have been fascinated by dreams and their meanings. Tribal societies valorize knowledge obtained from dreams and respect possession as a channel for revelation. In contrast, implicit in Western intellectual thought is an image of the human as a non-social atom with a unitary and rational mind, which turns dreaming into an epiphenomenom or, for Freud, a neurosis in miniature. Integrating materials from anthropology, post-Freudian psychoanalysis, social evolution, and the social psychology of Mead, Cooley, James, and Sullivan, this book offers a view of the self and the psyche that provides meaning to the views of traditional peoples on dreams, possession, and the loss of self.

Federico Fellini is one of the most beloved and revered filmmakers of the twentieth century, having entertained audiences worldwide with his ability to breathe life into imagery normally confined to human memory and emotion. His insights into the world of dreams have contributed to his many famous cinematic creations, including La Dolce Vita, 8 1/2, and La Strada. A unique combination of memory, fantasy, and desire, this illustrated volume is a personal diary of Fellini's private visions and nighttime fantasies. Fellini, winner of four Oscars for Best Foreign Language Film, kept notebooks filled with unique sketches and notes from his dreams from the 1960s onward. This collection delves into his cinematic genius as it is captured in widely detailed caricatures and personal writings. This dream diary exhibits Fellini's deeply personal taste for the bizarre and the irrational. His sketches focus on the profound struggle of the soul and are tinged with humor, empathy, and insight. Fellini's Book of Dreams is an intriguing source of never-before-published writings and drawings, which reveal the master filmmaker's personal vision and his infinite imagination.