Petrie Museum Of Egyptian Archaeology

The Petrie Museum of Egyptian Archaeology ?rst opened its doors in 1915, and since then has attracted visitors from all over the world as well as providing valuable teaching resources. Named after its founder, the pioneering archaeologist Flinders Petrie, the Museum holds more than 80,000 objects and is one of the largest and finest collections of Egyptian and Sudanese archaeology in the world. Richly illustrated and engagingly written, the book moves back and forth between recent history and the ancient past, between objects and people. Experts discuss the discovery, history and care of key objects in the collections such as the Koptos lions and Roman era panel portraits. The rich and varied history of the Petrie Museum is revealed by the secrets that sit on its shelves.

The Petrie Museum of Egyptian Archaeology ?rst opened its doors in 1915, and since then has attracted visitors from all over the world as well as providing valuable teaching resources. Named after its founder, the pioneering archaeologist Flinders Petrie, the Museum holds more than 80,000 objects and is one of the largest and finest collections of Egyptian and Sudanese archaeology in the world. Richly illustrated and engagingly written, the book moves back and forth between recent history and the ancient past, between objects and people. Experts discuss the discovery, history and care of key objects in the collections such as the Koptos lions and Roman era panel portraits. The rich and varied history of the Petrie Museum is revealed by the secrets that sit on its shelves.

The Petrie Museum of Egyptian Archaeology ?rst opened its doors in 1915, and since then has attracted visitors from all over the world as well as providing valuable teaching resources. Named after its founder, the pioneering archaeologist Flinders Petrie, the Museum holds more than 80,000 objects and is one of the largest and finest collections of Egyptian and Sudanese archaeology in the world. Richly illustrated and engagingly written, the book moves back and forth between recent history and the ancient past, between objects and people. Experts discuss the discovery, history and care of key objects in the collections such as the Koptos lions and Roman era panel portraits. The rich and varied history of the Petrie Museum is revealed by the secrets that sit on its shelves.

Between the 1880s and 1980s, British excavations at locations across Egypt resulted in the discovery of hundreds of thousands of ancient objects that were subsequently sent to some 350 institutions worldwide. These finds included unique discoveries at iconic sites such as the tombs of ancient Egypt's first rulers at Abydos, Akhenaten and Nefertiti’s city of Tell el-Amarna and rich Roman Era burials in the Fayum. Scattered Finds explores the politics, personalities and social histories that linked fieldwork in Egypt with the varied organizations around the world that received finds. Case studies range from Victorian municipal museums and women’s suffrage campaigns in the UK, to the development of some of the USA’s largest institutions, and from university museums in Japan to new institutions in post-independence Ghana. By juxtaposing a diversity of sites for the reception of Egyptian cultural heritage over the period of a century, Alice Stevenson presents new ideas about the development of archaeology, museums and the construction of Egyptian heritage. She also addresses the legacy of these practices, raises questions about the nature of the authority over such heritage today, and argues for a stronger ethical commitment to its stewardship. Praise for Scattered Finds 'Scattered Finds is a remarkable achievement. In charting how British excavations in Egypt dispersed artefacts around the globe, at an unprecedented scale, Alice Stevenson shows us how ancient objects created knowledge about the past while firmly anchored in the present. No one who reads this timely book will be able to look at an Egyptian antiquity in the same way again.' Professor Christina Riggs, UEA

This highly readable catalogue for the special exhibition of the same name describes in 205 pages more than 160 works of art and artifacts from a renowned British collection. The show's United States tour began in April 2005 at Emory University's Michael C. Carlos Museum in Atlanta, Georgia and continues through June 2009. The objects are explained in 12 richly illustrated chapters that deal with various aspects of ancient Egyptian art and material culture: chronology; sculpture; archaeology; sites; weights and measures; daily life; writing; arts and crafts; ceramics; funerary works; tools and weapons; and faience and glass objects. First and foremost, Excavating Egypt... is the story of the Petrie Museum of Egyptian Archaeology, founded through bequest in 1892 by writer Amelia Edwards (1831-1892) at University College London. It was named after Sir William Matthew Flinders Petrie (1853-1942), a professor of Egyptian Archaeology. Edwards' numerous trips to the land of the pharaohs were described in her popular A Thousand Miles Up the Nile (1877); the book introduced British readers to Egypt, its people and ancient monuments.

The haunting funerary paintings on wood coffins found in Roman Egypt still represent some of the most vivid images that come to us from the ancient world. These paintings were first discovered by Flinders Petrie, father of modern archaeology, in his excavations in the Egyptian Fayum during the 1880s and have rested at University College London for over 100 years. Now, the Petrie Museum is bringing this corpus of paintings to the public in a stunning catalog. Living Images is a beautiful and authoritative presentation of the restored collection that will be an essential reference for scholars and a fascinating read for general audiences. Central to the volume is a complete catalog of the mummy portraits uncovered by Petrie, including full color illustrations and descriptions of technical and stylistic features and iconographic characteristics. To add to the value of the volume, articles describe the process of finding the mummies, explain the place of funerary assemblages in the history of Egyptian burial customs, offer an introduction to Egyptian portrait painting, and explain the conservation issues presented by the coffins. Petrie�s own reflections on his finds are also included. The volume is dedicated to the memory of Egyptologist Barbara Adams and co-sponsored by the Petrie Museum.

The haunting funerary paintings on wood coffins found in Roman Egypt still represent some of the most vivid images that come to us from the ancient world. These paintings were first discovered by Flinders Petrie, father of modern archaeology, in his excavations in the Egyptian Fayum during the 1880s and have rested at University College London for over 100 years. Now, the Petrie Museum is bringing this corpus of paintings to the public in a stunning catalog. Living Images is a beautiful and authoritative presentation of the restored collection that will be an essential reference for scholars and a fascinating read for general audiences. Central to the volume is a complete catalog of the mummy portraits uncovered by Petrie, including full color illustrations and descriptions of technical and stylistic features and iconographic characteristics. To add to the value of the volume, articles describe the process of finding the mummies, explain the place of funerary assemblages in the history of Egyptian burial customs, offer an introduction to Egyptian portrait painting, and explain the conservation issues presented by the coffins. Petrie’s own reflections on his finds are also included. The volume is dedicated to the memory of Egyptologist Barbara Adams and co-sponsored by the Petrie Museum.

The Archaeology of Race considers more widely the role of racial theory in archaeology and its contemporary political implications.