Persons And Places

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

1868 Embracing authentic facts, visions, impressions, and discoveries in magnetism, clairvoyance, spiritualism. Also quotations from the opposition. with an appendix containing Zschokke's Great Story of "Hortensia", vividly portraying the wide differe.

Jane Austen took a particular delight in the resonance of names, and in her novels she used the names of people and places as a potential source of meaning, satirical or historical. Margaret Doody's book is a learned and enjoyable investigation of this aspect of Austen's art. Doody tells us that Austen preferred first names in common and traditional English use, though these sometimes acquire a subtly new flavor in her works. Austen also favored the names of saints and of royalty, but she did use some classically derived pagan” names, always with a purpose. And Austen would signal political loyalties and allegiances in her novels through the use of names, both first names and last names, as well as place names. In exploring Austen's names and their connotations, Doody has a larger point to make. By uncovering the riddling and punning in Austen's names, as well as Austen's interest in history, Doody casts Austen as a decidedly earthy” writer steeped in the particulars of place and time, rather than a timeless novelist writing in an abstemious style. From this attention to names in her work emerges a picture of Austen that is both fuller than we've had before, and controversial.

Reproduction of the original: Famous Persons and Places by N. Parker Willis

This is the first dictionary to identify, chart, and explain in context the many proper names and place names that so famously enrich the poetry of William Butler Yeats and, just as famously, anchor that poetry to Ireland. In compiling this work, Lester I. Conner has relied upon Yeats's own prose, the principal Yeats criticism, and the writings of Yeats's friends and critics. The result is a work that warmly ushers us into the poems, where we find we are not strangers after all.