Phases Of Modern Music Classic Reprint

Excerpt from Phases of Modern Music I take pleasure in acknowledging the courtesy of the editors of these period icals in permitting me to republish the articles, all of which have been variously altered and amplified. L. G. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Phases of Modern Music Of the twelve papers in this volume, those on MacDowell, Mascagni, and Parsifal, were published originally in The North American Review; the article on Richard Strauss appeared in The Critic, and that on The Question of Realism in The Musical Record. The papers on Elgar, Cornelius, and De Laras Messaline were printed first in The Musical World, and the comparative study of Verdi and Wagner and the appreciation of Mr. Loeffler in The Musician. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Rhythm of Modern Music IN this book I have endeavoured to deal with the Rhythm of Modern Music in its aesthetic aspect, rather than as an element of formal construction. In the present highly developed condition of musical art, the power of influencing the mind through an infinite variety of rhythmical devices in combination with melody is not perhaps generally recognised, and the capabilities of Rhythm, although Well known to composers, are not invariably made full use of by performers, except by those of the first rank, or those who have paid special attention to this element of music. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

NEW BROOMS BY ROBERT J. SHORES This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. NEW BROOMS BY ROBERT J. SHORES

Excerpt from Outline of Study for the Modern Music Series But there is another consideration - Art is a unity. Music is the ex pression of emotions and feeling through the medium of certain forms and elements. Each of these phases - the spiritual and the formal - is a com plement of the other and not a contradiction; and it is only by recognition of the separate functions of the two phases, and by their combined action in the training of the child, that he can be properly developed musically. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Phases of Musical England Believing, then, as I fully do, in the future of music in our country, I have ventured to retain my title, 'phases of Musical England in the hope that though the Art be at present fettered with somewhat serious obstacles, these will under the new order of things - a right system of Musical Education - disappear: and that England will ere long gain a supremacy in Music, and so win as much of the admira tion, if not envy, of surrounding nations for her musical strength as she already commands for her social and political importance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Modern Music and Musicians There are many who will be inclined to deny that programme music has a history at all, or at any rate one worth writing, but as a matter of fact the idea that music is capable Of any but an abstract use is far Older than is generally supposed. Nearly four hundred years ago, at a time when music, from our point of view, was barely articulate, Sir Thomas More wrote Of his Utopians: For all their music, both that they play upon instruments and that they sing with man's voice, doth so resemble and express natural affections, the sound and tune is so applied and made agreeable to the thing, that whether it be a prayer or else a ditty of gladness, of patience, of trouble, Of mourning or Of anger, the fashion Of the melody doth so represent the meaning Of the thing, that it doth wonderfully move, stir, pierce and inflame the hearers' minds. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.