Permanent Astonishment

Born into a magical Cree world in snowy northern Manitoba, Champion and Ooneemeetoo Okimasis are all too soon torn from their family and thrust into the hostile world of a Catholic residential school. Their language is forbidden, their names are changed to Jeremiah and Gabriel, and both boys are abused by priests. As young men, estranged from their own people and alienated from the culture imposed upon them, the Okimasis brothers fight to survive. Wherever they go, the Fur Queen--a wily, shape-shifting trickster--watches over them with a protective eye. For Jeremiah and Gabriel are destined to be artists. Through music and dance they soar.

A gentle introduction to the important topic of the environment. Crafted around a conversation between a grade-school-aged child and an adult, this inquiry-focused book using age-appropriate language and tone will help children shape their understanding of the natural world and how they participate in protecting it. Dr. Roberts starts the discussion with the types of pollution and trash that children might notice on a nature walk or a trip to the beach, how they are caused and how to work to improve things in their own lives and communities. The World Around Us series introduces children to complex cultural, social and environmental issues they may encounter outside their homes, in an accessible way. Sidebars offer further reading for older children or care providers who have bigger questions. For younger children just starting to make these observations, the simple question-and-answer format of the main text will provide a foundation of knowledge on the subject matter.

A powerful debut by Indigenous performance poet and spoken word artist, Janet Marie Rogers, Splitting the Heart throbs with the vitality of a Native drum and wails with a warrior's wisdom. Both Mohawk warrior and west coast woman, Roger's poems speak of personal and cultural identity, the trials of her people, loss and death - balanced by exquisite love poems, transcendent in their earthiness. She addresses the limitations of written history, the illusion of borders and the abuses suffered by the Native peoples, even those self-inflicted. Created as spoken word performance pieces, these poems more than hold their own when committed to print and come alive in an accompanying audio CD. Janet Marie Rogers is a multi-media artist with a way with words and a great deal to say on matters of deep importance. Splitting the Heart is a landmark volume of Canadian poetry. It's time has come! A Mohawk writer from the Six Nations territory in southern Ontario, Janet Marie Rogers was born in Vancouver and now lives in Victoria, B.C. Originally a visual artist, Rogers later channeled her creative energy into writing, exploring poetry, drama, fiction and fantasy. She is known as a dynamic spoken word artist and performer. Splitting the Heart is her first book.

In 2005, award-winning writer Richard Wagamese moved with his partner to a cabin outside Kamloops, B.C. In the crisp mountain air Wagamese felt a peace he'd seldom known before. Abused and abandoned as a kid, he'd grown up feeling there was nowhere he belonged. For years, only alcohol and moves from town to town seemed to ease the pain. In One Native Life, Wagamese looks back down the road he has travelled in reclaiming his identity and talks about the things he has learned as a human being, a man and an Ojibway in his fifty-two years. Whether he's writing about playing baseball, running away with the circus, attending a sacred bundle ceremony or meeting Pierre Trudeau, he tells these stories in a healing spirit. Through them, Wagamese celebrates the learning journey his life has been. Free of rhetoric and anger despite the horrors he has faced, Wagamese's prose resonates with a peace that has come from acceptance. Acceptance is an Aboriginal principle, and he has come to see that we are all neighbours here. One Native Life is his tribute to the people, the places and the events that have allowed him to stand in the sunshine and celebrate being alive.

Dry Lips Oughta Move to Kapuskasing tells another story of the mythical Wasaychigan Hill Indian Reserve, also the setting for Tomson Highway's award winning play The Rez Sisters. Wherein The Rez Sisters the focus was on seven Wasy" women and the game of bingo, Dry Lips Oughta Move to Kapuskasing features seven "Wasy" men and the game of hockey. It is a fast-paced story of tragedy, comedy, and hope.

Born at a traditional Inuit camp in what is now Nunavut, Joan Scottie has spent decades protecting the Inuit hunting way of life, most famously with her long battle against the uranium mining industry. Twice, Scottie and her community of Baker Lake successfully stopped a proposed uranium mine. Working with geographer Warren Bernauer and social scientist Jack Hicks, Scottie here tells the history of her community’s decades-long fight against uranium mining. Scottie's I Will Live for Both of Us is a reflection on recent political and environmental history and a call for a future in which Inuit traditional laws and values are respected and upheld. Drawing on Scottie’s rich and storied life, together with document research by Bernauer and Hicks, their book brings the perspective of a hunter, Elder, grandmother, and community organizer to bear on important political developments and conflicts in the Canadian Arctic since the Second World War. In addition to telling the story of her community’s struggle against the uranium industry, I Will Live for Both of Us discusses gender relations in traditional Inuit camps, the emotional dimensions of colonial oppression, Inuit experiences with residential schools, the politics of gold mining, and Inuit traditional laws regarding the land and animals. A collaboration between three committed activists, I Will Live for Both of Us provides key insights into Inuit history, Indigenous politics, resource management, and the nuclear industry.

A renowned author investigates the dark and shocking history of her prairie house. When researching the first occupant of her Saskatoon home, Candace Savage discovers a family more fascinating and heartbreaking than she expected Napoléon Sureau dit Blondin built the house in the 1920s, an era when French-speakers like him were deemed “undesirable” by the political and social elite, who sought to populate the Canadian prairies with WASPs only. In an atmosphere poisoned first by the Orange Order and then by the Ku Klux Klan, Napoléon and his young family adopted anglicized names and did their best to disguise their “foreignness.” In Strangers in the House, Savage scours public records and historical accounts and interviews several of Napoléon’s descendants, including his youngest son, to reveal a family story marked by challenge and resilience. In the process, she examines a troubling episode in Canadian history, one with surprising relevance today. Published in Partnership with the David Suzuki Institute

“Speaking one language, I submit, is like living in a house with one window only...” From his legendary birth in a snow bank in northwestern Manitoba, through his metamorphosis to citizen-artist of the world, playwright, pianist, polyglot, storyteller, and irreverent disciple of the Trickster, Tomson Highway rides roughshod through the languages and communities that have shaped him. Cree, Dene, Latin, French, English, Spanish, and the universal language of music have opened windows and widened horizons in Highway’s life. Readers who can hang on tight—Highway fans, culture mavens, cunning linguists, and fellow tricksters—will experience the profundity of Highway’s humour, for as he says, “In Cree, you will laugh until you weep.”