Perspectives On Work Home And Identity From Artisans In Telangana

Providing an ethnographic account of the everyday life of a household of artisans in the Telangana state of southern India, Chandan Bose engages with craft practice beyond the material (in this case, the region's characteristic murals, narrative cloth scrolls, and ritual masks and figurines). In situating the voice of the artisans themselves as the central focus of study, simultaneous and juxtaposing histories of craft practice emerge, through which artisans assemble narratives about work, home, and identity through multiple lenses. These perspectives include: the language artisans use to articulate their experience of materials, materiality, and the physical process of making; the shared and collective memory of practitioners through which they recount the genealogy of the practice; the everyday life of the household and its kinship practices, given the integration of the studio-space and the home-space; the negotiations between practitioners and the nation-state over matters of patronage; and the capacities of artisans to both conform to and affect the practices of the neo-liberal market.

Craft practice has experienced a sharp rise in popularity since the late 2000s, partly through the ‘aura of the analogue’ and the desire for authentic, handmade products in an increasingly fast paced, digitalised world (Luckman, 2015) but also because of digital platforms such as Etsy and social media enabling ‘anyone’ to become a craft entrepreneur. This book brings together historical, policy and individual narratives to inform a broad understanding of craft entrepreneurship. Drawing on case studies from around the world, Craft Entrepreneurship considers questions of identity, community, and the digital in craft entrepreneurship. In doing so, it finds craft activities to be positioned between or across the arts, heritage, notions of a bohemian lifestyle and the challenges of micro-entrepreneurship. By engaging with the contradictions and fragility of sustaining a craft practice, the chapters in this book contribute to different perspectives for entrepreneurship studies. The contributions to this volume illustrate the craft entrepreneurs’ identity, motivation and sense of creative purpose through their craft, as these collide with the tensions brought about through entrepreneurship.

The SAGE Handbook of Global Sociology addresses the ‘social’, its various expressions globally, and the ways in which such understandings enable us to understand and account for global structures and processes. It demonstrates the vitality of thought from around the world by connecting theories and traditions, including reflections on European colonization, to build shared, rather than universal, understandings. Across 36 chapters, the Handbook offers a series of perspectives and cases from different locations, enabling the reader better to understand the particularities of specific contexts and how they are connected to global movements and structures. By moving beyond standard accounts of sociology and social theory, this Handbook offers both valuable insight into and scholarly contribution to the field of global sociology. Part 1: Politics Part 2: Labour Part 3: Kinship Part 4: Belief Part 5: Technology Part 6: Ecology

This book reflects on the methodological challenges and possibilities encountered when researching practices that have been historically defined and classified as ‘craft.’ It fosters an understanding of how methodology, across disciplines, contributes to analytical frameworks within which the subject matter of craft is defined and constructed. The contributions are written by scholars whose work focuses on different craft practices across geographies. Each chapter contains detailed case study material along with theoretical analysis of the research challenges confronted. They provide valuable insight into how methodologies emerge in response to particular research conditions and contexts, addressing issues of decolonization, representation, institutionalization, and power. Informed by anthropology, art history and design, this volume facilitates interdisciplinary discussion and touches on some of the most critical issues related to craft research today.

Tracing the journey of meat from the farm to the meat shop and other workspaces of the butcher within the multi-sited margins in Delhi, the current volume intimately follows the lives of Qureshi butchers and other meat sector workers in this transforming mega-city. The author addresses the tensions that meat throws up in a bristling society whose stakes are now more than ever intense. She shows how meat is also a rising sector in the Indian economy, and fetches precious foreign exchange. Qureshi butchers stand at the crossroads of class, caste, stigma, religion, market, urban ecological policies, and a never-ceasing political debate around these issues. Delhi's Meatscapes brings together rare archival documents, vernacular sources, and ethnographic insights gleaned from several years of immersion in the city's meatscapes and is the first of its kind for urban anthropologists, economists, political scientists, policy planners and readers who wish to take a hard look at their own (non-)meat choices.

Negotiating Rural Land Ownership in Southwest China offers the first comprehensive analysis of how China’s current system of land ownership has evolved over the past six decades. Based on extended fieldwork in Yunnan Province, the author explores how the three major rural actors—local governments, village communities, and rural households—have contested and negotiated land rights at the grassroots level, thereby transforming the structure of rural land ownership in the People’s Republic of China. At least two million rural settlements (or “natural villages”) are estimated to exist in China today. Formed spontaneously out of settlement choices over extended periods of time, these rural settlements are fundamentally different from the present-day administrative villages imposed by the government from above. Yi Wu’s historical ethnography sheds light on such “natural villages” and their role in shaping the current land ownership system. Drawing on local land disputes, archival documents, and rich local histories, the author unveils their enduring social identities in both the Maoist and reform eras. She pioneers the concept of “bounded collectivism” to describe what resulted from struggles between the Chinese state trying to establish collective land ownership, and rural settlements seeking exclusive control over land resources within their traditional borders. A particular contribution of this book is that it provides a nuanced understanding of how and why China’s rural land ownership is changing in post-Mao China. Yi Wu uses village-level data to show how local governments, rural communities, and rural households compete for use, income, and transfer rights in both agricultural production and the land market. She demonstrates that the current rural land ownership system in China is not a static system imposed by the state from above, but a constantly changing hybrid.

This book offers a detailed study of the oral narrative of Shri Devnarayan along with the first English translation of this popular Rajasthani folk narrative. The narrative extolling the deeds of Lord Devnarayan is performed by itinerant singers during all night vigils in front of a 9-meter long, elaborately painted cloth scroll that depicts scenes and characters from the story. Aditya Malik uses the narrative to explore and ask a range of innovative questions relevant to the study of Indian folk culture and Hinduism as a whole: How is orality conceptualized and practiced? What is the relationship between spoken and visual signs? How do Devnarayan's devotees create multiple discourses concerning religion, community, and history within and though the medium of the narrative? Malik's analysis suggests that the narrative provides a framework for establishing linkages between different communities, past and present, spoken word and visual image, as well as contending religious ideologies. His interpretation is interspersed with excerpts from interviews with devotees and singers, other tales and texts, and observations from his field research that together invoke the worlds created by the narrative.