Person

Named a Best Book of the Year by The New Yorker, CBC Books, and the Globe and Mail. From Giller Prize finalist Alexander MacLeod comes a magnificent collection about the needs, temptations, and tensions that exist just beneath the surface of our lives. Named a Canadian Fiction title to watch by the CBC, Quill & Quire, and 49th Shelf, and a "must-read book" by Maclean's. Featuring stories published in The New Yorker, Granta, and the O. Henry Prize Stories. Startling, suspenseful, deeply humane yet alert to the undertow of our darker instincts, the eight stories in Animal Person illuminate what it means to exist in the perilous space between desire and action, and to have your faith in what you hold true buckle and give way. A petty argument between two sisters is interrupted by an unexpected visitor. Adjoining motel rooms connect a family on the brink of a new life with a criminal whose legacy will haunt them for years to come. A connoisseur of other people’s secrets is undone by what he finds in a piece of lost luggage. In the wake of a tragic accident, a young man must contend with what is owed to the living and to the dead. And in the O. Henry Award-winning story “Lagomorph,” a man’s relationship with his family’s long-lived pet rabbit opens up to become a profound exploration of how a marriage fractures. Muscular and tender, beautifully crafted, and alive with an elemental power, these stories explore the struggle for meaning and connection in an age when many of us feel cut off from so much, not least ourselves. This is a collection that beats with raw emotion and shimmers with the complexity of our shared human experience, and it confirms Alexander MacLeod’s reputation as a modern master of the short story.

The task of understanding human beings, what we ourselves are, our constitution and condition, is a perennial problem in philosophy and related disciplines. Smith argues here that our understanding of human persons is threatened by technological development and capricious academic theories alike, seeking to deny or relativize the personhood of humanity. Smith's book puts a stake in the ground, in defense of a view of the human that is genuinely humanistic in the traditional sense and capable of sustaining with intellectual coherence things like modern human rights and universal benevolence.

Fiction. A novel/"autofiction" about the complexities of being a woman, an artist, a mother, and a wife; a novel about persona and obsession and loyalty and repression; an exorcism. Told in four volumes over seven years, with emails, g-chats, and an "interview" with Lydia Davis (and a nod to Ms. Davis's "The End of the Story"), the style of PERSON/A is often experimental, pushing the boundaries between fiction and nonfiction, obsession and mental instability, female independence and a loyalty to current and former lovers, but with the ultimate loyalty being to oneself or one's writing, and is there a difference? and should we be ashamed?

This unique program teaches listeners how to "decode" and reply to non-verbal signals from friends and business associates when those signals are often vague and thus frequenly ignored

In this book, John M. Rist offers an account of the concept of 'person' as it has developed in the West, and how it has become alien in a post-Christian culture. He begins by identifying the 'mainline tradition' about persons as it evolved from the time of Plato to the High Middle Ages, then turns to successive attacks on it in the seventeenth and eighteenth centuries, then proceeds to the 'five ways' in which the tradition was savaged or distorted in the nineteenth century and beyond. He concludes by considering whether ideas from contemporary philosophical movements, those that combine a closer analysis of human nature with a more traditional metaphysical background, may enable the tradition to be restored. A timely book on a theme of universal significance, Rist ponders whether we persons matter, and how we have reached a position where we are not sure whether we do.

This book will teach you the practical riches of saying it well with good words, neglected words, precise words for vocabular exaltation.

Dimple Pennington knows of her half siblings, but she doesn't really KNOW them. Five people who don't have anything in common except for faint memories of being driven through Brixton in their dad's gold jeep, and some pretty complex abandonment issues. Dimple has bigger things to think about. She's thirty, and her life isn't really going anywhere. An aspiring lifestyle influencer with a terrible and wayward boyfriend, Dimple's life has shrunk to the size of a phone screen. And despite a small but loyal following, she's never felt more alone in her life. That is, until a dramatic event brings her half siblings Nikisha, Danny, Lizzie, and Prynce crashing back into her life. And when they're all forced to reconnect with Cyril Pennington, the absent father they never really knew, things get even more complicated.--

The third edition of this highly regarded series focuses on building confidence in using language needed in everyday settings.